When Tim Renner applied to the German record company Polydor in 1986, he intended to write an exposé about the music industry. However, things went differently and he turned this exposé into a career. For eighteen years his biography has been intermeshed with the development of the music industry, he led bands like Element of Crime, Rammstein, Tocotronic and Philip Boa to sucess. He raised up higher and higher on the ladder, finally reaching the top of Universal Music Germany. He witnessed how musical development has been hampered by the pressure of the markets, how pop and commerce diffused, and importantly, he witnessed the rapid dissolution of old comercial structures through the forces of digitalzation and globalization. But the ponderous giant labels kept their eyes shut in front of these developments and Renner finally quit. After his leave from Universal in 2004 he described his point of view on what he found were wrong tracks and challenges of contemporary pop music. "Death is not bad!" is a profound analysis of culture and music in times of digitalization, based on the vison that creativity, consumption and capital could find a way of coexistence. Ten years after the German edition of this book was published some passages read like a history book about a long forgotten time. Some passages pointing to developments which are fully manifested today and look to evolve further in the future. The book shows the changes of a whole industry and the first steps of a society on it's way into the digitalized future.

For readers of Atul Gawande and Paul Kalanithi, a palliative care doctor's breathtaking stories from 30 years spent caring for the dying. Modern medical technology is allowing us to live longer and fuller lives than ever before. And for the most part, that is good news. But with changes in the way we understand medicine come changes in the way we understand death. Once a familiar, peaceful, and gentle -- if sorrowful -- transition, death has come to be something from which we shield our eyes, as we prefer to fight desperately against it rather than accept its inevitability. Dr. Kathryn Mannix has studied and practiced palliative care for thirty years. In With the End in Mind , she shares beautifully crafted stories from a lifetime of caring for the dying, and makes a compelling case for the therapeutic power of approaching death not with trepidation, but with openness, clarity, and understanding. Weaving the details of her own experiences as a caregiver through stories of her patients, their families, and their distinctive lives, Dr. Mannix reacquaints us with the universal, but deeply personal, process of dying. With insightful meditations on life, death, and the space between them, With the End in Mind describes the possibility of meeting death gently, with forethought and preparation, and shows the unexpected beauty, dignity, and profound humanity of life coming to an end.

The author, a computer science professor diagnosed with terminal cancer, explores his life, the lessons that he has learned, how he has worked to achieve his childhood dreams, and the effect of his diagnosis on him and his family.

The past comes back to haunt a high-profile defense attorney in the newest book in the Baltimore series from the New York Times bestselling author of Edge of Darkness and Monster in the Closet. In his work as a defense attorney in Baltimore, Thorne has always been noble to a fault--specializing in helping young people in trouble just as someone did for him when he was younger. He plays the part of the bachelor well, but he secretly holds a flame for his best friend and business partner, Gwyn Weaver, a woman struggling to overcome her own demons. After four years, he thinks he might finally be ready to confess his feelings, come what may. But his plans are derailed when he wakes up in bed with a dead woman--her blood on his hands and no recollection of how he got there. Whoever is trying to frame Thorne is about to lead him down the rabbit hole of his past, something he thought he had outran long ago. Thorne must figure out who has been digging into his secrets, how much they know, and how far they will go to bring him down . . .

An invaluable tool for kids to discuss death, explore grief, and honor the life of loved ones.

It's the conclusion of Christopher Priest's acclaimed Deathstroke run - and it starts with Slade Wilson's murder! In the wake of his father's apparent demise, Jericho accepts Lex Luthor's offer of power, leading to all-out sibling war between Jericho and Rose Wilson! When Slade wakes, he seeks to take that power for his own, leading to a confrontation between father and son! Is there any humanity left in Jericho? And can Deathstroke defeat his ultimate enemy - himself? Collects Deathstroke #44-50.

The subject of this modern classic is not a man. "It is an event," says Jules Romains, who is considered "the French Dos Passos." The event starts with the death of Jacques Godard, a man of no importance. It unfolds through his brief survival in the minds of others - the porter of his tenement in Paris, his fellow lodgers, a few acquaintances, his old father, who comes up from the country for the funeral, a young stranger who feels that the dead pass into "a great soul that cannot die." The event expresses Romains's belief in "collective beings," the famous theory of "Unanimism." In dramatizing his theory, Romains developed an advanced motion-picture technique when films were in their infancy, a technique of group portraits and sudden shifts from scene to scene that keeps this work far ahead of conventional novels. Here, Romains explores the ideas and the devices used in his twenty-seven-volume masterpiece, Men of Good Will, which André Maurois calls "the boldest attempt to describe completely his own time that any French novelist has made since Balzac."

The return of Maggie Byrnes, heroine of Murder in the Telephone Exchange. Maggie is married now, with a young son, and living in an outer Melbourne suburb. But violent death dogs her footsteps even in apparently tranquil Middleburn. It’s perhaps not that much of a surprise when widely disliked local bigwig James Holland (who also happens to be Maggie’s landlord) is shot, but Maggie suspects that someone is also trying to poison the infant who is his heir, and turns sleuth once more to uncover the culprits. First published in 1949, So Bad a Death is is June Wright’s second novel, which she originally planned to call Who Would Murder a Baby? Her publishers demurred, but under any title it’s a worthy sequel to Murder in the Telephone Exchange. Novelist and crime fiction historian Lucy Sussex contributes an introduction to this reissue, which also includes a fascinating interview she conducted with June Wright in 1996.

Stoic philosopher and tutor to the young emperor Nero, Seneca wrote moral essays - exercises in practical philosophy - on how to live in a troubled world. Strikingly applicable today, his thoughts on happiness and other subjects are here combined in a clear, modern translation with an introduction on Seneca's life and philosophy.

A 2016 Coretta Scott King Author Honor Book Just when seventeen-year-old Matt thinks he can’t handle one more piece of terrible news, he meets a girl who’s dealt with a lot more—and who just might be able to clue him in on how to rise up when life keeps knocking him down—in this “vivid, satisfying, and ultimately upbeat tale of grief, redemption, and grace” (Kirkus Reviews) from the Coretta Scott King – John Steptoe Award–winning author of When I Was the Greatest. Matt wears a black suit every day. No, not because his mom died—although she did, and it sucks. But he wears the suit for his gig at the local funeral home, which pays way better than the Cluck Bucket, and he needs the income since his dad can’t handle the bills (or anything, really) on his own. So while Dad’s snagging bottles of whiskey, Matt’s snagging fifteen bucks an hour. Not bad. But everything else? Not good. Then Matt meets Lovey. Crazy name, and she’s been through more crazy stuff than he can imagine. Yet Lovey never cries. She’s tough. Really tough. Tough in the way Matt wishes he could be. Which is maybe why he’s drawn to her, and definitely why he can’t seem to shake her. Because there’s nothing more hopeful than finding a person who understands your loneliness—and who can maybe even help take it away.