"The girl I was ten years ago has not yet read this gorgeous, important work, but the future is closer than she thinks, and besides, this is a book that can sing through the years. You, too, need this book. When the future might feel simply cold, Franny Choi gifts us complex fire." - Lo Kwa Mei-En, author of The Bees Make Money in the Lion

MACHINE OF DEATH tells thirty-four different stories about people who know how they will die. Prepare to have your tears jerked, your spine tingled, your funny bone tickled, your mind blown, your pulse quickened, or your heart warmed. Or better yet, simply prepare to be surprised. Because even when people do have perfect knowledge of the future, there's no telling exactly how things will turn out.

Paris Review Staff Pick A Book Riot Must-Read Poetry Collection Soft Science explores queer, Asian American femininity. A series of Turing Test-inspired poems grounds its exploration of questions not just of identity, but of consciousness—how to be tender and feeling and still survive a violent world filled with artificial intelligence and automation. We are dropped straight into the tangled intersections of technology, violence, erasure, agency, gender, and loneliness. "Choi creates an exhilarating matrix of poetry, science, and technology." —Publishers Weekly "Franny Choi combines technology and poetry to stunning effect." –BUSTLE “…these beautiful, fractal-like poems are meditations on identity and autonomy and offer consciousness-expanding forays into topics like violence and gender, love and isolation.” –NYLON

In her electrifying debut, Franny Choi leads readers through the complex landscapes of absence, memory, and identity. Beginning in loss and ending in reflective elation, Floating, Brilliant, Gone explores life as a brief impossibility, “infinite / until it isn’t.” Punctuated with haunting illustrations by Jess X. Chen, Choi’s poems read like lucid dreams that jolt awake at the most unexpected moments.

“(This) was seriously one of the HOTTEST books I’ve ever read!” —Emma Chase, NY Times bestselling author of Royally Screwed "Hot, emotional and fun, this sex machine of a man has a huge...HEART!" - Lauren Blakely, NY Times bestselling author of WELL HUNG “Sex Machine totally got my motor running. Marie Force just delivered one smoking hot romance.” —Sawyer Bennett, New York Times bestselling author SEX MACHINE He’s good for one thing and one thing only—and she wants it bad. Honey Carmichael has never had a decent orgasm, and she’s out to change that with the one man in town known for his superior skill between the sheets. Blake Dempsey is happy to help Honey with her “problem” as long as she knows he’s only interested in sex. His heart was broken when his high school girlfriend was killed in the car he was driving, and he has nothing to offer other than more orgasms than Honey can handle. Which is just fine with her—until fantastic orgasms aren’t enough anymore for either of them and unexpected feelings turn hot sex into messy entanglement—and that most definitely wasn’t in the plans. But you know what they say about plans… A sexy, dirty standalone romance intended for MATURE audiences. If you can’t take the heat in Blake’s bedroom, stay out or you might get burned. You’ve been warned!

“This gonzo-journalistic exploration of the Silicon Valley techno-utopians’ pursuit of escaping mortality is a breezy romp full of colorful characters.” —New York Times Book Review (Editor's Choice) Transhumanism is a movement pushing the limits of our bodies—our capabilities, intelligence, and lifespans—in the hopes that, through technology, we can become something better than ourselves. It has found support among Silicon Valley billionaires and some of the world’s biggest businesses. In To Be a Machine, journalist Mark O'Connell explores the staggering possibilities and moral quandaries that present themselves when you of think of your body as a device. He visits the world's foremost cryonics facility to witness how some have chosen to forestall death. He discovers an underground collective of biohackers, implanting electronics under their skin to enhance their senses. He meets a team of scientists urgently investigating how to protect mankind from artificial superintelligence. Where is our obsession with technology leading us? What does the rise of AI mean not just for our offices and homes, but for our humanity? Could the technologies we create to help us eventually bring us to harm? Addressing these questions, O'Connell presents a profound, provocative, often laugh-out-loud-funny look at an influential movement. In investigating what it means to be a machine, he offers a surprising meditation on what it means to be human.

Karen Brodine's award-winning feminist poetry explores themes of work, activism, sexual identity, family, language, and the author's fight against breast cancer. Published in 1990, WOMAN SITTING AT THE MACHINE, THINKING is the posthumously published, fourth collection of poems by a breakthrough writer on feminist, lesbian and workingclass themes. Brodine's work is widely published in anthologies. This collection includes a bibliography of Brodine's writing, a preface by the renowned feminist and radical poet Meridel LeSueur, and an introduction by Asian American lesbian poet Merle Woo.

A timely investigation into the forces that are driving innovation in the four core areas of human experience: birth, food, sex, and death. In Sex Robots & Vegan Meat, award-winning journalist and documentary-maker Jenny Kleeman takes us on a journey into the world of the people who are changing what it means to be human. Focusing on four central pillars of the human experience–birth, food, sex, and death—Kleeman examines the people who are driving some truly amazing (and perhaps worrying) innovations. We are on the brink of seismic changes in the ways we live and die, from babies grown in artificial wombs to lab-produced meat; from sex robots able to hold polite conversation (and otherwise) to being able to choose to end our days with the perfect, painless, automated death. Our journey from cradle to grave is developing in ways which involve more and more technology, and less and less human interaction. Might these advances in technology serve to rob us of our humanity? In this book Jenny Kleeman takes a profound look at what the future might have in store—and asks some provocative questions along the way. Jenny Kleeman places these scientists front and center and asks what is driving and motivating them? Are they entrepreneurs in it for the greater good of human advancement, or might there be more sinister—i.e. monetary—motivations in play? Gleeman is a skilled and subtle interrogator and travels with the reader on a fascinating exploration of the changes afoot, their implications for who we are as a society—and as human beings. It's an immersive, eye-opening, and hugely entertaining journey into a world of extraordinary visionaries on the frontline of a social revolution.

The soldiers who occupied Germany after the Second World War were not only liberators: they also brought with them a new threat, as women throughout the country became victims of sexual violence. In this disturbing and carefully researched book, the historian Miriam Gebhardt reveals for the first time the scale of this human tragedy, which continued long after the hostilities had ended. Discussion in recent years of the rape of German women committed at the end of the war has focused almost exclusively on the crimes committed by Soviet soldiers, but Gebhardt shows that this picture is misleading. Crimes were committed as much by the Western Allies – American, French and British – as by the members of the Red Army. Nor was the suffering limited to the immediate aftermath of the war. Gebhardt powerfully recounts how raped women continued to be the victims of doctors, who arbitrarily granted or refused abortions, welfare workers, who put pregnant women in homes, and wider society, which even today prefers to ignore these crimes. Crimes Unspoken is the first historical account to expose the true extent of sexual violence in Germany at the end of the war, offering valuable new insight into a key period of 20th century history.

Meet Amber Benson's "authentically original creation" (Locus)... My name is Calliope Reaper-Jones (Callie to my friends). I’m Death’s Daughter and—as of very recently—the (reluctant) head of my father’s company, Death, Inc. I was gradually learning how to be a businesswoman. Had the power suits and shoes down, though the day to day was slow going. Then I was blindsided by Enemies Unknown and sent off to I-don’t-know-where. Not a good thing. Now not only must my friends and family be frantic, but without a CEO, Death, Inc., can’t function. With the newly deceased left free to roam the Earth, it’s the zombie apocalypse come true. I’ve got to get back—for my sake and the sake of, oh, all humanity…