In the lead up to the Civil War, Joseph Alfred "Jack" Slade kept the stagecoaches and the U.S. Mail running through Colorado, and helped launch the Pony Express, all of which kept California and its gold in the Union. With his reputation as a gunfighter, across the Great Plains he became known as "The Law West of Kearny." Since Slade's death in 1864, persistent myths and stories have defied the efforts of writers and historians, including Mark Twain, to capture the real Jack Slade. Despite his notoriety, the pieces of Slade's fascinating life—including his marriage to the beautiful Maria Virginia—have remained scattered and hidden. In Death of a Gunfighter: The Quest for Jack Slade, the West's Most Elusive Legend, journalist Dan Rottenberg assembles years of research to reveal the true story of Jack Slade, one of America's greatest tragic heroes.

T'Gan His world is ripped apart when he finds out who he really is: The last hope for Sadat in a time when great Evil rules the land. He is guided by the Lady, a spiritual leader and a legend whispered among the oppressed in Sadat. She has traveled through many lands in search of Etlasen. Her duty would be to protect him until it was time for him to realize his purpose. Minkos From his birth he has known who he was and who he would become. He thought he knew what it meant to be Gidat. That was until Etevun walked among them challenging everything he knew and transforming him into the man that history would know as Etfirsen. Two young men on journeys in very different times and yet forever linked by one purpose. Both face unimaginable evil which comes in the form of men and Beast and fueled by an Evil rage that lurks just beyond sight.

Allen Smithee specializes in the mediocre. He is versatile. He is prolific. And he doesn't exist. From 1969 until 1999, Allen Smithee was the pseudonym adopted by Hollywood directors when they wished not to be associated with films ostensibly of their making . Encompassing over fifty films of various stripes -- B movies, sequels, music videos, made-for-TV movies -- Smithee's three decades of work affords the authors of this volume a unique opportunity to reassess the claims of auteurism, both in its traditional guise and in the more commodified form it currently assumes. Sometimes treating Smithee as an auteur in much the same way critics and scholars have treated directors as diverse as Douglas Sirk, Abbas Kiarostami, and Quentin Tarantino, the contributors reclaim new possibilities for auteurist filmmaking and film studies, even as they show what an empty display it has recently become. In accounting for this change, the essays in this volume employ innovative theories of authorship to recapture the subversive effect that auteurism once enjoyed. Thus the Smithee name becomes part of a larger discussion of the economics and history of pseudonyms in filmmaking -- notably in the blacklist of the 1950s -- as well as an opportunity to employ Jacques Derrida's theory of the signature to recover obscured economic and historic contexts within Smithee's films. Unique in its focus, innovative in its approach, Directed by Allen Smithee argues that it is precisely through throwaway films such as Smithee's that recent Hollywood cinema can best be studied.

Delve into the world of the Wild West and the gunslingers that populated its dusty towns and saloons.

Having created a new life for himself after causing the death of his adopted father, Clint Bowles, one of the deadliest gunfighters in the west, is stunned to learn ten years later that his father might still be alive. To find the truth despite the chance that his true identity might be discovered, he journeys to the foothills of the Sangre d'Cristo Mountains of New Mexico Territory where he finds his father. The old man refuses his son's help. Angered, Clint pushes forward without aid from his father and finds himself involved in a convoluted and deadly confrontation with powerful carpetbaggers, supported by the local law, who are determined to take his father's hacienda and lands.

Sifting factual information from among the lies, legends, and tall tales, the lives and battles of gunfighters on both sides of the law are presented in a who's who of the violent West

When Civil War veteran, James McKay, returns home after the cattle drive and an epic battle with a prehistoric bear, he discovers that his beloved wife, Peggy, had just died of a heart condition, a few months after giving birth to their son. In his despair, he rides away with no particular destination in mind. Not long after, he comes upon a small wagon train under attack by a Cheyenne raiding party. He rescues a thirteen-year-old boy from a burning wagon, who seems to be in the middle of events, and becomes embroiled in a robbery with a half million dollars at stake. All events eventually lead to a small town on the Santa Fe Trail. From there the bullets fly and the story takes an unexpected turn. As James tries to ride home, he finds himself in one gunfight after another, and people learn to fear him. Because he is Death, and he is the Gunfighter.