The reporter and columnist recounts her life as one of the last reporters to attack cartels and expose Colombia's drug traffickers.

'Manhattan, beware! Formidable reporter Poppy Danby enjoys a luxury voyage across the Atlantic. Her indefatigable and entertaining search for truth reveals the seediness and glamour of 1920s New York.' Frances Brody, author of the Kate Shackleton mysteries When London Daily Globe editor Rollo Rolandson has to return to New York for three months, he takes his star reporter, Poppy Denby, with him. Poppy is very excited to be working on the world-famous New York Times and looks forward to immersing herself in the arts and entertainment of Manhattan. Instead, she is allocated the death beat--journalese for obituaries--and tied to her desk. But the young reporter has a nose for a story, and when a European prince dies in a luxury penthouse apartment, she starts to investigate. She follows a sordid trail involving illegal immigrants, forced labor, eugenics, sexual scandals . . . and an unexpected ghost from her past. Poppy is determined to help the victims, but can she find the evidence to bring the perpetrators to justice without putting her own life in danger…

“The wildest, strangest, best Dresden adventure to date...Butcher’s blending of modern fantasy with classic noir sensibilities ensures that there’s never a dull moment.”—SF Site Paranormal investigations are Harry Dresden’s business and Chicago is his beat, as he tries to bring law and order to a world of wizards and monsters that exists alongside everyday life. And though most inhabitants of the Windy City don’t believe in magic, the Special Investigations Department of the Chicago PD knows better. Karrin Murphy is the head of S. I. and Harry’s good friend. So when a killer vampire threatens to destroy Murphy’s reputation unless Harry does her bidding, he has no choice. The vampire wants the Word of Kemmler (whatever that is) and all the power that comes with it. Now, Harry is in a race against time—and six merciless necromancers—to find the Word before Chicago experiences a Halloween night to wake the dead...

Edward Power sets the reader down in the midst of a February 2017 blizzard that raked Utah’s Uinta Range as nine snowboarders made their way into the backcountry for a day of intense adventure. As the boarders were taking their first turns, expert avalanche forecaster Craig Gordon was tracking the storm and its impact, posting one of the most dire avalanche forecasts and warnings in his career. In Dragons in the Snow, Power delves into the research and science behind avalanche forecasting and rescue, weaving in the art of backcountry skiing as well as dramatic tales of avalanche accidents, rescues, and recoveries. And he paints compelling portraits of the men and women who have made the study of avalanches their life’s work. The tales told by these avalanche forecasters, as well as the stories of the backcountry riders who may "wake the dragon" make for not just a compelling read, but also a powerful tool for raising avalanche awareness in everyone who plays in the winter backcountry.

The New York Times comes each morning and never fails to deliver news of the important dead. Every day is new; every day is fraught with significance. I arrange my cup of tea, prop up my slippers. Obituaries are history as it is happening. Whose time am I living in? Was he a success or a failure, lucky or doomed, older than I am or younger? Did she know how to live? I shake out the pages. Tell me the secret of a good life!Where else can you celebrate the life of the pharmacist who moonlighted as a spy, the genius behind Sea Monkeys, the school lunch lady who spent her evenings as a ballroom hostess? No wonder so many readers skip the news and the sports and go directly to the obituary page. The Dead Beat is the story of how these stories get told. Enthralled by the fascinating lives that were marching out of this world, Marilyn Johnson tumbled into the obits page to find out what made it so lively. She sought out the best obits in the English language and chased the people who spent their lives writing about the dead. Surveying the darkest corners of Internet chat rooms, surviving a mass gathering of obituarists, and making a pilgrimage to London to savor the most caustic and literate obits of all, Marilyn Johnson leads us into the cult and culture behind the obituary page. The result is a rare combination of scrapbook and compelling read, a trip through recent history and the unusual lives we don't quite appreciate until they're gone.

As thrilling a tale as the Donner Party, this graphic novel tells the true story of William Lewis Manly, who risked his life to save pioneer families from dying in a barren wasteland.THE MAN WHO BEAT DEATH VALLEY reveals how Death Valley earned its name, told for the first time in a graphic novel.

During the four-plus years that Robin Yocum was the police reporter for the Columbus Dispatch, he covered more than 1,000 deaths. Some were flukes; some were deserved. He interviewed decorated cops and transvestites, pimps, prostitutes, and pushers, killers, and child molesters. He went on drug, porn, and moonshine raids. He waded through cornfields looking for missing planes and children, a county landfill in a vain search for child pornography, through a squalid home with knee-high trash and a flooded basement where a family of ducks had taken up residence. He ruined so many slacks and shoes that he began wearing Sansabelt and cowboy boots because he needed something he could hose off at the end of his shift. Dead Before Deadline...and Other Tales from the Police Beat chronicles Yocum's years on the police beat for the Dispatch. The tales are sometimes sad, and sometimes funny, and sometimes in odd combination of both. Yocum takes the reader into the life behind the pyline and into the gritty world of crime reporting. It is not a rehash of old headlines, but Yocum explores his interactions with people who made headlines for all the wrong reasons. He tells of a prison interview with a 17-year-old who had murdered both parents; recounts the words of a mother who lost her son to senseless violence; and details a grieving father's plan to kill his former son-in-law. The police beat is not without its humor, and Yocum captures the personalities of the oddball set of characters. Yocum has woven together these vignettes into a compelling book that will fascinate and enthrall readers.

He was the leading light of the Beat Generation writers and the most dynamic author of his time, but Jack Kerouac also had a lifelong passion for music, particularly the mid-century jazz of New York City, the development of which he witnessed first-hand during the 1940s with Charlie Parker, Dizzy Gillespie and Thelonious Monk to the fore. The novelist, most famous for his 1957 book On the Road, admired the sounds of bebop and attempted to bring something of their original energy to his own writing, a torrent of semi-autobiographical stories he published between 1950 and his early death in 1969. Yet he was also drawn to American popular music of all kinds � from the blues to Broadway ballads � and when he came to record albums under his own name, he married his unique spoken word style with some of the most talented musicians on the scene. Kerouac's musical legacy goes well beyond the studio recordings he made himself: his influence infused generations of music makers who followed in his work � from singer-songwriters to rock bands. Some of the greatest transatlantic names � Bob Dylan and the Grateful Dead, Van Morrison and David Bowie, Janis Joplin and Tom Waits, Sonic Youth and Death Cab for Cutie, and many more � credited Kerouac's impact on their output. In Kerouac on Record, we consider how the writer brought his passion for jazz to his prose and poetry, his own record releases, the ways his legacy has been sustained by numerous more recent talents, those rock tributes that have kept his memory alive and some of the scores that have featured in Hollywood adaptations of the adventures he brought to the printed page.