A Murder on the Runway When stick-thin supermodel Thomasina Wente dies of poisoning, the irony isn’t lost on fledging designer and reluctant sleuth Laura Carnegie. It was widely assumed not eating would do Thomasina in, making her unglamorous exit twice as shocking for New York’s fashion aficionados, not to mention disastrous for Laura, her sister, and their very first, make-or-break runway show. A Catwalk Full of Suspects After Laura got to the bottom of the Pomerantz case, she decided sleuthing was too last season. She hopes Detective Cangemi can handle all the heavy lifting this time since plenty of folks wanted Thomasina dead: Bob, the football-star-turned-hedge-fund guru; Rolf, the sociopathic brother with skinhead connections; Roquelle Rik, modeling agent, and Penelope Sidewinder, model minder, the twin dragons of the fashion world. Yet, with so many leads to choose from, Cangemi focuses on Laura’s sister, Ruby. For Laura, her sister as murderer just doesn’t make the cut. Laura Carnegie Mysteries In Death of a Supermodel, Laura Carnegie, her sister Ruby, Jeremy St. James, Stu, and a supporting cast of backstabbers, manipulators and ruthless ladder-climbers return for another merry go-round through New York’s fashion center. ——— Dead Is the New Black Death of a Supermodel A Dress to Die For p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Helvetica}

A riveting, scandle-filled biography of the most famous nude model in America, Audrey Munson (1891-1996) whose beauty brought her extraordinary success and great tragedy. Many readers will recognize Audrey Munson, even without knowing her name. She was America's first supermodel. Munson's beauty, though, was also her curse, exactly as a fortune teller predicted in her youth. Her looks won her entry to high society, but at a devastating cost. In 1919 she became a recluse, eventually being admitted to an asylum whre she remained until her death. This is her story.

The inspiration behind the Emmy Award–winning HBO film Gia with Angelina Jolie, this “vivid…exhaustive” (The New York Times Book Review) account of the iconic and tragic life, career, and legacy of supermodel Gia Carangi features a new afterword by the author. At seventeen, Gia Carangi was working the counter at her father’s Philadelphia luncheonette. Within a year, she was one of the world’s top models, gracing the covers of Cosmopolitan and Vogue, partying at Studio 54, and redefining the fashion industry’s standard of beauty. But behind the glitz and fame, Gia was a young woman in pain, desperate for her mother’s approval and facing a drug addiction that quickly spun out of control. With dizzying speed, she went from $10,000-a-day fashion shoots to using drugs on the streets of New York and Atlantic City before finally being blackballed from modeling. At twenty-six, Gia once again made history as one of the first famous women to die of AIDS. This “chilling tale” (The Boston Globe), based on hundreds of interviews with friends, family, lovers, and fashionistas (the term author Stephen Fried coined for her industry colleagues), is comprehensively explored in this unputdownable biography that will introduce Gia to a new generation. It is also a powerful exploration of our society’s views of beauty and sexuality, fame and objectification, mothers and daughters, love and death.

Fashion designer Jeremy St. James is everything Laura Carnegie could want in a man. He's gorgeous, rich, and talented. The fact that everyone says he's unavailable doesn't stop her from dreaming of being in her boss's arms. As a matter of fact, she suspects his inaccessibility is part of his charm. When Jeremy's backer is found dead in his office and he's accused of the crime, he trusts Laura, and only Laura, with the keys to the design room. She wants him back and out of jail, and in the process of exposing a counterfeiting ring and finding the real killer, she uncovers the secretive man under the temperamental artist; a man who might not be that inaccessible after all. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Helvetica} ——— Dead Is the New Black Death of a Supermodel A Dress to Die For

Over the last four decades, the fashion modeling industry has become a lightning rod for debates about Western beauty ideals, the sexual objectification of women, and consumer desire. Yet, fashion models still captivate, embodying all that is cool, glam, hip, and desirable. They are a fixture in tabloids, magazines, fashion blogs, and television. Why exactly are models so appealing? And how do these women succeed in so soundly holding our attention? In This Year’s Model, Elizabeth Wissinger weaves together in-depth interviews and research at model castings, photo shoots, and runway shows to offer a glimpse into the life of the model throughout the 20th and 21st centuries. Once an ad hoc occupation, the “model life” now involves a great deal of physical and virtual management of the body, or what Wissinger terms “glamour labor.” Wissinger argues that glamour labor—the specialized modeling work of self-styling, crafting a ‘look,’ and building an image—has been amplified by the rise of digital media, as new technologies make tinkering with the body’s form and image easy. Models can now present self-fashioning, self-surveillance, and self-branding as essential behaviors for anyone who is truly in the know and ‘in fashion.’ Countless regular people make it their mission to achieve this ideal, not realizing that technology is key to creating the unattainable standard of beauty the model upholds—and as Wissinger argues, this has been the case for decades, before Photoshop even existed. Both a vividly illustrated historical survey and an incisive critique of fashion media, This Year’s Model demonstrates the lasting cultural influence of this unique form of embodied labor.

Supermodel Lou Kipinski seems to have it all. But beauty is only skin deep—and sometimes Lou's porcelain complexion can get a bit hairy. The only thing worse than a furry fashion faux-pas? Fangs in her million-dollar smile. That's what happened six months ago, when Lou had her first outbreak. But now that she's at the height of her career she absolutely must find a cure...So what's a single werewolf gotta do? Then a sexy detective comes knocking on her door. Two women who bear an eerie resemblance to Lou have been killed—something with teeth and claws tore them apart. Is it a coincidence that the grisly murders have taken place during the same time as Lou's own outbreaks? With a killer at her heels and another outbreak just a concealer-wand's distance away, Lou is soon in a race to discover truths about her own murky past. And before it's all over she may be forced to show the world that her bark is nothing compared to her bite...

Investigative journalist Michael Gross delves into the history of models and takes us into the private studios and hidden villas where models play and are preyed upon, going beyond modeling’s carefully constructed facade of glamour to expose the scandal and untold truths that permeate the seemingly glamorous business. Here for the first time is the complete story of the international model business—and its evil twin: legalized flesh peddling. It’s a tale of vast sums of money, rape both symbolic and of the flesh, sex and drugs, obsession and tragic death. At its heart is the most unholy combination in commerce: beautiful, young women and rich, lascivious men. Fashion insider Michael Gross has interviewed modeling’s pioneers, survivors, and hangers–on, and he tells the story of the greats: Lisa Fonssagrives; Anita Colby, Candy Jones; Dorian Leigh and her sister Suzy Parker; Jean Shrimpton and Twiggy; Veruschka and Lauren Hutton; and today’s supermodel trinity, Christy, Naomi and Linda.

Manon, the legendary and controversial supermodel, the one and only Manon; a recurrent named storm for every season, style icon, enfant terrible, relentless provocateur and unintended pornstar, loses her lover of a lifetime during a most joyful night. From that exact throbbing moment, she refuses to succumb to grief and reinvents herself as a furious women's activist. In spite of her remarkable achievements, she is only remembered because of two sexual escapades; taped and uploaded online, sadly the highlights of her life in the opinion of a judgmental society that detested her for the cheapest reasons.. During her amazing life cut short by hate and iniquity, we follow this inimitable tall girl until the year 2023, in a world where women are still hated by men; and virginity, sexual conduct and obedience are still the paramount values and whoever tries to dissent is punished with swift and overlooked violence.

Completed in 1958, and not published until 1990 due to Soviet censorship, Daniel Andreev reviewed and summarized the entirety of world progress, calling it a meta-philosophy of history. In the centuries ahead he saw calamities to envelop the world, to be culminated by the reign of Rose of the World. This is an international movement unifying the best of all religious and philosophic teachings, and a worldwide Federation of governments, harmonically regulating economic and social movements in the interests of the spiritual development of a person. Rose of the World will install a genuine golden age in our world and abolish poverty, tyranny, war, and violence. Daniel Andreev at the same time had visions of other worlds, both subterranean and celestial, and recorded them, with the struggle between good and evil, and the progress of humans for the goal of moral perfection. A New Translation of selections from the Russian into English by Daniel H. Shubin, for the American Reader.