L has twenty-three days to live, and twenty-two days to save the world. In an alternative continuity in the Death Note setting, ace detective L's name has been placed in a Death Note. He has twenty-three days to bring a terrorist group to justice, or they will use a deadly new virus to change the world...by killing off most of humanity. In an alternative continuity in the Death Note setting, ace detective L's name has been placed in a Death Note. He has twenty-three days to bring a terrorist group to justice, or they will use a deadly new virus to change the world...by killing off most of humanity.

Death Comes to Los Angeles There's a serial killer loose in Los Angeles and super-sleuth L is on the case. Along with Naomi Misora, a former FBI agent, he helps the LA police solve the grisly crimes. There's a Serial Killer Loose in Los Angeles and the local authorities need help fast. For some reason the killer has been leaving a string of maddeningly arcane clues at each crime scene. Each of these clues, it seems, is an indecipherable roadmap to the next murder. Onto the scene comes L, the mysterious super-sleuth. Despite his peculiar working habits--he's never shown his face in public, for example--he's the most decorated detective in the world and has never tackled a cased he hasn't been able to crack. But this time he needs help. Enlisting the services of an FBI agent named Naomi Misora, L starts snooping around the City of Angels. It soon becomes apparent that the killing spree is a psychotic riddle designed specifically to engage L in a battle of wits. Stuck in the middle between killer and investigator, it's up to Misora to navigate both the dead bodies and the egos to solve the Los Angeles BB Murder Cases.

Is Kira’s story truly over, or does his influence linger? In this complete collection of Death Note short stories penned by the series’ creators, discover tales of lives irrevocably changed by the sinister influence of the Death Note, with surprising and thrilling answers to the question of what it truly takes to use the Death Note...or fight it. Contains stories “C-Kira,” “a-Kira,” the Death Note pilot chapter, vignettes of L’s life, and more. -- VIZ Media

A guide to the manga series "Death Note" provides character profiles, interviews with the author and artist, plotlines, commentary on the design process, trivia, and a series of side stories not published in the original series.

Meisterdetektiv L steht vor seiner ultimativen Herausforderung: Eine Gruppe von fanatischen Bio-Terroristen will die Weltbevölkerung ausrotten, um die Menschheit anschließend aus nur wenigen Auserwählten wiederauferstehen zu lassen. Als Mittel zur Umsetzung dieses Plans sollen ein tödliches Virus und ein passendes Gegenmittel dienen. Als L von den Terrorplänen erfährt, ist er fest entschlossen, diese um jeden Preis zu vereiteln. Ein rasantes Katz-und-Maus-Spiel beginnt, bei dem der Jäger bald selbst zum Gejagten wird.

"Prepare for a sampling of Japanese ghosts and spirits, from sources that include the worlds oldest novel, the urban legends of contemporary Japanese schoolchildren, movies both classic and modern, anime, manga, and more." For hundreds of years Japan has lived in a reality consisting of the real world and the spirit world; sometimes the wall between the two worlds gets thin enough for spirits to cross over. In such a reality, ghost stories have been popular for centuries. Patrick Drazen, author of "Anime Explosion", looks at these stories: old and new, scary or funny or sad, looking at common themes and the reasons for their popularity. This book uses one Japanese ghost story tradition: the "hyaku monogatari" (hundred stories). In the old tradition, people tell each other one hundred ghost stories in one sitting. These hundred tales run from folklore to cartoons, but all are designed to send chills up the spine ...

From Faust (1926) to The Babadook (2014), books have been featured in horror films as warnings, gateways, prisons and manifestations of the monstrous. Ancient grimoires such as the Necronomicon serve as timeless vessels of knowledge beyond human comprehension, while runes, summoning diaries, and spell books offer their readers access to the powers of the supernatural--but at what cost? This collection of new essays examines nearly a century of genre horror in which on-screen texts drive and shape their narratives, sometimes unnoticed. The contributors explore American films like The Evil Dead (1981), The Prophecy (1995) and It Follows (2014), as well as such international films as Eric Valette's Malefique (2002), Paco Cabeza's The Appeared (2007) and Lucio Fulci's The Beyond (1981).