Archery coach and occasional amateur sleuth Di is looking forward to a relaxing weekend chaperoning a tournament with her Great Dane, Moo. But when a rival’s coach is taken away in an ambulance, Di suspect foul play. How will she prove her suspicions when everyone thinks it’s an accident? A Target Practice Mini Mystery

In May, 1995, a photograph and an anonymous note arrived at The Harvard Crimson: "Keep this picture. There will soon be a very juicy story involving this woman." Soon afterwards, Sinedu Tadesse stabbed her roommate, Trang Phuong Ho, to death, and then hanged herself. This riveting book recounts the stories of these women, whose admission to Harvard was "halfway heaven," a bridge to the American dream after lives of hardship. Sinedu grew up under communist tyranny in Ethiopia, while Trang was born in a Vietnamese forced labor camp, and fled the country with her father and sister to end up on welfare in Boston. Despite their similarities, the two were never friends; Trang was friendly and outgoing, while Sinedu, awkward and shy, had trouble adjusting to a culture vastly different from her own. Drawing upon her astonishing diaries, New York Times bestselling author Thernstrom, a Harvard graduate herself, reconstructs Sinedu's inner life to reveal a girl struggling against isolation and depression. The book reveals Harvard as an institution ill-equipped to deal with mental illness on campus that apparently cared more for its reputation than for its student body. A brilliant synthesis of cultural analysis, psychological study, and first-rate investigative journalism, Halfway Heaven is a haunting exploration of the power of profound loneliness and an expose of one of America's most distinguished universities.

Lord of the Flies meets Never Let Me Go in this “moving and totally involving” (Stephen King) dystopian thriller from the internationally best-selling author of Behind Her Eyes Toby’s life was perfectly normal . . . until it was unraveled by something as simple as a blood test. Taken from his family, Toby now lives in the Death House; an out-of-time existence far from the modern world, where he, and the others who live there, are studied by Matron and her team of nurses. They’re looking for any sign of sickness. Any sign of their wards changing. Any sign that it’s time to take them to the sanatorium. No one returns from the sanatorium. Living in his memories of the past, Toby spends his days fighting his fear. But then a new arrival in the house shatters the fragile peace, and everything changes. Because everybody dies. It’s how you choose to live that counts.

FINALIST FOR THE J. ANTHONY LUKAS BOOK PRIZE NATIONAL BESTSELLER Named One of The Best Books of 2020 by NPR's Fresh Air * Publishers Weekly * Marie Claire * Redbook * Vogue * Kirkus Reviews * Book Riot * Bustle A Recommended Book by The New York Times * The Washington Post * Publisher's Weekly * Kirkus Reviews* Booklist * The Boston Globe * Goodreads * Buzzfeed * Town & Country * Refinery29 * BookRiot * CrimeReads * Glamour * Popsugar * PureWow * Shondaland Dive into a "tour de force of investigative reporting" (Ron Chernow): a "searching, atmospheric and ultimately entrancing" (Patrick Radden Keefe) true crime narrative of an unsolved 1969 murder at Harvard and an "exhilarating and seductive" (Ariel Levy) narrative of obsession and love for a girl who dreamt of rising among men. You have to remember, he reminded me, that Harvard is older than the U.S. government. You have to remember because Harvard doesn't let you forget. 1969: the height of counterculture and the year universities would seek to curb the unruly spectacle of student protest; the winter that Harvard University would begin the tumultuous process of merging with Radcliffe, its all-female sister school; and the year that Jane Britton, an ambitious twenty-three-year-old graduate student in Harvard's Anthropology Department and daughter of Radcliffe Vice President J. Boyd Britton, would be found bludgeoned to death in her Cambridge, Massachusetts apartment. Forty years later, Becky Cooper a curious undergrad, will hear the first whispers of the story. In the first telling the body was nameless. The story was this: a Harvard student had had an affair with her professor, and the professor had murdered her in the Peabody Museum of Archaeology and Ethnology because she'd threatened to talk about the affair. Though the rumor proves false, the story that unfolds, one that Cooper will follow for ten years, is even more complex: a tale of gender inequality in academia, a 'cowboy culture' among empowered male elites, the silencing effect of institutions, and our compulsion to rewrite the stories of female victims. We Keep the Dead Close is a memoir of mirrors, misogyny, and murder. It is at once a rumination on the violence and oppression that rules our revered institutions, a ghost story reflecting one young woman's past onto another's present, and a love story for a girl who was lost to history.

One is dying of cancer. The other's planning a murder. When Pancho arrives at St. Anthony's Home, he knows his time there will be short: If his plans succeed, he'll soon be arrested for the murder of his sister's killer. But then he's assigned to help D.Q., whose brain cancer has slowed neither his spirit nor his mouth. D.Q. tells Pancho all about his "Death Warrior's Manifesto," which will help him to live out his last days fully--ideally, he says, with the love of the beautiful Marisol. As Pancho tracks down his sister's murderer, he finds himself falling under the influence of D.Q. and Marisol, who is everything D.Q. said she would be;and he is inexorably drawn to a decision: to honor his sister and her death, or embrace the way of the Death Warrior and choose life. Nuanced in its characters and surprising in its plot developments--both soulful and funny--Last Summer is a buddy novel of the highest kind: the story of a friendship that helps two young men become all they can be.