Sumptuous plasterwork ornament is a celebrated and distinctive feature of Ireland's 18th-century domestic architecture. Migrant craftsmen brought the modeling skills and decorative forms of European plasterwork and influenced the emergence of a prolific and idiosyncratic local production. In this volume, specialists from Ireland, Britain, and Europe explore early modern decoration from a range of perspectives that include formal analysis, discussion of technique and workshop practices, and documentation of the social and economic life of artisans. Contents include: Is stucco just the icing on the cake? * Decorative plasterwork in England and Ireland, 1550-1650 * The complex interplay between style and technology * Stucco sculptors from the Lombard lakes in 18th-century Ireland * Baroque stucco in Bohemia and Moravia * 18th-century stucco in Germany * The earning power of stuccatori * Rococo stuccowork in the Netherlands * Bartholomew Cramillion and continental rococo * Recent conservation of Irish 18th-century modeled plaster * Plasterwork production in Britain and Ireland * Decorative designs for quadratura and plasterwork * New light on the court chapel at Wurzburg.

Decorative plasterwork was created by skilled craftsmen, and for over four hundred years it has been an essential part of the interior decoration of the British country house. In this detailed and comprehensive study, Geoffrey Beard has created a book that will delight the eye and inform the interested reader. For those who have sometimes been puzzled by the complexities of plaster decoration it will be a most useful work of reference on a fascinating art form, about which no book has been published for nearly fifty years. After discussing the part that patrons played in commissioning and financing these beautiful decorations, a useful chapter is devoted to materials and methods of work and here the author describes the ingredients of good plaster; he has studied the work of present-day English plasterers and Swiss stucco-restorers in order to establish precisely how the materials of plaster and stucco were composed and used.

Decorative plasterwork was created by skilled craftsmen, and for over four hundred years it has been an essential part of the interior decoration of the British country house. In this detailed and comprehensive study, Geoffrey Beard has created a book that will delight the eye and inform the interested reader. For those who have sometimes been puzzled by the complexities of plaster decoration it will be a most useful work of reference on a fascinating art form, about which no book has been published for nearly fifty years. After discussing the part that patrons played in commissioning and financing these beautiful decorations, a useful chapter is devoted to materials and methods of work and here the author describes the ingredients of good plaster; he has studied the work of present-day English plasterers and Swiss stucco-restorers in order to establish precisely how the materials of plaster and stucco were composed and used.

The first edition of this important book was originally published in 1897, but it is still viewed by most traditional plasterers as the plastering 'bible'. Now available in this facsimile edition this impressive volume presents a comprehensive coverage of traditional plasterwork, including everything from plain lime plastering through to hand modelling and cast plasterwork. Written by William Millar, who had practical first hand experience of using these methods, the book provides a fascinating and unique record of a craftsman's intimate knowledge of these traditional materials and techniques. This, the only detailed work currently available on this subject contains: a vital record of craft skills being practised 100 years ago; fully illustrated examples of decorative ceilings and other features; and in depth instructions for making casts and moulds.