A tragic death, a murder trial and a 170-year-old mystery – but what really happened? Shortly after Maria Kirwan died in a lonely inlet on Ireland's Eye, it was decided that she had drowned accidentally during a day spent with her husband on the picturesque island. This inquest verdict appeared to conclude the melancholy events that consumed the fishing village of Howth, Co Dublin, in September 1852. But not long afterwards, suspicion fell upon Maria's husband, William Burke Kirwan, as whispers of unspeakable cruelty, an evil character and a secret life rattled through the streets of Dublin. Investigations led to William's arrest and trial for murder. The story swelled into one of the most bitterly divisive chapters in the dark annals of Irish criminal history. Yet questions remain: Does the evidence stand up? What role did the heavy hand of Victorian moral outrage play? Was William really guilty of murder, or did the ever-present 'moral facts' fill in gaps where hard proof was absent? Now, this compelling modern analysis revisits the key evidence, asking sober questions about the facts, half-facts and fantasies buried within the yellowed pages of the Ireland's Eye case files.

On a fine calm morning in September 1852, a strikingly handsome man and his beautiful wife stepped onto a hired boat in Howth Harbour, Dublin, to set out on a day trip. The destination was Ireland’s Eye, a small uninhabited island less than a mile to the north of the harbour. He was an artist, she a keen and adventurous swimmer. By sunset, when the boat returned to fetch them, she would be dead. Despite certain gruesome features, the inquest ruled that it was a drowning, and Maria Kirwan was laid to rest. Then a startling secret emerged about the private life of her husband, the artist William Burke Kirwan. After an exhumation, he was arrested for her murder. The case caused a sensation, the public fascinated by its extraordinary elements. Added to this and almost eclipsing the murder was the scandal: a sexual triangle that aroused the full force of Victorian moral outrage. The trial was destined to become steeped in controversy and a veil of mystery has hung over the death of Maria Kirwan for the last 160 years. But now, at last, a forgotten medical paper has thrown light on what really happened on that fateful day.

On a fine calm morning in September 1852, a strikingly handsome man and his beautiful wife stepped onto a hired boat in Howth Harbour, Dublin, to set out on a day trip. The destination was Ireland's Eye, a small uninhabited island less than a mile to the north of the harbour. He was an artist, she a keen and adventurous swimmer. By sunset, when the boat returned to fetch them, she would be dead.

The Irish do death differently. Funeral attendance is a solemn duty - but it can also be a big day out, requiring sophisticated crowd control, creative parking solutions and a high-end sound system. Despite having the same basic end-of-life infrastructure as other Western countries, Irish culture handles death with a unique blend of dignified ritual and warm sociability. In Sorry for Your Trouble, Ann Marie Hourihane holds up a mirror to the Irish way of death: the funny bits, the sad bits, and the hard-to-explain bits that tell us so much about who we are. She follows the last weeks of a woman's life in hospice; she witnesses an embalming; she attends inquests; she talks to people working to prevent suicide; she follows the team of specialists working to locate the remains of people 'disappeared' by the IRA; and she visits some of Ireland's most contested graves. She also explores the strange and sometimes surprising histories of Irish death practices, from the traditional wake and ritual lamentations to the busy commerce between anatomists and bodysnatchers. And she goes to funerals, of ordinary and extraordinary people all over the country - including that of her own father. 'I had joined a club,' she writes, 'the club of people who have lost someone very close to them.' And then, with her family, she sets about planning a funeral in the middle of a pandemic. Sorry for Your Trouble sheds fresh, wise and witty light on a key pillar of Irish culture: a vast but strangely underexplored subject. Rich, sparkling and eye-opening, it is one of the best books ever written about Irish life. ___________________________ 'A beautiful, insightful reflection on a very, very peculiar country's approach to the oddest experience of them all' RYAN TUBRIDY 'Hugely moving and illuminating. All of life, somehow, is here' TANYA SWEENEY, IRISH INDEPENDENT 'Moving, comforting and funny' BUSINESS POST

Examines the historiography of the Irish Famine and its relevance now, in the context of the longer-term relationship between England and Ireland.

An intimate, lyrical look at the ancient rite of the Irish wake--and the Irish way of overcoming our fear of death Death is a whisper for most of us. Instinctively we feel we should dim the lights, pull the curtains, and speak softly. But on a remote island off the coast of Ireland's County Mayo, death has a louder voice. Each day, along with reports of incoming Atlantic storms, the local radio runs a daily roll call of the recently departed. The islanders go in great numbers, young and old alike, to be with their dead. They keep vigil with the corpse and the bereaved company through the long hours of the night. They dig the grave with their own hands and carry the coffin on their own shoulders. The islanders cherish the dead--and amid the sorrow, they celebrate life, too. In My Father's Wake, acclaimed author and award-winning filmmaker Kevin Toolis unforgettably describes his own father's wake and explores the wider history and significance of this ancient and eternal Irish ritual. Perhaps we, too, can all find a better way to deal with our mortality -- by living and loving as the Irish do.

NEW YORK TIMES BESTSELLER • SOON TO BE AN FX LIMITED SERIES STREAMING ON HULU • NATIONAL BOOK CRITICS CIRCLE AWARD WINNER • From the author of Empire of Pain—a stunning, intricate narrative about a notorious killing in Northern Ireland and its devastating repercussions. One of The New York Times’s 20 Best Books of the 21st Century "Masked intruders dragged Jean McConville, a 38-year-old widow and mother of 10, from her Belfast home in 1972. In this meticulously reported book—as finely paced as a novel—Keefe uses McConville's murder as a prism to tell the history of the Troubles in Northern Ireland. Interviewing people on both sides of the conflict, he transforms the tragic damage and waste of the era into a searing, utterly gripping saga." —New York Times Book Review "Reads like a novel ... Keefe is ... a master of narrative nonfiction. . .An incredible story."—Rolling Stone A Best Book of the Year: The New York Times, The Washington Post, The Wall Street Journal, TIME, NPR, and more! Jean McConville's abduction was one of the most notorious episodes of the vicious conflict known as The Troubles. Everyone in the neighborhood knew the I.R.A. was responsible. But in a climate of fear and paranoia, no one would speak of it. In 2003, five years after an accord brought an uneasy peace to Northern Ireland, a set of human bones was discovered on a beach. McConville's children knew it was their mother when they were told a blue safety pin was attached to the dress--with so many kids, she had always kept it handy for diapers or ripped clothes. Patrick Radden Keefe's mesmerizing book on the bitter conflict in Northern Ireland and its aftermath uses the McConville case as a starting point for the tale of a society wracked by a violent guerrilla war, a war whose consequences have never been reckoned with. The brutal violence seared not only people like the McConville children, but also I.R.A. members embittered by a peace that fell far short of the goal of a united Ireland, and left them wondering whether the killings they committed were not justified acts of war, but simple murders. From radical and impetuous I.R.A. terrorists such as Dolours Price, who, when she was barely out of her teens, was already planting bombs in London and targeting informers for execution, to the ferocious I.R.A. mastermind known as The Dark, to the spy games and dirty schemes of the British Army, to Gerry Adams, who negotiated the peace but betrayed his hardcore comrades by denying his I.R.A. past--Say Nothing conjures a world of passion, betrayal, vengeance, and anguish.

Murder has a way of killing business... In the small village of Kilbane, County Cork in Ireland, Naomi’s Bistro has always been warm and welcoming. Nowadays, twenty-two-year-old Siobhán O’Sullivan runs the family bistro named for her mother, along with her five siblings, after the death of their parents in a car crash almost a year ago. It’s been a rough year for the O’Sullivans, but it’s about to get rougher. One morning, as they’re opening the bistro, they discover a man seated at a table with a pair of hot pink barber scissors protruding from his chest. With the local garda suspecting the O’Sullivans, and their business in danger of being shunned, it’s up to Siobhán to solve the crime and save her beloved brood. A charming Irish village mystery, perfect for fans of Betty Rowlands and Dee Macdonald.

A brilliant true crime account of the assassinations that altered the course of Irish history from the “compulsively readable” writer (The Guardian). One sunlit evening, May 6, 1882, Lord Frederick Cavendish and Thomas Burke, Chief Secretary and Undersecretary for Ireland, were ambushed and stabbed to death while strolling through Phoenix Park in Dublin. The murders were funded by American supporters of Irish independence and carried out by the Invincibles, a militant faction of republicans armed with specially made surgeon’s blades. They put an end to the new spirit of goodwill that had been burgeoning between British Prime Minister William Gladstone and Ireland’s leader Charles Stewart Parnell as the men forged a secret pact to achieve peace and independence in Ireland—with the newly appointed Cavendish, Gladstone’s protégé, to play an instrumental role in helping to do so. In a story that spans Donegal, Dublin, London, Paris, New York, Cannes, and Cape Town, Julie Kavanagh thrillingly traces the crucial events that came before and after the murders. From the adulterous affair that caused Parnell’s downfall; to Queen Victoria’s prurient obsession with the assassinations; to the investigation spearheaded by Superintendent John Mallon, also known as the “Irish Sherlock Holmes,” culminating in the eventual betrayal and clandestine escape of leading Invincible James Carey and his murder on the high seas, The Irish Assassins brings us intimately into this fascinating story that shaped Irish politics and engulfed an Empire. Praise for Julie Kavanagh’s Nureyev: The Life “Easily the best biography of the year.” —The Philadelphia Inquirer “The definitive biography of ballet’s greatest star whose ego was as supersized as his talent.” —Tina Brown, award-winning journalist and author