"A tremendous book, the biography of a city which charts the multifarious pathways from bacilli to burgomaster." - Roy Porter, London Review of Books Why were nearly 10,000 people killed in six weeks in Hamburg, while most of Europe was left almost unscathed? As Richard J. Evans explains, it was largely because the town was a “free city” within Germany that was governed by the “English” ideals of laissez-faire. The absence of an effective public-health policy combined with ill-founded medical theories and the miserable living conditions of the poor to create a scene ripe for tragedy. The story of the “cholera years” is, in Richard Evans’s hands, tragically revealing of the age’s social inequalities and governmental pitilessness and incompetence; it also offers disquieting parallels with the world’s public-health landscape today, including the current coronavirus crisis.

"A tremendous book, the biography of a city which charts the multifarious pathways from bacilli to burgomaster." -Roy Porter, London Review of Books Why were nearly 10,000 people killed in six weeks in Hamburg, while most of Europe was left almost unscathed? As Richard J. Evans explains, it was largely because the town was a “free city” within Germany that was governed by the “English” ideals of laissez-faire. The absence of an effective public-health policy combined with ill-founded medical theories and the miserable living conditions of the poor to create a scene ripe for tragedy. The story of the “cholera years” is, in Richard Evans’s hands, tragically revealing of the age’s social inequalities and governmental pitilessness and incompetence; it also offers disquieting parallels with the world’s public-health landscape today, including the current coronavirus crisis.

“A lucid, muscular, and often sly reflection” on the worth and purpose of historical scholarship by the award-winning author of The Third Reich Trilogy (Kirkus). In this volume, the renowned historian Richard J. Evans offers a fervent and deeply insightful defense of his craft and its importance to civilization. At a time when fact and historical truth are under unprecedented assault, Evans shows us why history is necessary. Taking us into the historians’ workshop, he offers a firsthand look at how good history gets written. In staunch opposition to the wilder claims of postmodern historians, Evans thoroughly dismantles the notion that a realistic grasp of history is impossible to attain. He then goes on to explain the deadly political dangers of losing a historical perspective on the way we live our lives. In the tradition of E.H. Carr’s What Is History? and G.R. Elton’s The Practice of History, Evans’ In Defense of History delivers “a model of lucid and intelligent historiographical analysis” (The Guardian, UK).

A collaboration between two internationally known experts, this volume presents a scientific, modern view of autoerotic death, complete with a variety of case histories and investigator tips. Enhanced with more than 100 color photos, the book begins by exploring the evolution of the concept of sexual asphyxia and autoerotic death. It then examines death scene characteristics and the importance of recognizing clues to the autoerotic nature of a death. Using a case history format to describe methods as well as typical and atypical victims, the book is an unparalleled resource for all those involved in the investigation of these peculiar incidents.

Bestselling Martin Middlebrook's classic account of the battle for Hamburg: a description of a text book campaign, where the British Bomber Command got everything right.

Ansgar and Rimbert, ninth-century bishops and missionaries to Denmark and Sweden, are fixtures of medieval ecclesiastical history. Rare is the survey that does not pause to mention their work among the pagan peoples of the North and their foundation of an archdiocese centered at Hamburg and Bremen. But Ansgar and Rimbert were also clever forgers who wove a complex tapestry of myths and half-truths about themselves and their mission. They worked with the tacit approval-if not the outright cooperation-of kings and popes to craft a fictional account of Ansgar's life and work. The true story, very different from that found in our history books, has never been told: Ansgar did not found any archdiocese at all. Rather, the idea of Hamburg-Bremen only took root in the tenth century, and royal sponsorship of the mission to Denmark and Sweden ended with the death of Louis the Pious. This book couples detailed philological and diplomatic analysis with broader historical contextualization to overturn the consensus view on the basic reliability of the foundation documents and Rimbert's Vita Anskarii. By revising our understanding of Carolingian northeastern expansion after Charlemagne, it provides new insight into the political and ecclesiastical history of early medieval Europe.

“My dear children, I write this for you in case your dear children or grandchildren come to you one of these days, knowing nothing of their family. For this reason I have set this down for you here in brief, so that you might know what kind of people you come from.” These words from the memoirs Glikl bas Leib wrote in Yiddish between 1691 and 1719 shed light on the life of a devout and worldly woman. Writing initially to seek solace in the long nights of her widowhood, Glikl continued to record the joys and tribulations of her family and community in an account unique for its impressive literary talents and strong invocation of self. Through intensely personal recollections, Glikl weaves stories and traditional tales that express her thoughts and beliefs. While influenced by popular Yiddish moral literature, Glikl’s frequent use of first person and the significance she assigns her own life experience set the work apart. Informed by fidelity to the original Yiddish text, this authoritative new translation is fully annotated to explicate Glikl’s life and times, offering readers a rich context for appreciating this classic work.

Winner of a National Jewish Book Award "Fascinating.…A humane and tragic survey of a great and tragic subject." —Jan Morris, Literary Review From Alexander Pushkin and Isaac Babel to Zionist renegade Vladimir Jabotinsky and filmmaker Sergei Eisenstein, an astonishing cast of geniuses helped shape Odessa, a legendary haven of cosmopolitan freedom on the Black Sea. Drawing on a wealth of original sources and offering the first detailed account of the destruction of the city's Jewish community during the Second World War, Charles King's Odessa is both history and elegy—a vivid chronicle of a multicultural city and its remarkable resilience over the past two centuries.

A half-starved young Russian is smuggled into Hamburg at dead of night. He has an improbable amount of cash secreted in a purse around his neck. He is a devout Muslim. Or is he?