"William Boyle does for the small damaged towns of New York what Nelson Algren did for Chicago: he makes the streets sing with piss-pot poetry and gut-bucket blues. These are edgy stories about people who would have to pull themselves up to walk the line, people who spend so much time in bars, drunks and bartenders start to look like family. In here, hardship is a given, failure too, but Boyle's beautiful prose infuses his characters with a deep sense of knowledge and dignity and awareness, so hope is always present, no matter how dim the light. In DEATH DON'T HAVE NO MERCY, a shot of whiskey is rocket fuel, and the songs are all sung by dead folks and outlaws. Drunk working men look like dumptrucks, their mouths hanging open for booze. Boyle is a new breed of literary crime writer that knows to be alive is to be a criminal and the art of living is finding the best possible crime. Fans of James Cain and Vicki Hendricks, of Charles Bukowski and Larry Brown, saddle up to the bar and throw down your money for the excellent stories in DEATH DON'T HAVE NO MERCY. I guarantee you will fall in love with the neighborhoods, with the alleys, with the garages and one-bedroom apartments, because around the corner William Boyle is bartending and everything he has to say is the best thing you will read this year. An outstanding collection " -Dave Newman, author of PLEASE DON'T SHOOT ANYONE TONIGHT, RAYMOND CARVER WILL NOT RAISE OUR CHILDREN, THE SLAUGHTERHOUSE POEMS, and TWO SMALL BIRDS

Did God condone genocide in the Old Testament? How do Christians harmonize the warrior God of Israel with the God of love incarnate in Jesus? Christians are often shocked to read that Yahweh, the God of the Israelites, commanded the total destruction--all men, women, and children--of the ethnic group known as the Canaanites. This seems to contradict Jesus' command in the New Testament to love your enemies and do good to all people. How can Yahweh be the same God as the Father of our Lord Jesus Christ? What does genocide in the Bible have to do with the politics of the 21st century? Show Them No Mercy explores the Old Testament command of God to exterminate the Canaanite population and what that implies about continuity between the Old and New Testaments. The four views presented are: Strong Discontinuity – emphasizes the strong tension, regarding violence, between the two main texts of the Bible (C.S. Cowles) Moderate Discontinuity – provides a justification of God’s actions in the Old Testament with strong emphasis on exegesis (Eugene H. Merrill) Eschatological Continuity – a reading of the warfare narratives that ties them contextually to the book of Revelation and the Second Coming (Daniel L. Gard) Spiritual Continuity – incorporates the genocidal account into the full picture of the Old and New Testaments (Tremper Longman III) The Counterpoints series presents a comparison and critique of scholarly views on topics important to Christians that are both fair-minded and respectful of the biblical text. Each volume is a one-stop reference that allows readers to evaluate the different positions on a specific issue and form their own, educated opinion.

“Finally, the biography that Rev. Davis deserves. Ian Zack takes ‘Blind Gary’ out of the footnotes and into the footlights of the history of American music.” —Steve Katz, cofounder of Blood, Sweat & Tears Bob Dylan called Gary Davis “one of the wizards of modern music.” Bob Weir of the Grateful Dead—who took lessons with Davis—claimed his musical ability “transcended any common notion of a bluesman.” And the folklorist Alan Lomax called him “one of the really great geniuses of American instrumental music.” But you won’t find Davis alongside blues legends Robert Johnson and Muddy Waters in the Rock and Roll Hall of Fame. The first biography of Davis, Say No to the Devil restores “the Rev’s” remarkable story. Drawing on extensive research and interviews with many of Davis’s former students, Ian Zack takes readers through Davis’s difficult beginning as the blind son of sharecroppers in the Jim Crow South to his decision to become an ordained Baptist minister and his move to New York in the early 1940s, where he scraped out a living singing and preaching on street corners and in storefront churches in Harlem. There, he gained entry into a circle of musicians that included, among many others, Lead Belly, Woody Guthrie, and Dave Van Ronk. But in spite of his tremendous musical achievements, Davis never gained broad recognition from an American public that wasn’t sure what to make of his trademark blend of gospel, ragtime, street preaching, and the blues. His personal life was also fraught, troubled by struggles with alcohol, women, and deteriorating health. Zack chronicles this remarkable figure in American music, helping us to understand how he taught and influenced a generation of musicians.

Celebrate the fiftieth anniversary of the most popular and enduring band ever: “Even the most hardcore Deadheads will be impressed by this obsessively complete look at the Grateful Dead’s lyrics” (Publishers Weekly). The Complete Annotated Grateful Dead Lyrics is an authoritative text, providing standard versions of all the original songs you thought you knew forwards and backwards. These are some of the best-loved songs in the modern American songbook. They are hummed and spoken among thousands as counterculture code and recorded by musicians of all stripes for their inimitable singability and obscure accessibility. How do they do all this? To provide a context for this formidable body of work, of which his part is primary, Robert Hunter has written a foreword that goes to the heart of the matter. And the annotations on sources provide a gloss on the lyrics, which goes to the roots of Western culture as they are incorporated into them. An avid Grateful Dead concertgoer for more than two decades, David Dodd is a librarian who brings to the work a detective’s love of following a clue as far as it will take him. Including essays by Dead lyricists Robert Hunter and John Perry and Jim Carpenter’s original illustrations, whimsical elements in the lyrics are brought to light, showcasing the American legend that is present in so many songs. A gorgeous keepsake edition of the Dead’s official annotated lyrics, The Complete Annotated Grateful Dead Lyrics is an absolute must-have for the fiftieth anniversary—you won’t think of this cultural icon the same way again. In fact, founding band member Bob Weir said: “This book is great. Now I’ll never have to explain myself.”

This history of Native Americans, from the period of first contactto the present day, offers an important variation to existingstudies by placing the lives and experiences of Native Americancommunities at the center of the narrative. Presents an innovative approach to Native American history byplacing individual native communities and their experiences at thecenter of the study Following a first chapter that deals with creation myths, theremainder of the narrative is structured chronologically, coveringover 600 years from the point of first contact to the presentday Illustrates the great diversity in American Indian culture andemphasizes the importance of Native Americans in the history ofNorth America Provides an excellent survey for courses in Native Americanhistory Includes maps, photographs, a timeline, questions fordiscussion, and “A Closer Focus” textboxes that providebiographies of individuals and that elaborate on the text, exposing students to issues of race, class, and gender

The New York Times bestselling author introduces a take-no-prisoners hostage specialist in this series debut—a “fast-paced tale of violence and revenge” (Publishers Weekly). When those inside the corridors of power need help outside the law, they know who to call. Jonathan Grave, covert rescue specialist, always gets results. But perhaps what’s most valuable of all is what stays missing: No names. No feds. No trace evidence. When an Indiana college student is abducted, Grave and his team of operatives unravel a deadly scheme the government would prefer to keep hidden. But things get complicated when an investigative reporter—who happens to be married to Grave’s ex-wife—goes missing. Someone rich and powerful is willing to do anything to control a devastating secret. And that includes killing the people Grave loves most. “The launch of a really exciting series.”—Joseph Finder, New York Times bestselling author of House on Fire

How far would I go for love? This profound question drives the visceral storytelling of The Last of Us. Love is the central theme for people like us. We find it in literature, cinema, TV series, the most extravagant reality shows and, in this case, video games. After disrupting the adventure game formula with the acclaimed Uncharted series, Naughty Dog changed its recipe in 2013 with The Last of Us, embracing the post-apocalyptic genre. Seven years later, The Last of Us Part II offered a more radical and divisive experience, but still focused on people, their motivations and their flaws. With the book "Decoding The Last of Us: The Remnants of Humanity", author Nicolas Deneschau invites us to grasp all the complexity behind the design of these titles, as well as the meticulousness of their authors and development teams. He analyses the many ways The Last of Us can be read and considers the important role the diptych played in the transformation of the blockbuster video game.

Family always comes first. Until now. Get ready for the ultimate summer read with the explosive new novel from Sunday Times No.1 bestseller and 'undisputed queen of crime writing' (Guardian) Martina Cole. Diana Davis has been head of the family business since the death of her husband, an infamous bank robber. She's a woman in a man's world, but no one messes with her. Her only son, Angus, is a natural born villain, but he needs to earn Diana's trust before she'll allow him into the business. Once he's proved he has the brains to run their clubs in Marbella, he is given what he's always wanted. It's the beginning of a reign of terror that knows no bounds. But Angus has a blind spot: his wife, Lorna, and their three kids, Angus Junior, Sean and Eilish. And as the next generation enters the business, Angus has a painful truth to learn. Even when it comes to family, he must show no mercy... 'She's a total one-off' Guardian 'The stuff of legend' Mirror 'Superstar crime writer' This Morning 'There really is only one Martina Cole' Closer 'The undisputed Queen of crime writing' Erwin James

From award-winning author Lori Armstrong comes a gripping tale of brutal murder, as former army sniper Mercy Gunderson learns anew when she returns to the family ranch that, for the weak, the western plains of South Dakota hold...NO MERCY. The body of a teenage Indian boy found on land belonging to the Gunderson ranch is just the beginning. When a second teen is killed, the crime moves even closer to home for Mercy. The Iraq veteran is no stranger to death, but these murders are deeply personal, recalling all too clearly a childhood marred by violence and tragedy. The local sheriff seems strangely apathetic, so Mercy throws herself into an investigation that is driven by a desire for justice . . . and retribution. But as she digs up the truth behind the shocking crimes, she uncovers dark and dangerous secrets involving those she loves. Now she must race to stop a killer before everything she’s fought for is destroyed forever.

He was there when Dylan went electric, when a generation danced naked at Woodstock, and when Ken Kesey started experimenting with acid. Jerry Garcia was one of the most gifted musicians of all time, and he was a member of one of the most worshiped rock 'n' roll bands in history. Now, Blair Jackson, who covered the Grateful Dead for twenty-five years, gives us an unparalleled portrait of Garcia--the musical genius, the brilliant songwriter, and ultimately, the tortured soul plagued by his own addiction. With more than forty photographs, many of them previously unpublished, Garcia: An American Life is the ultimate tribute to the man who, Bob Dylan said, "had no equal."