First published in 1990, Deconstructing America breaks new ground by locating the European discovery of America within the study of representations of Otherness. Peter Mason acknowledges that America was part of the European imagination before its discovery, but challenges the claim that the European vision of America is merely a distorted view of some extra-European reality. He relates the way in which Europe tended to see the inhabitants of South America as monstrous figures to a longstanding European tradition on the ‘Plinian’ human races, and goes on to point out that the existence of similar representations among contemporary Amerindian peoples calls into question the extent to which ethnocentrism is an exclusively European idea. Drawing on anthropological, literary and philosophical studies, he shows how European representations of America constitute a cultural monologue which tells more about the Old World than the New. This book will be a stimulating reading for all those working in the fields of symbolic and cultural anthropology, semiotics, cultural studies, Latin America, structuralism and deconstruction.

Drawing on anthropological, literary and philosophical studies, this volume attempts to show how European representations of America constitute a cultural monologue which tells us more about the Old World than the New.

What impact has deconstruction had on the way we read American culture? And how is American culture itself peculiarly deconstructive? To address these questions, this volume brings together some of the most provocative thinkers associated with deconstruction, among them Jacques Derrida, Judith Butler, and Avital Ronnel. Ranging across a wide field, from the ethics of reading to the rhetoric of performance, the contributors offer provocative insights into a new sense of the political. The America of the volume's title turns out to be the place where the politics and poetics of responsibility meet. It is also the place where we confront the tension between difference and profound otherness.

Did Obama write his own books and is the story they tell true? “I've written two books,” Barack Obama told a crowd of teachers in July of 2008. “I actually wrote them myself.” The teachers exploded in laughter. They got the joke: lesser politicians were not bright enough to do the same. During the 2008 presidential campaign, Obama supporters pointed to the first of those two books, the 1995 memoir, Dreams from My Father, as proof of Obama’s superior intellect. Time magazine called Dreams “the best-written memoir ever produced by an American politician.” The Obama campaign machine traded on the candidate’s literary reputation, encouraging volunteers to “get out the vote and keep talking to others about the genius of Barack Obama.” There was just one small flaw, as writer and literary detective Jack Cashill discovered months before the November 2008 election: nothing in Obama’s history suggested he was capable of writing either Dreams or his 2006 book, The Audacity of Hope. In fact, as Cashill continued his research, he came to the shocking conclusion that the real craftsman behind Dreams was terrorist emeritus Bill Ayers. “This was a charge,” David Remnick admits in his definitive Obama biography, The Bridge, “that if ever proved true, or believed to be true among enough voters, could have been the end of the candidacy.” Deconstructing Obama tells the story of what happens when a citizen journalist discovers a game-changing reality that the media refuse to acknowledge. Despite their rejection, Cashill expanded his research into Obama’s literary canon. As he came to see, if Dreams serves as sacred text, the poem “Pop” is the Rosetta stone, the key to deciphering Obama’s shrouded past, his fragile psyche, and his uniquely cryptic political life. In unlocking that past, Cashill discovered that the story that Obama has been telling all his life varies from the true story in ways big and small. In fact, much of Obama’s life story appears to be a wholly constructed fabrication, one that Jack Cashill “deconstructs” to show the world just who Barack Obama really is.

This book is about Enlightenment culture in Spanish America before Independence—in short, there where, according to Hegel, one would least expect to find it. It explores the Enlightenment in texts from five cultural fields: science, history, the periodical press, law, and literature. Texts include the journals of the geodesic expedition to Quito, philosophical histories of the Americas, a year’s work from the Mercurio Peruano, the writings of Mariano Moreno, and Lizardi’s El periquillo sarniento. Each chapter takes one field, one body of writing, and one key question: Is modern science universal? Can one disavow the discourse of progress? What is a “Catholic” Enlightenment? Are Enlightenment reason and sovereignty monological? Must the individual be the normative subject of modernity? The book’s premise is that the above texts not only speak to the contradictions of a doubtless marginalised colonial American Ilustración but illuminate the constitutive aporias of the so-called modern project itself. Drawing on the work of Derrida, but also on both historical and philosophical accounts of the various Enlightenments, this incisive book will be of interest to students of Spanish America and scholars in the fields of postcolonialism and the Enlightenment.

In The Power To Control, you will find out how the elite use their vast wealth and power to manipulate you and the general population into supporting their beliefs and interests. The modern human struggle is not about sex, religion, race, ideology, or any of the common themes elites and their media companies and institutions claim it is, as they rile up the populace to garner support for whatever actions and goals will benefit their own interests. The true battle is class warfare between the owners of society and everyone else, as the elites of all societies across the world conspire against the masses by directing the systems and institutions they own and control to create an imbalanced playing field that benefits themselves at the expense of all others.

"This text will be the classic work in the field.... It will be extremely useful for general Islamic studies, for studies of religion in America, and for the study of Islam in America." —Aminah Beverly McCloud, Associate Professor of Islamic Studies, DePaul University, Chicago From the avant-garde design of the Islamic Cultural Center in New York City to the simplicity of the Dar al-Islam Mosque in Abiquiu, New Mexico, the American mosque takes many forms of visual and architectural expression. The absence of a single, authoritative model and the plurality of design nuances reflect the heterogeneity of the American Muslim community itself, which embodies a whole spectrum of ethnic origins, traditions, and religious practices. In this book, Akel Ismail Kahera explores the history and theory of Muslim religious aesthetics in the United States since 1950. Using a notion of deconstruction based on the concepts of "jamal" (beauty), "subject," and "object" found in the writings of Ibn Arabi (d. 1240), he interprets the forms and meanings of several American mosques from across the country. His analysis contributes to three debates within the formulation of a Muslim aesthetics in North America—first, over the meaning, purpose, and function of visual religious expression; second, over the spatial and visual affinities between American and non-American mosques, including the Prophet's mosque at Madinah, Arabia; and third, over the relevance of culture, place, and identity to the making of contemporary religious expression in North America.

Although he left office, Ronald Reagan remains a potent symbol for the conservative movement. This work presents the study of the interplay of politics and memory concerning our fortieth president. It scrutinizes key aspects of the Reagan legacy and the conservative mythology that surrounds it.

A portrait of today's African-American male evaluates both archetypes and stereotypes, exploring black masculinity as it is represented by a range of personalities, from professionals and hip-hop figures to family men and criminals. Original.

Barbara Crain Major and Joseph Barndt bring ninety combined years of experience as community organizers, teachers, and anti-racism trainers in community and church settings to this book. In Deconstructing Racism, they propose the deconstruction of racism's roots within systems and institutions that have been created, both structurally and legally, to serve white people. The authors propose that the deconstruction of racism must take place through the reconstruction of these systems and institutions. The authors seek to unmask the complexities of racism and the invisible patterns that keep it in place. There is no quick fix, but they believe racism can be deconstructed and undone. In order to do this, they identify and address race-based identity, history, and cultural issues rooted in current systems. Three chapters specifically address societal systems and provide anti-racism strategies for community organizers. Three chapters address racism as rooted in systems in the church and challenge people of faith to seek racial healing through understanding, honest confession, true reconciliation, and reconstructed church institutions. A final chapter outlines a way forward to and through a new era of anti-racist reconstruction. This way forward includes a new anti-racist mission statement, a new model of decision-making power, and new processes for accountability.