During the four-plus years that Robin Yocum was the police reporter for the Columbus Dispatch, he covered more than 1,000 deaths. Some were flukes; some were deserved. He interviewed decorated cops and transvestites, pimps, prostitutes, and pushers, killers, and child molesters. He went on drug, porn, and moonshine raids. He waded through cornfields looking for missing planes and children, a county landfill in a vain search for child pornography, through a squalid home with knee-high trash and a flooded basement where a family of ducks had taken up residence. He ruined so many slacks and shoes that he began wearing Sansabelt and cowboy boots because he needed something he could hose off at the end of his shift. Dead Before Deadline...and Other Tales from the Police Beat chronicles Yocum's years on the police beat for the Dispatch. The tales are sometimes sad, and sometimes funny, and sometimes in odd combination of both. Yocum takes the reader into the life behind the pyline and into the gritty world of crime reporting. It is not a rehash of old headlines, but Yocum explores his interactions with people who made headlines for all the wrong reasons. He tells of a prison interview with a 17-year-old who had murdered both parents; recounts the words of a mother who lost her son to senseless violence; and details a grieving father's plan to kill his former son-in-law. The police beat is not without its humor, and Yocum captures the personalities of the oddball set of characters. Yocum has woven together these vignettes into a compelling book that will fascinate and enthrall readers.

Editor-in-chief Irene Ingram pencils in her newest mystery in Joyce St. Anthony’s second captivating Homefront News mystery, perfect for fans of Anne Perry and Rhys Bowen. As World War II rages in Europe and the Pacific, the small town of Progress is doing its part for the soldiers in the field with a war bond drive at the annual county fair. Town gossip Ava Dempsey rumors that Clark Gable will be among the participating stars. Instead of Gable, the headliner is Freddie Harrison, a B-movie star. When Freddie turns up dead in the dunk tank, Irene Ingram, editor-in-chief of The Progress Herald, starts chasing the real headline. There are plenty of suspects and little evidence. Ava’s sister Angel, who was married to the dead actor, is the most obvious. The couple had argued about his affair with the young starlet Belinda Fox, and Angel was the last person to see Freddie alive. Irene discovers there’s more than one person who might have wanted Freddie dead. As Irene draws on her well-honed reporter’s instincts to find the killer—nothing is what it seems in Progress, and now her own deadline could be right around the corner.

A 2017 EDGAR® AWARD FINALIST! Amanda Baron died in a boating accident on the Ohio River in 1953. Or, did she? While it was generally accepted that she had died when a coal barge rammed the pleasure boat she was sharing with her lover, her body was never found. Travis Baron was an infant when his mother disappeared. After the accident and the subsequent publicity, Travis’s father scoured the house of all evidence that Amanda Baron had ever lived, and her name was never to be uttered around him. Now in high school, Travis yearns to know more about his mother. With the help of his best friend, Mitch Malone, Travis begins a search for the truth about the mother he never knew. The two boys find an unlikely ally: an alcoholic former detective who served time for falsifying evidence. Although his reputation is in tatters, the information the detective provides about the death of Amanda Baron is indisputable—and dangerous. Nearly two decades after her death, Travis and Mitch piece together a puzzle lost to the dark waters of the Ohio River. They know how Amanda Baron died, and why. Now what do they do with the information?

To save his favorite newspaper, Nero Wolfe steps into the crossfire of a tabloid war. Master sleuth Nero Wolfe’s small circle of friends is limited to his assistant, Archie Goodwin; his chef, Fritz; and Lon Cohen, the head man at the New York Gazette. Cohen knows more about the city’s power structure than any man in Manhattan, and for years, he happily passed Wolfe information in return for the odd exclusive scoop. But now Cohen needs Wolfe’s help, for the Gazette is ailing and the vultures have begun to circle. Scottish newspaper magnate Ian MacLaren plans to gut the paper and turn it into a sex-filled conservative rag. Standing in his way is the company’s chief shareholder, Gazette heir Harriet Haverhill. But when the aged Ms. Haverhill dies in an apparent suicide, no one remains to resist the Scot’s advances except Wolfe. MacLaren may be fierce, but when the cause is just, Nero Wolfe knows how to play dirty too.

This electrifying sequel from the New York Times bestselling author of Feed reenters a world of zombies, geeks, politics, social media, and the virus that runs through them all. Shaun Mason is a man without a mission. Not even running the news organization he built with his sister has the same urgency as it used to. Playing with dead things just doesn't seem as fun when you've lost as much as he has. But when a CDC researcher fakes her own death and appears on his doorstep with a ravenous pack of zombies in tow, Shaun has a newfound interest in life. Because she brings news—he may have put down the monster who attacked them, but the conspiracy is far from dead. Now, Shaun hits the road to find what truth can be found at the end of a shotgun. More from Mira Grant: Newsflesh Feed Deadline Blackout Feedback Rise Praise for Feed: "I can't wait for the next book."―N.K. Jemisin "It's a novel with as much brains as heart, and both are filling and delicious."―The A. V. Club "Gripping, thrilling, and brutal... McGuire has crafted a masterpiece of suspense with engaging, appealing characters who conduct a soul-shredding examination of what's true and what's reported."―Publishers Weekly (Starred Review) “Feed is a proper thriller with zombies.” —SFX "Deft cultural touches, intriguing science, and amped-up action will delight Grant's numerous fans." —Publishers Weekly (starred review)

In the tradition of Charles Duhigg’s The Power of Habit, a wise and fascinating book that shows us how “we can make deadlines work for us instead of the other way around” (The Wall Street Journal). Perfectionists and procrastinators alike agree—it’s natural to dread a deadline. Whether you are completing a masterpiece or just checking off an overwhelming to-do list, the ticking clock signals despair. Christopher Cox knows the panic of the looming deadline all too well—as a magazine editor, he has spent years overseeing writers and journalists who couldn’t meet a deadline to save their lives. After putting in a few too many late nights in the newsroom, he became determined to learn the secret of managing deadlines. He set off to observe nine different organizations as they approached a high-pressure deadline. Along the way, Cox made an even greater discovery: these experts didn’t just meet their big deadlines—they became more focused, productive, and creative in the process. An entertaining blend of “behavioral science, psychological theory, and academic studies with compelling storytelling and descriptive case studies” (Financial Times), The Deadline Effect reveals the time-management strategies these teams used to guarantee success while staying on schedule: a restaurant opening for the first time, a ski resort covering an entire mountain in snow, a farm growing enough lilies in time for Easter, and more. Cox explains how to use deadlines to our advantage, the dynamics of teams and customers, and techniques for using deadlines to make better, more effective decisions.

After his unspectacular professional baseball career ends with a knee injury in Toledo, Ohio, Johnny Earl gets busted for selling cocaine. After serving seven years in prison, all he wants to do is return to his hometown of Steubenville, retrieve the drug money he stashed before he went to jail, and start a new life where no one has ever heard of Johnny Earl. However, before he can leave town with his money, Johnny is picked up for questioning in the murder of Rayce Daubner, the FBI informant who had set him up on drug charges in the first place. Then his former prison cellmate shows up--a white supremacist who wants the drug money to help fund an Aryan nation in the wilds of Idaho. Five memorable characters, each with a separate agenda, come together in this layered tale of murder, deceit, and political intrigue.

The first book in the Ollie Chandler series, this rerelease of the Randy Alcorn bestseller is a heart-pounding murder mystery When tragedy strikes those closest to him, Jake Woods must draw upon all his resources to uncover the truth about the suspicious accident. Soon he finds himself swept up in a murder investigation that is both complex and dangerous. Unaware of the threat to his own life, Jake is drawn in deeper and deeper as he desperately searches for the answers to the immediate mystery at hand and—ultimately—the deeper meaning of his own existence. Deadline is a dramatic and vivid novel of substance, filled with hope and perspective for every reader who longs to feel purpose in life.

A new political thriller from the author of bestselling novel The Essay. Lester Yates is the notorious Egypt Valley Strangler, one of the country’s most prolific serial killers. Or, is he? Yates is two months from his date with the executioner when Ohio Attorney General Hutch Van Buren is presented with evidence that could exonerate him. But Yates is a political pawn, and forces exist that don’t want him exonerated, regardless of the evidence. To do so could derail presidential aspirations and change the national political landscape. Yates’ execution will clear a wide political path for many influential people, including Van Buren, who must battle both the clock and a political machine of which he is a part. Robin Yocum has been compared with E. Annie Proulx for his authenticity of place, and Elmore Leonard for his well-laid plots and perfect pacing. Arcade is thrilled to publish The Sacrifice of Lester Yates, which is Yocum at his best: suspenseful, political, and smart.

Narrator of Favorite Sons Hutch Van Buren is fifteen years old, playing sports and searching for arrowheads in a small industrial town in Ohio with his three closest friends when an altercation between the comrades and Petey Sanchez, a troubled seventeen- year-old, leads to Petey’s accidental death. Together, Hutch and his friends become ensnared in a web of secrets and moral dilemmas. A local ne’er-do-well goes to jail for the crime while the boys keep their pact of silence. Each boy shoulders the burden of truth in his own way as each attempts to leave the past behind. Thirty-three years later, in 2004, Van Buren is the prosecuting attorney in Summit County, Ohio, and a candidate for state attorney general when he learns that he and his boyhood friends weren’t the only ones keeping a secret about Petey’s death. A convicted sex offender in need of a favor attempts to blackmail Van Buren in return for his silence. Van Buren must decide between his political career and the duty of the office he has sworn to uphold. With the clock ticking, Van Buren has a week to seek out his boyhood friends and search his soul while he sorts out three decades of deceit he helped create. Favorite Sons is a wonderful, suspenseful novel with nuanced, memorable characters and unpredictable plot twists.