Bea Rivers' new job at Shandley Gardens seems to be idyllic; a stimulating career at a desert garden full of botanical wonders. But a slow rot has spread within Shandley Gardens as financial woes add stress to the small board of directors, putting Bea's job at risk. When one of the Gardens' founders, Liz Shandley, is killed in what appears to be a tragic accident, the immediate worry is the survival of the Gardens. But then the police determine that Liz was murdered, and suddenly Bea's job is less than idyllic. The tangled web of relationships is almost as confusing as the enigmatic botanical clues someone keeps dropping. Bea struggles to balance her life as a committed single parent dating a struggling writer while she's drawn further into the investigation of Liz's death. As Bea tries to decipher the strange clues to find the murderer, she uncovers deep secrets and surprises among the staff and board that will forever change the Gardens.

When John Alcock replaced the Bermuda grass in his suburban Arizona lawn with gravel, cacti, and fairy dusters, he was doing more than creating desert landscaping. He seeded his property with flowers to entice certain insects and even added a few cowpies to attract termites, creating a personal laboratory for ecological studies. His observations of life in his own front yard provided him with the fieldnotes for this unusual book. In a Desert Garden draws readers into the strange and fascinating world of plants and animals native to Arizona's Sonoran Desert. As Alcock studies the plants in his yard, he shares thoughts on planting, weeding, and pruning that any gardener will appreciate. And when commenting on the mating rituals of spiders and beetles or marveling at the camouflage of grasshoppers and caterpillars, he uses humor and insight to detail the lives of the insects that live in his patch of desert. Celebrating the virtues of even aphids and mosquitoes, Alcock draws the reader into the intricacies of desert life to reveal the complex interactions found in this unique ecosystem. In a Desert Garden combines meticulous science with contemplations of nature and reminds us that a world of wonder lies just outside our own doors.

Death and Garden Narratives in Literature, Art and Film: Song of Death in Paradise explores the combination of two motifs, death and gardens, to show how the two subjects are intertwined and used in various media and cultural contexts. Using cultural, literary, film, and art history theories, the contributors analyze various death and garden sceneries in literary works by Arthur Machen, Agatha Christie, J.K. Rowling, as well as in superhero comics, films, and cultural and art contexts such as Ian Hamilton Finley's “Little Sparta,” the poetic verses from the Karoo Desert National Botanical Garden in South Africa, and the Australian wilderness.

The author covers conflicts from 1837 through 1886 in Arizona, New Mexico, and California. Important chiefs covered include Mangas Coloradas, Cochise, Victorio, Geronimo, and Captain Jack. Army officers covered include George Crook and Nelson Miles.

The "High Line Flyer," as this train was derisively called among railroad men, was jerking along through the hot afternoon over the monotonous country between Holdridge and Cheyenne. Besides the blond man and himself the only occupants of the car were two dusty, bedraggled-looking girls who had been to the Exposition at Chicago, and who were earnestly discussing the cost of their first trip out of Colorado. The four uncomfortable passengers were covered with a sediment of fine, yellow dust which clung to their hair and eyebrows like gold powder. It blew up in clouds from the bleak, lifeless country through which they passed, until they were one color with the sagebrush and sandhills.

“Fizzy with charm yet edged with menace, Andrew Wilson’s Christie novels do Dame Agatha proud. Perfect for fans of Ruth Ware and Jacqueline Winspear.” —A.J. Finn, internationally bestselling author of The Woman in the Window Queen of Crime Agatha Christie returns to star in another stylish mystery, as she travels to the excavation of the ancient city of Ur where she must solve a crime with motives that may be as old as civilization itself. Fresh from solving the gruesome murder of a British agent in the Canary Islands, mystery writer Agatha Christie receives a letter from a family who believe their late daughter met with foul play. Before Gertrude Bell overdosed on sleeping medication, she was a prominent archaeologist, recovering ancient treasures in the Middle East. Found near her body was a letter claiming that Bell was being followed. To complicate things further, Bell was competing with another archeologist, Mrs. Woolley, for the rights to artifacts of immense value. Christie travels to far-off Persia, where she meets the enigmatic Mrs. Woolley as she is working on a big and potentially valuable discovery. Temperamental but brilliant, Mrs. Woolley quickly charms Christie but when she does not hide her disdain for the recently deceased Miss Bell, Christie doesn’t know whether to trust her—or if Bell’s killer is just clever enough to hide in plain sight. With Wilson’s signature “strong characters, shrewd plotting and a skillful blending of fact and fiction” (Shelf Awareness, starred review on A Talent for Murder), this is a thrilling adventure based on real events in Christie's life and set amidst the cursed ruins of an ancient land.

In the late fourth century, the world of Christianity was torn apart by debate over the teachings of the third-century theologian Origen and his positions on the incorporeality of God. In the year 400, Archbishop Theophilus of Alexandria convened a council declaring Origen's later followers as heretics. Shortly thereafter, Theophilus banished the so-called Tall Brothers, four Origenist monks who led monastic communities in the western Egyptian desert, along with hundreds of their brethren. In some accounts, Theophilus leads a violent group of drunken youths and enslaved Ethiopians in sacking and desecrating the monastery; in others, he justly exercises his episcopal duties. In some versions, Theophilus' violent actions effectively bring the Golden Age of desert monasticism to an end; in others, he has shown proper respect for the desert fathers, whose life of asceticism is subsequently destroyed by bands of barbarian marauders. For some, the desert came to be inextricably connected to violence and trauma, while for others, it became a site of nostalgic recollection. Which of these narratives subsequent generations believed depended in good part on the sources they were reading. In Death of the Desert, Christine Luckritz Marquis offers a fresh examination of this critical juncture in Christian history and brings into dialogue narrative strands that have largely been separated in the scholarly tradition. She takes the violence perpetrated by Theophilus as a turning point for desert monasticism and considers how monks became involved in acts of violence and how that violence came back to haunt them. More broadly, her careful attention to the dynamic relations between memory practices, the rhetorical constructions of place, racialized discourse, and language and deeds of violence speak to us in our own time.

This survey of twenty-one gardens by Steve Martino, whose work blends colorful, man-made elements with native plants to reflect the sun-drenched beauty of the desert, is sure to inspire gardeners, landscapers, and admirers of California and the Southwest. For more than thirty years, Steve Martino has been committed to the development and advancement of landscape architecture in the Southwest. His pioneering work with native plant material and the development of a desert-derived design aesthetic is widely recognized. A recurring theme of his work is the dramatic juxtaposition of man-made elements with ecological processes of the region. His love for the desert--the interplay of light and shadow, the colors, plants, and wildlife--inspires his work. As Martino explains, "Gardens consist of two worlds, the man-made and the natural one. I've described my design style as 'Weeds and Walls'--nature and man. I use native plants to make the transition from a building to the adjacent natural desert." Though Martino's work is deeply connected to the natural world, he also has a flair for the dramatic, which is apparent from his lively color selections, sculptural use of plants, and keen attention to lighting, shadows, and reflections. Boldly colored stucco walls frame compelling views of the desert and sky, expanding the outdoor living area while solving common site problems such as lack of privacy or shade. Interspersed are custom structures molded in translucent fiberglass in vivid hues--colorful arbors, outdoor showers, and internally lit benches.

“Eye-popping proof that water-wise gardens are bold, beautiful and brilliantly hued.” —San Diego Home and Garden Dry weather defines the southwest, and it's getting dryer. As water becomes more precious, our gardens suffer. If we want to keep gardening, we must revolutionize our plant choices and garden practices. Hot Color, Dry Garden provides a joyful, color-filled way to exuberantly garden in low-water conditions. Garden expert Nan Sterman highlights inspiring examples of brilliant gardens filled with water-smart plants. You'll find information about designing for color using plants, architecture, and accessories, along with a plant directory that features drought-tolerant plants that dazzle.

When John Alcock replaced the Bermuda grass in his suburban Arizona lawn with gravel, cacti, and fairy dusters, he was doing more than creating desert landscaping. He seeded his property with flowers to entice certain insects and even added a few cowpies to attract termites, creating a personal laboratory for ecological studies. His observations of life in his own front yard provided him with the fieldnotes for this unusual book. In a Desert Garden draws readers into the strange and fascinating world of plants and animals native to Arizona's Sonoran Desert. As Alcock studies the plants in his yard, he shares thoughts on planting, weeding, and pruning that any gardener will appreciate. And when commenting on the mating rituals of spiders and beetles or marveling at the camouflage of grasshoppers and caterpillars, he uses humor and insight to detail the lives of the insects that live in his patch of desert. Celebrating the virtues of even aphids and mosquitoes, Alcock draws the reader into the intricacies of desert life to reveal the complex interactions found in this unique ecosystem. In a Desert Garden combines meticulous science with contemplations of nature and reminds us that a world of wonder lies just outside our own doors.