In the mid sixteenth century, Henry VIII sits on the throne, and Bianca Goddard tends to the sick and suffering in London's slums, where disease can take a life as quickly as murder. . . For years, alchemist Ferris Stannum has devoted himself to developing the Elixir of Life, the reputed serum of immortality. Having tested his remedy successfully on an animal, Stannum intends to send his alchemy journal to a colleague in Cairo for confirmation. Instead he is strangled in his bed and his journal is stolen. As the daughter of an alchemist herself, Bianca is well acquainted with the mystical healing arts. As her husband, John, falls ill with the sweating sickness, she dares to hope Stannum's journal could contain the secret to his recovery. But first she must solve the alchemist's murder. As she ventures into a world of treachery and deceit, Stannum's death proves to be only the first in a series of murders--and Bianca's quest becomes a matter of life and death, not only for her husband, but for herself. . .

Alchemist V is a novel that reveals the true identity of V and his amazing powers. It is a story of intrigue, suspense and paranormal mystery, with a touch of wry humor. It involves a priest who has lost his faith, a Hollywood actor on the verge of stardom, a millennial girl in search of life's meaning, an old detective who is both cunning and senile, and the Alchemist V who has been alive since the ninth century, living in stolen bodies down through the ages. The chance meeting of these characters and their subsequent relationships result in mayhem, lust, murder, love and transcendental magic. You will be shocked over and over again as you try to anticipate what will happen next in this wonderfully twisted thriller about people trying to hold on to views of reality. Your own views will be seriously challenged by V.

Traces the origins of the story of King Arthur and the Grail, and explores the parallels between the quest for the Grail and the medieval search for the Philosopher's Stone.

The second book in the Anthony Award-winning Accidental Alchemist Mystery Series by USA Today bestselling author Gigi Pandian. When alchemist Zoe Faust gives herself a rare night out to attend a classic magic show that reminds her of her youth, she realizes the stage magicians are much more than they seem. A murder at the theater leads back to a string of unsolved robberies and murders in Portland’s past, and a mystery far more personal than Zoe and Dorian the gargoyle ever imagined. Can Zoe solve a mystery from Portland’s past and unlock an ancient alchemy book’s secrets soon enough to save her best friend from being trapped in stone forever? Includes recipes! "People who enjoy character driven stories with mystery, magic, supernatural creatures, and historical intrigue will greatly enjoy this inventive, well-written tale." —Portland Book Review

In the sequel to the Nebula finalist The Strange Case of the Alchemist’s Daughter, Mary Jekyll and the rest of the daughters of mad scientists from literature embark on a madcap adventure across Europe to rescue another monstrous girl and stop the Alchemical Society’s nefarious plans once and for all. Mary Jekyll’s life has been peaceful since she helped Sherlock Holmes and Dr. Watson solve the Whitechapel Murders. Beatrice Rappaccini, Catherine Moreau, Justine Frankenstein, and Mary’s sister Diana Hyde have settled into the Jekyll household in London, and although they sometimes quarrel, the members of the Athena Club get along as well as any five young women with very different personalities. At least they can always rely on Mrs. Poole. But when Mary receives a telegram that Lucinda Van Helsing has been kidnapped, the Athena Club must travel to the Austro-Hungarian Empire to rescue yet another young woman who has been subjected to horrific experimentation. Where is Lucinda, and what has Professor Van Helsing been doing to his daughter? Can Mary, Diana, Beatrice, and Justine reach her in time? Racing against the clock to save Lucinda from certain doom, the Athena Club embarks on a madcap journey across Europe. From Paris to Vienna to Budapest, Mary and her friends must make new allies, face old enemies, and finally confront the fearsome, secretive Alchemical Society. It’s time for these monstrous gentlewomen to overcome the past and create their own destinies.

“An inventive continuation of the Bianca Goddard series . . . a page-turner for all who appreciate fiction set in early Renaissance England.”—Mystery Maven During the tempestuous reign of Henry VIII, London alchemist Bianca Goddard has seen up close what keeps a man alive—and what can kill him. A good thing, for she will need all her knowledge to keep a friend away from the gallows . . . Bianca and her husband are delighted to share in the glad fortune of their friend, Boisvert, the silversmith, who is to wed Odile, the wealthy widow of a goldsmith. But a pall is cast over the upcoming nuptials when the body of a pregnant woman is found beneath the bell tower of St. Vedast, the very church where the betrothed are to be married. Tragedy strikes again at the couple’s reception, when Odile suddenly drops dead in the middle of the wedding feast. The constable suspects Boisvert poisoned his new bride for her money, but there’s not a trace of poison in her food or wine. Could the two deaths be connected? To prove their friend’s innocence, Bianca will need to employ her knowledge of alchemy—for if she can determine how the bride was killed, she may find the person responsible for her murder—before another victim is added to the death toll . . . Praise for The Alchemist’s Daughter “Unique characters, a twisty plot and a bold, bright heroine . . . Mystery and Tudor fans alike will raise a glass to this new series.”—Karen Harper, New York Times bestselling author

One of the great World War I antiwar novels—honest, chilling, and brilliantly satirical Based on the author's experiences on the Western Front, Richard Aldington's first novel, Death of a Hero, finally joins the ranks of Penguin Classics. Our hero is George Winterbourne, who enlists in the British Expeditionary Army during the Great War and gets sent to France. After a rash of casualties leads to his promotion through the ranks, he grows increasingly cynical about the war and disillusioned by the hypocrisies of British society. Aldington's writing about Britain's ignorance of the tribulations of its soldiers is among the most biting ever published. Death of a Hero vividly evokes the morally degrading nature of combat as it rushes toward its astounding finish. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

A deeply researched warning about how the digital economy threatens artists' lives and work—the music, writing, and visual art that sustain our souls and societies—from an award-winning essayist and critic There are two stories you hear about earning a living as an artist in the digital age. One comes from Silicon Valley. There's never been a better time to be an artist, it goes. If you've got a laptop, you've got a recording studio. If you've got an iPhone, you've got a movie camera. And if production is cheap, distribution is free: it's called the Internet. Everyone's an artist; just tap your creativity and put your stuff out there. The other comes from artists themselves. Sure, it goes, you can put your stuff out there, but who's going to pay you for it? Everyone is not an artist. Making art takes years of dedication, and that requires a means of support. If things don't change, a lot of art will cease to be sustainable. So which account is true? Since people are still making a living as artists today, how are they managing to do it? William Deresiewicz, a leading critic of the arts and of contemporary culture, set out to answer those questions. Based on interviews with artists of all kinds, The Death of the Artist argues that we are in the midst of an epochal transformation. If artists were artisans in the Renaissance, bohemians in the nineteenth century, and professionals in the twentieth, a new paradigm is emerging in the digital age, one that is changing our fundamental ideas about the nature of art and the role of the artist in society.