Joy A. Schroeder explores centuries of Jewish and Christian interpretations of the biblical story of Deborah, an authoritative judge, prophet, and war leader who violently defeated her enemies.

Joy A. Schroeder offers the first in-depth exploration of the biblical story of Deborah, an authoritative judge, prophet, and war leader. For centuries, Deborah's story has challenged readers' traditional assumptions about the place of women in society. Schroeder shows how Deborah's story has fueled gender debates throughout history. An examination of the prophetess's journey through nearly two thousand years of Jewish and Christian interpretation reveals how the biblical account of Deborah was deployed against women, for women, and by women who aspired to leadership roles in religious communities and society. Numerous women-and men who supported women's aspirations to leadership-used Deborah's narrative to justify female claims to political and religious authority. Opponents to women's public leadership endeavored to define Deborah's role as "private" or argued that she was a divinely authorized exception, not to be emulated by future generations of women. Deborah's Daughters provides crucial new insight into the history of women in Judaism and Christianity, and into women's past and present roles in the church, synagogue, and society.

Deborah Tannen's #1 New York Times bestseller You Just Don’t Understand revolutionized communication between women and men. Now, in her most provocative and engaging book to date, she takes on what is potentially the most fraught and passionate connection of women’s lives: the mother-daughter relationship. It was Tannen who first showed us that men and women speak different languages. Mothers and daughters speak the same language–but still often misunderstand each other, as they struggle to find the right balance between closeness and independence. Both mothers and daughters want to be seen for who they are, but tend to see the other as falling short of who she should be. Each overestimates the other’s power and underestimates her own. Why do daughters complain that their mothers always criticize, while mothers feel hurt that their daughters shut them out? Why do mothers and daughters critique each other on the Big Three–hair, clothes, and weight–while longing for approval and understanding? And why do they scrutinize each other for reflections of themselves? Deborah Tannen answers these and many other questions as she explains why a remark that would be harmless coming from anyone else can cause an explosion when it comes from your mother or your daughter. She examines every aspect of this complex dynamic, from the dark side that can shadow a woman throughout her life, to the new technologies like e-mail and instant messaging that are transforming mother-daughter communication. Most important, she helps mothers and daughters understand each other, the key to improving their relationship. With groundbreaking insights, pitch-perfect dialogues, and deeply moving memories of her own mother, Tannen untangles the knots daughters and mothers can get tied up in. Readers will appreciate Tannen’s humor as they see themselves on every page and come away with real hope for breaking down barriers and opening new lines of communication. Eye-opening and heartfelt, You’re Wearing That? illuminates and enriches one of the most important relationships in our lives. “Tannen analyzes and decodes scores of conversations between moms and daughters. These exchanges are so real they can make you squirm as you relive the last fraught conversation you had with your own mother or daughter. But Tannen doesn't just point out the pitfalls of the mother-daughter relationship, she also provides guidance for changing the conversations (or the way that we feel about the conversations) before they degenerate into what Tannen calls a mutually aggravating spiral, a "self-perpetuating cycle of escalating responses that become provocations." – The San Francisco Chronicle

Featured on Oprah’s Summer Reading List For readers of Delia Owens’ Where the Crawdads Sing and Sue Monk Kidd’s The Secret Life of Bees, this extraordinary historical debut novel follows three fierce Southern women in an unforgettable story of motherhood and womanhood. It’s 1924 in Branchville, South Carolina and three women have come to a crossroads. Gertrude, a mother of four, must make an unconscionable decision to save her daughters. Retta, a first-generation freed slave, comes to Gertrude’s aid by watching her children, despite the gossip it causes in her community. Annie, the matriarch of the influential Coles family, offers Gertrude employment at her sewing circle, while facing problems of her own at home. These three women seemingly have nothing in common, yet as they unite to stand up to injustices that have long plagued the small town, they find strength in the bond that ties women together. Told in the pitch-perfect voices of Gertrude, Retta, and Annie, Call Your Daughter Home is an emotional, timeless story about the power of family, community, and ferocity of motherhood. “Like Jill McCorkle and Sue Monk Kidd, Spera probes the comfort and strength women find in their own company.” — O, The Oprah Magazine “A mesmerizing Southern tale…Authentic, gripping, a page-turner, yet also a novel filled with language that begs to be savored.” — Lisa Wingate, New York Times Bestselling Author of Before We Were Yours

This smart, sassy series introduces Deborah Knott, candidate for district judge--and daughter of an infamous bootlegger. Deborah's campaigning is interrupted when disturbing new evidence surrrounding a murder that has never been solved surfaces and she is implored to investigate.

As Deborah and her husband, Sheriff's Deputy Dwight Bryant, investigate they cross paths with an unlikely set of suspects: Rachel's longtime minister; her neighbor, the respected local doctor; the friendly single father who often sought her advice; and perhaps the most puzzling party of all, the Designated Daughters, a support group for caregivers that Rachel's own daughter belongs to. When Judge Deborah Knott is summoned to her ailing Aunt Rachel's bedside, she assumes the worst. Thankfully when she arrives at the hospice center she learns that Rachel hasn't passed; in fact, the dying woman is awake. Surrounded by her children, her extended family, and what seems like half of Colleton County, a semi-conscious Rachel breaks weeks of pained silence with snippets of stories as randomly pieced together as a well-worn patchwork quilt. But the Knott family's joy quickly gives way to shock: less than an hour later, Aunt Rachel is found dead in her bed, smothered with a pillow. Who would kill a woman on her deathbed? Was it an act of mercy, or murder? Soon Deborah and Dwight realize that the key to solving this case is hidden in Rachel's mysterious final words. Her mixed-up memories harbored a dark secret-a secret that someone close to them is determined to bury forever.

For millennia, men have told the legend of the woman whose face launched a thousand ships—but now it's time to hear her side of the story. Daughters of Sparta is a tale of secrets, love, and tragedy from the women behind mythology's most devastating war, the infamous Helen and her sister Klytemnestra. As princesses of Sparta, Helen and Klytemnestra have known nothing but luxury and plenty. With their high birth and unrivaled beauty, they are the envy of all of Greece. But such privilege comes at a cost. While still only girls, the sisters are separated and married to foreign kings of their father's choosing— Helen remains in Sparta to be betrothed to Menelaos, and Klytemnestra is sent alone to an unfamiliar land to become the wife of the powerful Agamemnon. Yet even as Queens, each is only expected to do two things: birth an heir and embody the meek, demure nature that is expected of women. But when the weight of their husbands' neglect, cruelty, and ambition becomes too heavy to bear, Helen and Klytemnestra must push against the constraints of their society to carve new lives for themselves, and in doing so, make waves that will ripple throughout the next three thousand years. Daughters of Sparta is a vivid and illuminating reimagining of the Siege of Troy, told through the perspectives of two women whose voices have been ignored for far too long.

Women have an innate thirst for true, genuine intimacy. Author Linda Dillow believes that this desire is created—and can only be satisfied—by a relationship with God. This 12-week devotional Bible study encourages you to move from concept into practice and establish a lifestyle of worship. Find rest and freedom from stress and grief in God’s forgiveness. Includes discussion questions.

"An engrossing account of the appeal of religious orthodoxy to formerly secular women, many of them once feminist, radical members of the counterculture. . . . This outstanding work of scholarship reads with the immediacy of a novel." Cynthia Fuchs Epstein, author of Deceptive Distinctions: Sex, Gender, and the Social Order Debra Kaufman writes about ba'alot teshuva women who have returned to Orthodox Judaism, a form of Judaism often assumed to be oppressive to women. She addresses many of the most challenging issues of family, feminism, and gender. Why, she asks, have these women chosen an Orthodox lifestyle? What attracts young, relatively affluent, well-educated, and highly assimilated women to the most traditional, right-wing, patriarchal, and fundamentalist branch of Judaism? The answers she discovers lead her beyond an analysis of religious renewal to those issues all women and men confront in public and private life. Kaufman interviewed and observed 150 ba'alot teshuva. She uses their own stories, in their own words, to show us how they make sense of the choices they have made. Lamenting their past pursuit of individual freedom over social responsibility, they speak of searching for shared meaning and order, and finding it in orthodoxy. The laws and customs of Orthodox Judaism have been formulated by men, and it is men who enforce those laws and control the Orthodox community. The leadership is dominated by men. But the women do not experience theologically-imposed subordination as we might expect. Although most ba'alot teshuva reject feminism or what they perceive as feminism, they maintain a gender consciousness that incorporates aspects of feminist ideology, and often use feminist rhetoric to explain their lives. Kaufman does not idealize the ba'alot teshuva world. Their culture does not accommodate the non-Orthodox, the homosexual, the unmarried, the divorced. Nor do the women have the mechanisms or political power to reject what is still oppressive to them. They must live within the authority of a rabbinic tradition and social structure set by males. Like other religious right women, their choices reinforce authoritarian trends current in today's society. Rachel's Daughters provides a fascinating picture of how newly orthodox women perceive their role in society as more liberating than oppressive.