From the time of the Bronze Age, the warriors of all tribes and nations sought to emblazon their arms and armour with items and images to impress upon the enemy the wealth and power of the wearer. Magnificently decorated shields were as much a defensive necessity as a symbol of social status. Equally, decorative symbols on shields and armour defined the collective ideals and the self-conceived important of the village or city-state its warriors represented.Such items were therefore of great significance to the wearers, and the authors of this astounding detailed and extensively research book, have brought together years of research and the latest archaeological discoveries, to produce a work of undeniable importance.Shining Under the Eagles is richly decorated throughout, and as well as battlefield armour, details the tournament and parade armour from Rome's the earliest days.Dr Andrey Negin is candidate of historical sciences (Russian PhD), member of the department of history of the Ancient World and Classical Languages of Nizhny Novgorod State University named after N.I. Lobachevsky (Russian Federation). He has carried out fieldwork on ancient Roman armour and has published books and numerous articles on Roman military equipment.Dr Raffaele D'Amato is an experienced Turin-based researcher of the ancient and medieval military worlds. After achieving his first PhD in Romano-Byzantine Law, and having collaborated with the University of Athens, he gained a second doctorate in Roman military archaeology. He spent the last year in Turkey as visiting professor at the Fatih University of Istanbul, teaching there and working on a project about the army of Byzantium. He currently work as part-time researcher at the Laboratory of the Danubian Provinces at the University of Ferrara, under Professor Livio Zerbini.

This is the story of the production of the armour used by the soldiers of the Roman Empire. The book presents an examination of the metals the armour was made from, of how the ores containing those metals were extracted from the earth and transformed into workable metal and of how that raw product was made into the armour.

From the Latin warriors on the Palatine Hill in the age of Romulus, to the last defenders of Constantinople in 1453 AD, the weaponry of the Roman Army was constantly evolving. Through glory and defeat, the Roman warrior adapted to the changing face of warfare. Due to the immense size of the Roman Empire, which reached from the British Isles to the Arabian Gulf, the equipment of the Roman soldier varied greatly from region to region.Through the use of materials such as leather, linen and felt, the army was able to adjust its equipment to these varied climates. Arms and Armour of the Imperial Roman Soldier sheds new light on the many different types of armour used by the Roman soldier, and combines written and artistic sources with the analysis of old and new archaeological finds. With a huge wealth of plates and illustrations, which include ancient paintings, mosaics, sculptures and coin depictions, this book gives the reader an unparalleled visual record of this fascinating period of military history. This book, the first of three volumes, examines the period from Marius to Commodus. Volume II covers the period from Commodus to Justinian, and Volume III will look at the period from Romulus to Marius.

Wearing the Cloak contains nine stimulating chapters on Roman military textiles and equipment that take textile research to a new level. Hear the sounds of the Roman soldiers' clacking belts and get a view on their purchase orders with Egyptian weavers. Could armour be built of linen? Who had access to what kinds of prestigious equipment? And what garments and weapons were deposited in bogs at the edge of the Roman Empire? The authors draw upon multiple sources such as original textual and scriptural evidence, ancient works of art and iconography and archaeological records and finds. The chapters cover - as did the Roman army - a large geographical span: Egypt, the Levant, the Etruscan heartland and Northern Europe. Status, prestige and access are viewed in the light of financial and social capacities and help shed new light on the material realities of a soldier's life in the Roman world.

Rome's rise to empire is often said to have owed much to the efficiency and military skill of her armies and their technological superiority over barbarian enemies. But just how 'advanced' was Roman military equipment? What were its origins and how did it evolve? The authors of this book have gathered a wealth of evidence from all over the Roman Empire - excavated examples as well as pictorial and documentary sources - to present a picture of what range of equipment would be available at any given time, what it would look like and how it would function. They examine how certain pieces were adopted from Rome's enemies and adapted to particular conditions of warfare prevailing in different parts of the Empire. They also investigate in detail the technology of military equipment and the means by which it was produced, and discuss wider questions such as the status of the soldier in Roman society. Both the specially prepared illustrations and the text have been completely revised for the second edition of this detailed and authoritative handbook, bringing it up to date with the very latest research. It illustrates each element in the equipment of the Roman soldier, from his helmet to his boots, his insignia, his tools and his weapons. This book will appeal to archaeologists, ancient and military historians as well as the generally informed and inquisitive reader.

In the years between 31 BC and AD 500 the Romans carved out a mighty empire stretching from Britain to the deserts of North Africa. The men who spearheaded this expansion were the centurions, the tough, professional warriors who led from the front, exerted savage discipline and provided a role model for the legionaries under their command. This book, the second volume of a two-part study, reveals the appearance, weaponry, role and impact of these legendary soldiers during the five centuries that saw the Roman Empire reach its greatest geographical extent under Trajan and Hadrian, only to experience a long decline in the West in the face of sustained pressure from its 'barbarian' neighbours. Featuring spectacular full-colour artwork, written by an authority on the army of the Caesars and informed by a wide range of sculptural, written and pictorial evidence from right across the Roman world, this book overturns established wisdom and sheds new light on Rome's most famous soldiers during the best-known era in its history.

Describes daily life for soldiers of the Roman empire and explains their skills and duties.

Fully illustrated, this book investigates the articulated plate armour worn by Roman legionaries. First named by Renaissance historians studying the reliefs on Trajan's Column, lorica segmentata evaded successful attempts to reconstruct it until a series of important archaeological finds in the 20th century revealed how it worked and the truth of its extended chronology. The earliest finds date from the late 1st century BC, and its discovery at Kalkriese in Germany shows how rapidly it was adopted. At the same time, discoveries in Spain and Britain showed that, despite its apparent fragility, it continued in use into the 4th century AD. The spectacular find of six halves of cuirasses in a chest at Corbridge in 1964 has now been matched by the rare discovery of a complete set of this armour at Kalkriese. The Corbridge find provided the context to interpret and reconstruct earlier finds. There is now years of experience gleaned from reenactors over the practical strengths and weaknesses of this form of armour. At the same time, scientific analysis has provided insights into the technology behind this revolutionary form of armour so characteristic of the Roman Army. Featuring specially commissioned artwork and drawing upon the latest findings, this study lifts the veil on the formidable plate armour used by the legionaries of Imperial Rome.

The Late Roman Empire was a period of significant change in the designs of standards and in the costumes of standard-bearers. During the middle decades of the chaotic 3rd century, evidence confirms the continued use of the old legionary eagle and the signa of the old cohorts and centuries, alongside flags and Imperial images. The two major trends over the later generations were the adoption of Christian symbols on standards (e.g. Constantine the Great's Chi-Rho), and the proliferation of different types of flags. This had begun in the late 2nd century with the adoption of the 'barbarian' dragon standard, the windsock-shaped draco, which continued to be displayed alongside various other flags in the Greek-speaking Eastern Empire, whose influence increased greatly. Meanwhile, the growing employment of foreign units was such that by the 5th century we have evidence of the use of Hunnic symbolism among a Roman general's suite of standards. The costumes of standard-bearers also evolved as 'Persian' styles spread from Constantinople. This title explores all these changes in depth, charting the development of various costumes and designs and the waxing and waning influence of various cultures and religious considerations. The text is supported by specially commissioned illustrations and artist's reconstructions of the standards and their bearers.