The theater is no place for murder—but a case of backstage betrayal drags library director Amy Webber into a case that could mean curtains in critically acclaimed author Victoria Gilbert’s Blue Ridge Library mystery. It’s early summer, and while Richard Muir and his dance partner, Karla, are preparing their new choreographic piece, Richard’s wife, Amy, is gathering the dance’s source materials. Based on folktales and the music of the Blue Ridge Mountains, the production is set to premiere at an old cinema that has been converted to a theater. But when dancer Meredith Fox—Richard’s former fiancé—is found dead backstage, Amy is once again propelled into a murder case that threatens the careers and lives of those she loves. After Amy teams up with Chief Deputy Brad Tucker and the sheriff’s department to discover the killer, they find that there’s no shortage of suspects: Meredith’s wealthy ex-husband, several fellow dancers, a romantically spurned accompanist, and others whom the talented but haughty dancer dismissed or betrayed over the years. With Richard and Karla's help, and information gleaned from locals who know a wealth of small-town secrets, Amy desperately tries to unveil the killer before the premiere. But she’s pursuing a ruthless murderer who’s willing to kill again—and who might just be waiting for Amy in the wings.

Part memoir, part meditation, this book is an exploration of death from an “insider’s” point of view. Using the threads of her brother’s early death and her twenty years of work in hospice care, Eve Joseph utilizes history, religion, philosophy, literature, personal anecdote, mythology, poetry and pop culture to discern the unknowable and illuminate her travels through the land of the dying. This is neither an academic text nor a self-help manual; rather, it is a foray into the land of death and dying as seen through the lens of art and the imagination. Rather than relying solely on narrative, In the Slender Margin gains momentum from a build-up of thematic resonances. Joseph writes toward thinking about death and in the process finds the brother she lost as a young girl. She wrote the book as a way to understand what she had seen: the mysterious and the horrific. Replete with literary allusions and references, from Joan Didion and Susan Sontag to D. H. Lawrence and Voltaire, this is an absolutely absorbing and inspired consideration of how we die and how we deal with it; a profoundly moving and helpful meditation on the mystery that awaits us all.

The plot thickens for American gothic writer Penelope Parish when a murder near her quaint British bookshop reveals a novel's worth of killer characters. Penelope Parish has hit a streak of bad luck, including a severe case of writer's block that is threatening her sophomore book. Hoping a writer in residence position at The Open Book bookstore in Upper Chumley-on-Stoke, England, will shake the cobwebs loose, Pen, as she's affectionately known, packs her typewriter and heads across the pond. Unfortunately, life in Chumley is far from quiet and when the chairwoman of the local Worthington Fest is found dead, fingers are pointed at Charlotte Davenport, an American romance novelist and the future Duchess of Worthington. Charlotte turns to the one person who might be her ally for help: fellow American Pen. Teaming up with bookstore owner Mabel Morris and her new friend Figgy, Pen sets out to learn the truth and find the tricks that will help her finish her novel.

From the critically acclaimed author of SIBA Okra Pick A Murder for the Books, Victoria Gilbert embarks with a new series for perfect for fans of Kate Carlisle and Juliet Blackwell. A book lover's B&B in an idyllic waterfront village becomes the scene of a grisly murder--and a ruthless battle between treachery and the truth. Nestled in the historic waterfront town of Beaufort, North Carolina, Chapters Bed-and-Breakfast is a reader's paradise. Built in 1770, the newly renovated inn hosts a roster of special events celebrating books, genres, and authors. It's the perfect literary retreat--until a rare book dealer turns up dead in the carriage house during a celebration of Golden Age mystery author Josephine Tey. The victim's daughter points the finger at forty-two-year-old widow and former schoolteacher Charlotte Reed, who inherited the B&B from her great-aunt Isabella. Charlotte is shocked to discover that the book dealer suspected Isabella of being a thief who founded Chapters on her ill-gotten gains. Charlotte has successfully learned the B&B business in a year, but nothing has prepared her to handle a death on the premises. Armed with intelligence and courage and assisted by her vibrant older neighbor, a visiting author, and members of a local book club, Charlotte is determined to prove her innocence and to clear her great-aunt's name. But the murderer is still at large, and equally determined to silence anyone who might discover the truth behind the book dealer's death. Now, Charlotte must outwit an unknown killer--or end up writing her own final chapter.

Together he and the professor explore the minds and writings of the people in the seminar in order to track the murderer, then another body is found, pointing them in a different direction.

Librarian Amy Webber dances with death in critically acclaimed author Victoria Gilbert's sixth Blue Ridge Library mystery. August in Taylorsford, Virginia finds library director Amy Webber and her new husband, dancer Richard Muir, settling into married life--and a new project. Richard and his dance partner, Karla, are choreographing a suite based on folk music and folk tales, while Amy scours the library's resources to supply background information on the dance's source material. But the mellifluous music comes to a jarring halt when an unknown woman's body turns up in Zelda Shoemaker's backyard gazebo. Chief Deputy Brad Tucker puts Zelda at the top of his suspect list, thanks to a blackmail letter he finds in the dead woman's pocket. Zelda's best friend, Amy's aunt Lydia Talbot, begs Amy to use her research skills to clear Zelda's name. But the task is confounded by Zelda's very out-of-character refusal to reveal why the victim might have blackmailed her. Complicating matters further, Amy unearths records of a long-ago tragedy that casts doubt on Zelda's innocence. She enlists hubby Richard, Aunt Lydia, art dealer Kurt Kendrick, Mayor Sunny Fields, and sundry other quirky townsfolk in a quest to exonerate Zelda. But will revealing the truth end up forcing Zelda to spend the rest of her life behind bars? Meanwhile, the killer is still out there. Amy had better be fleet on her feet, because death is on her dance card, and her number may be up.

Fleeing a disastrous love affair, university librarian Amy Webber moves in with her aunt in a quiet, historic mountain town in Virginia. She quickly busies herself with managing a charming public library that requires all her attention with its severe lack of funds and overabundance of eccentric patrons. The last thing she needs is a new, available neighbor whose charm lures her into trouble. Dancer-turned-teacher and choreographer Richard Muir inherited the farmhouse next door from his great-uncle, Paul Dassin. But town folklore claims the house’s original owner was poisoned by his wife, who was an outsider. It quickly became water under the bridge, until she vanished after her sensational 1925 murder trial. Determined to clear the name of the woman his great-uncle loved, Richard implores Amy to help him investigate the case. Amy is skeptical until their research raises questions about the culpability of the town’s leading families... including her own. When inexplicable murders plunge the quiet town into chaos, Amy and Richard must crack open the books to reveal a cruel conspiracy and lay a turbulent past to rest in A Murder for the Books, the first installment of Victoria Gilbert’s Blue Ridge Library mysteries.

The death of Edmond Jabès in January 1991 silenced one of the most compelling voices of the postmodern, post-Holocaust era. Jabès's importance as a thinker, philosopher, and Jewish theologian cannot be overestimated, and his enigmatic style—combining aphorism, fictional dialogue, prose meditation, poetry, and other forms—holds special appeal for postmodern sensibilities. In The Book of Margins, his most critical as well as most accessible book, Jabès is again concerned with the questions that inform all of his work: the nature of writing, of silence, of God and the Book. Jabès considers the work of several of his contemporaries, including Georges Bataille, Maurice Blanchot, Roger Caillois, Paul Celan, Jacques Derrida, Michel Leiris, Emmanuel Lévinas, Pier Paolo Pasolini, and his translator, Rosmarie Waldrop. This book will be important reading for students of Jewish literature, French literature, and literature of the modern and postmodern ages. Born in Cairo in 1912, Edmond Jabès lived in France from 1956 until his death in 1991. His extensively translated and widely honored works include The Book of Questions and The Book of Shares. Both of these were translated into English by Rosmarie Waldrop, who is also a poet. Religion and Postmodernism series

This book investigates death as part of contemporary everyday experience and practices. Through a cultural sociological lens, it studies death as it remains constantly at the edge of our consciousness, shaping the ways in which we move through social reality. As such, Death Matters is a significant contribution to death studies, going beyond traditional parameters of the field by addressing the cultural omnipresence of death. The contributions analyse several death-related meaning-making processes, arguing that meanings emerging from culturally shared narratives, social institutions, and material conditions, are just as important as ’death practices’ in understanding the role of death in society. Drawing on the related themes of places of absence and presence, disease and bodies, and persons and non-persons, the authors explore a variety of areas of social life, from haunting to celebrity deaths, to move the notion of death from the margins of social reality to ongoing everyday life. This far-reaching collection will be of use to scholars and students across death studies, sociology, anthropology, philosophy, culture, media and communication studies.

The bloody story of the rise of paramilitaries in Colombia, told through three characters -- a fearless activist, a dogged journalist, and a relentless investigator -- whose lives intersected in the midst of unspeakable terror. Colombia's drug-fueled cycle of terror, corruption, and tragedy did not end with Pablo Escobar's death in 1993. Just when Colombians were ready to move past the murderous legacy of the country's cartels, a new, bloody chapter unfolded. In the late 1990s, right-wing paramilitary groups with close ties to the cocaine business carried out a violent expansion campaign, massacring, raping, and torturing thousands. There Are No Dead Here is the harrowing story of three ordinary Colombians who risked everything to reveal the collusion between the new mafia and much of the country's military and political establishment: JesúríValle, a human rights activist who was murdered for exposing a dark secret; IváVeláuez, a quiet prosecutor who took up Valle's cause and became an unlikely hero; and Ricardo Calderóa dogged journalist who is still being targeted for his revelations. Their groundbreaking investigations landed a third of the country's Congress in prison and fed new demands for justice and peace that Colombia's leaders could not ignore. Taking readers from the sweltering Medellístreets where criminal investigators were hunted by assassins, through the countryside where paramilitaries wiped out entire towns, and into the corridors of the presidential palace in BogotáThere Are No Dead Here is an unforgettable portrait of the valiant men and women who dared to stand up to the tide of greed, rage, and bloodlust that threatened to engulf their country.