Given the circularity of the witchcraft complex in Africa, given its performative potential, isnt the flood of anthropological publications on the topic counter-productive insofar as it feeds what it pretends to analyse, and even stigmatize? Wouldnt the social scientists be well advised not to emulate the media and the Evangelical preachers and to avoid bestowing on Africa the dubious privilege of being no more than a shadow theatre devoid of substance on the stage of which everything power, work, production, economy, the family would actually be played in the occult? In this publication, eight scholars namely: Jean-Pierre Warnier, Didier Pclard, Julien Bonhomme, Patrice Yengo, Jane Guyer, Joseph Tonda, Francis Nyamnjoh and Peter Geschiere engage in a lively and contradictory debate on witchcraft/sorcery in Africa in a controversial historical context.

Central to the Jensen Memorial Lectures 2023 is an invitation to take incompleteness seriously in how we imagine, relate to and seek to understand a world in perpetual motion. Despite our instinct for and obsession with completeness, we are constantly reminded that the sooner one recognises and provides for incompleteness and the conviviality it inspires as the normal way of being, the better we are for it. Fluidity, compositeness and the capacity to be present in multiple places and forms simultaneously in whole or in fragments are core characteristics of reality and ontology of incompleteness. How would we frame our curiosities and conversations about processes, relationships and phenomena with an understanding of the universality of incompleteness and mobility? West and Central Africa, for example, are regions where it is commonplace to embrace and celebrate incompleteness in nature, the suprasensory, human beings, human actions, human inventions and human achievements. The lectures indicate how we could draw inspiration in this regard to inform current clamours for decolonisation and the growing ambivalence about rapid advances in digital technologies (artificial intelligence (AI) in particular), as well as with twenty-first century concerns about migrants and strangers knocking at the doors of opportunities we feel more entitled to as bona fide citizens and insiders. The lectures draw on the writings of Amos Tutuola as well as from popular ideas of personhood and agency in Africa, to make a case for sidestepped and silenced traditions of knowledge. They highlight Africa’s possibilities, prospects and emergent capacities for being and becoming in tune with the continent’s creativity and imagination. They speak to the nimble-footed flexible-minded frontier African at the crossroads and junctions of myriad encounters, facilitating creative conversations and challenging regressive logics of exclusionary claims and articulation of identities and achievements. The traditions of knowledge discussed in these lectures do not only speak to Africans, but to the world, as the philosophies explored have universal application. “The crucial anthropological question of relationality and othering is at the heart of this original and enlightening book. Nyamnjoh cautions the missionaries of decoloniality against the risk of substituting one illusion of completeness with another. For him, incompleteness is the basis of any healthy exchange. He therefore recommends embracing the universality of incompleteness in motion and taking seriously an ancestral tradition of self-extension through creative imagination in this anxious age of artificial intelligence. Forcefully argued and abundantly substantiated – with finesse and laughter that run through it – this book will be a milestone by making us rediscover the demands and the magic of fieldwork.” Prof. Dr. Mamadou Diawara, Goethe University, Frankfurt/Main Frobenius-Institut, Frankfurt/Main Point Sud, Bamako, Mali

Witch hunts are the result of gendered, cultural and socioeconomic struggles over acute structural, economic and social transformations in both the formation of gendered class societies and that of patriarchal capitalism. This book combines political economy with gender and cultural analysis to explain the articulation of cultural beliefs about women as causing harm, and struggles over patriarchy in periods of structural economic transformation. It brings in field data from India and South-East Asia and incorporates a large body of works on witch hunts across geographies and histories. Witch Hunts is a scholarly analysis of the human rights violation of women and its correction through changes in beliefs, knowledge practices and adaptation in structural transformation.

This book offers a major contribution to the study and analysis of divination, based on continuing fieldwork with the Mambila in Cameroon. It seeks to return attention to the details of divinatory practice, using the questions asked and life histories to help understand the perspective of the clients rather than that of the diviners. Drawing on a corpus of more than 600 cases, David Zeitlyn reconsiders theories of divination and compares Mambila spider divination with similar systems in the area. A detailed case study is examined and analysed using conversational analytic principles. The regional comparison considers different kinds of explanation for different features of social organization, leading to a discussion of the continuing utility of moderated functionalism. The book will be of interest to area specialists and scholars concerned with religion, rationality, and decision-making from disciplines including anthropology, African studies, and philosophy.

Traces changing visions of mystical power and authority on the island of Pemba, whose people's reputed resistance to outside rule has shaped the national narratives of both Zanzibar and Tanzania. For two centuries, Pemba, the second largest island of Zanzibar, has been known by East Africans and outsiders alike as rich in dangerous knowledge. Despite Pembans' reputation for piety and deep Islamic knowledge, uchawi- 'mystical work and power', sometimes termed 'magic', 'witchcraft', or 'sorcery' - has long featured in diverse visions of their identity and as key to worldly power. Today, as traditional methods of securing agency are called into question and new ways proliferate, the mystical world is an intensely conflicted realm where the nature of power, ethical action, and reality itself is continually reframed. This luminous ethnography follows Pemban notions of invisible and worldly power through the Zanzibar Revolution of 1964, the trials of multiparty democracy, the rise of Islamic revival, and intensifying neoliberalism. Through an exploration of rural imaginings of power, it argues that nations and the grammars that underwrite them are made in and by their peripheries, which give 'the centre' shape. Highlighting the intersections of mystical practices, religion, and politics-as-such on the Swahili Coast, the book contributes new perspectives to studies of the imagination, power, and religious transformation in Africa, the Indian Ocean, and the larger Islamic world.

The Gospel Sounds Like the Witch's Spell is a highly detailed ethnography about how the Jopadhola in eastern Uganda talk about, interpret and cope with death, illness and other misfortunes. The book presents a provocative discussion that critiques the idea of the revival of witchcraft in the neo-liberalised contemporary world, as represented by the 'modernity model of witchcraft', and attempts to formulate a 'spiderweb model' that connects witchcraft to contemporary society in a more complex manner. The book is a unique ethnography of the collective memory of indigenous knowledge and local historicity. The author moves the reader from curse to misfortune to fortune as he plots the notion of 'curse' as deeply embedded in the Adhola way of life. He weaves between culture, religion, state and modernity with lived experience. Did the concept of witchcraft unwittingly endear the Adhola to the Christian way of life because of the presence of the notion of 'curse' in the Bible or make them less susceptible to the vagaries of modernity compared to their neighbours? These are some of the questions that the author puts on the table in a deeply reflective manner. The phenomenon of witchcraft is given an intriguing angle that invites the reader to reexamine earlier anthropological writings on the subject among African peoples.

Drawing from a rich corpus of art works, including sarcophagi, tomb paintings, and floor mosaics, Patrick R. Crowley investigates how something as insubstantial as a ghost could be made visible through the material grit of stone and paint. In this fresh and wide-ranging study, he uses the figure of the ghost to offer a new understanding of the status of the image in Roman art and visual culture. Tracing the shifting practices and debates in antiquity about the nature of vision and representation, Crowley shows how images of ghosts make visible structures of beholding and strategies of depiction. Yet the figure of the ghost simultaneously contributes to a broader conceptual history that accounts for how modalities of belief emerged and developed in antiquity. Neither illustrations of ancient beliefs in ghosts nor depictions of afterlife, these images show us something about the visual event of seeing itself. The Phantom Image offers essential insight into ancient art, visual culture, and the history of the image.

The book examines how men and women in Manenberg township, on Cape Town’s inner periphery, manoeuvre to re-define themselves as gendered persons deserving of dignity, through the quotidian practices of ordentlikheid or respectability. Salo shows how reclamation of dignity is an intergenerational and gendered process that is messy and uneven, involves the expression of often-brutal physical and social exclusion of individuals through embodied and social violence. Theoretically, the narrative makes visible the careful, painstaking processes of place making and claiming dignity by men and women in a place represented as a wasteland in the dominant discourse of grand apartheid and in the contemporary neo-liberal turn in Cape Town.

Unshared Identity employs the practice of posthumous paternity in Ilupeju-Ekiti, a Yoruba-speaking community in Nigeria, to explore endogenous African ways of being and meaning-making that are believed to have declined when the Yoruba and other groups constituting present-day Nigeria were preyed upon by European colonialism and Westernisation. However, the authors fieldwork for this book uncovered evidence of the resilience of Africas endogenous epistemologies. Drawing on a range of disciplines, from anthropology to literature, the author lays bare the hypocrisy underlying the ways in which dominant Western ideals of being and belonging are globalised or proliferated, while those that are unorthodox or non-Western (Yoruba and African in this case) are pathologised, subordinated and perceived as repugnant. At a time when the issues of decolonisation and African epistemologies are topical across the African continent, this book is a timely contribution to the potential revival of those values and practices that make Africans African.

This volume offers introductions to the work of fifteen avant-garde American women filmmakers.