Driving on a foggy and sleet-filled night to her Aunt Mina's desolate mansion, Katie Warren becomes the chief suspect in a murder and must find the real killer in order to clear her name

This classic mystery is “more than a mere crime puzzle. . . . It is a tragic event which deeply affects the destinies of those who are in any way involved” (The New York Times). The road to her aunt’s country house on Lake Michigan is dark and shrouded in fog. But it’s a road Katie Warren knows well, having taken up residence with her Aunt Mina after losing her job during the stock market crash. But as she enters the gates to the gloomy mansion, a figure appears in the murky darkness—and Katie drives right into it, resulting in the death of her ailing aunt’s longtime companion, Charlotte Weinberg. The police are called in to investigate and when it becomes clear there was no love lost between Katie and Charlotte, Katie falls under suspicion. But Katie has her own suspicions when she discovers the death in the fog was no accident at all. Now sharing her aunt’s house with a list of suspects, Katie must rely on her wits to find a murderer—before the murderer gets her first. Praise for Mignon Eberhart “Eberhart is one of the great ladies of twentieth-century mystery fiction.” —John Jakes, author of the North and South Trilogy “One of America’s favorite writers.” —Mary Higgins Clark

Young, overworked, overtired, overstressed medical intern Sarah James has no time for sleuthing. Her elderly neighbors, the spunky Fog Ladies, have nothing but time. When, one by one, old ladies die in their elegant apartment building in San Francisco, Sarah assumes it is the natural consequence of growing old. The Fog Ladies assume murder. Mrs. Bridge falls off a stool cleaning bugs out of her kitchen light. Mrs. Talwin hits her head in the bathtub and drowns. Suddenly, the Pacific Heights building is turning over tenants faster than the fog rolls in on a cool San Francisco evening. Sarah resists the Fog Ladies' perseverations. But when one of them falls down the stairs and tells Sarah she was pushed, even Sarah believes evil lurks in their building. Can they find the killer before they fall victim themselves?

"Thriller enthusiasts will want to add this well-sculpted heist drama to their collections." —Kirkus Reviews It was supposed to be a simple heist. But running with art thieves could get them killed. San Francisco. Disgraced investigative journalist Camden Swanson spends his nights guzzling beer and penning nonsensical poetry. Forced into working as a museum guard after writing a drug-addled story that lost him his job, his life takes a wild twist when he’s offered a huge sum to help steal his employer’s prized Matisse statues. But when someone else mysteriously snatches the sculptures first, Camden’s beautiful benefactor accuses him of the crime and demands he return them ... or die. Unable to persuade the vengeful femme fatale that he didn’t double-cross her, Camden engages the help of Veronica Zarcarsky, a recent journalism school grad. When they discover a shocking secret and everything they’ve learned turns out to be a lie, Swanson suffers a brutal attack and his partner is nearly murdered. Can the ragtag duo crack the case before they end up in the obituaries?

"The searing strokes of this book remind me of the infinitude inside every life." --Leslie Jamison Paris Review Staff Pick, one of Chicago Tribune's 25 Hot Books of Summer, and one of The A.V. Club's 15 Most Anticipated Books of 2019 A stark, elegiac account of unexpected pleasures and the progress of seasons Fifteen years ago, Kathryn Scanlan found a stranger’s five-year diary at an estate auction in a small town in Illinois. The owner of the diary was eighty-six years old when she began recording the details of her life in the small book, a gift from her daughter and son-in-law. The diary was falling apart—water-stained and illegible in places—but magnetic to Scanlan nonetheless. After reading and rereading the diary, studying and dissecting it, for the next fifteen years she played with the sentences that caught her attention, cutting, editing, arranging, and rearranging them into the composition that became Aug 9—Fog (she chose the title from a note that was tucked into the diary). “Sure grand out,” the diarist writes. “That puzzle a humdinger,” she says, followed by, “A letter from Lloyd saying John died the 16th.” An entire state of mourning reveals itself in “2 canned hams.” The result of Scanlan’s collaging is an utterly compelling, deeply moving meditation on life and death. In Aug 9—Fog, Scanlan’s spare, minimalist approach has a maximal emotional effect, remaining with the reader long after the book ends. It is an unclassifiable work from a visionary young writer and artist—a singular portrait of a life revealed by revision and restraint.

A New York Times Book Review Editors’ Choice A Telegraph Editor’s Choice An Evening Standard “Best Books about London” Selection In popular imagination, London is a city of fog. The classic London fogs, the thick yellow “pea-soupers,” were born in the industrial age of the early nineteenth century. Christine L. Corton tells the story of these epic London fogs, their dangers and beauty, and their lasting effects on our culture and imagination. “Engrossing and magnificently researched...Corton’s book combines meticulous social history with a wealth of eccentric detail. Thus we learn that London’s ubiquitous plane trees were chosen for their shiny, fog-resistant foliage. And since Jack the Ripper actually went out to stalk his victims on fog-free nights, filmmakers had to fake the sort of dank, smoke-wreathed London scenes audiences craved. It’s discoveries like these that make reading London Fog such an unusual, enthralling and enlightening experience.” —Miranda Seymour, New York Times Book Review “Corton, clad in an overcoat, with a linklighter before her, takes us into the gloomier, long 19th century, where she revels in its Gothic grasp. Beautifully illustrated, London Fog delves fascinatingly into that swirling miasma.” —Philip Hoare, New Statesman

Joel Ross debuts a thrilling adventure series in which living in the sky is the new reality and a few determined slum kids just might become heroes. This Texas Bluebonnet selection—a fantasy filled with daring and hope and a wonderfully imaginative world—is perfect for fans of Rick Riordan and Brandon Mull. Once the Fog started rising, the earth was covered with a deadly white mist until nothing remained but the mountaintops. Now humanity clings to its highest peaks, called the Rooftop, where the wealthy Five Families rule over the lower slopes and floating junkyards. Thirteen-year-old Chess and his friends Hazel, Bea, and Swedish sail their rickety air raft over the deadly Fog, scavenging the ruins for anything they can sell to survive. But now survival isn't enough. They must risk everything to get to the miraculous city of Port Oro, the only place where their beloved Mrs. E can be cured of fogsickness. Yet the ruthless Lord Kodoc is hot on their trail, for Chess has a precious secret, one that Kodoc is desperate to use against him. Now Chess will face any danger to protect his friends, even if it means confronting what he fears the most.

"Eight children on a foggy island begin to experience frightening physical transformations. Are they freaks of nature, or subjects of a dark, sinister experiment?"--P. [4] of cover.

With a foreword by Jennifer Richmond-Bryant In October 1948, a seemingly average fog descended on the tiny mill town of Donora, Pennsylvania. With a population of fewer than fifteen thousand, the town’s main industry was steel and zinc mills—mills that continually emitted pollutants into the air. The six-day smog event left twenty-one people dead and thousands sick. Even after the fog lifted, hundreds more died or were left with lingering health problems. Donora Death Fog details how six fateful days in Donora led to the nation’s first clean air act in 1955, and how such catastrophes can lead to successful policy change. Andy McPhee tells the very human story behind this ecological disaster: how wealthy industrialists built the mills to supply an ever-growing America; how the town’s residents—millworkers and their families—willfully ignored the danger of the mills’ emissions; and how the gradual closing of the mills over the years following the tragedy took its toll on the town.

The Fog Ladies are at it again, spunky senior sleuths and an overstressed young medical resident solving murders from their elegant apartment building in San Francisco. They join a senior dating group, and romantic intrigue soon turns to murder. Graham Parselle, lady killer extraordinaire, plunges off a cliff on a Senior Singles outing. Did one of his dates pitch him over? Or is Olivia Honeycut’s new beau to blame?