Miranda Coler lived an unassuming frontier life before her husband and child were killed in front of her, she herself left for dead. Little did the killers know that Miranda is cursed, unable to die until she exacts vengeance against those who have wronged her [...] Death be Damned is an unflinching Western with a supernatural twist that explores the toll one takes while on a quest for revenge.

As the war in Europe winds down, a unit of battle-fatigued GIs are tasked in liberating the survivors of the infamous Verurteilt concentration camp, in theory a relatively simple rescue mission. Upon arrival, Sergeant Rance Hawkins and his four young charges are ordered to search an unmapped area beyond the main camp for evidence of a separate, clandestine compound, reportedly created for high-ranking SS officers to further torment and torture. Their quest will eventually lead them into a nearby coal mine, where a young camp survivor claims that her mother and other refugees are being held. Inside the murky caverns, the motley crew of dogfaces discover revelations so terrifying and vile as to make even the inhuman atrocities of Verurteilt seem tame by comparison.

Think adolescence is hell? You have no idea... Welcome to Dante's Inferno, by way of The Breakfast Club, from the mind of American fiction's most brilliant troublemaker. "Death, like life, is what you make out of it." So says Madison, the whip-tongued 11-year-old narrator of Damned, Chuck Palahniuk's subversive homage to the young adult genre. Madison is abandoned at her Swiss boarding school over Christmas while her parents are off touting their new film projects and adopting more orphans. Over the holidays she dies of a marijuana overdose--and the next thing she knows, she's in Hell. This is the afterlife as only Chuck Palahniuk could imagine it: a twisted inferno inspired by both the most extreme and mundane of human evils, where The English Patient plays on repeat and roaming demons devour sinners limb by limb. However, underneath Madison's sad teenager affect there is still a child struggling to accept not only the events of her dysfunctional life, but also the truth about her death. For Madison, though, a more immediate source of comfort lies in the motley crew of young sinners she meets during her first days in Hell. With the help of Archer, Babette, Leonard, and Patterson, she learns to navigate Hell--and discovers that she'd rather be mortal and deluded and stupid with those she loves than perfect and alone.

The confrontation between the Wehrmacht and the Red Army on the Eastern Front of World War II was defined by incalculable suffering, destruction, casualties, and heroism. While many historians have chronicled the epic nature of that arena of war, it has largely been left to Russian novelists to fully express the intense human dimensions of that conflict. Frank Ellis's groundbreaking study provides the first comprehensive survey of that impressive body of literature. Canvassing a wide spectrum of works by Soviet and post-Soviet writers, many of whom were war veterans themselves, Ellis uncovers themes both common to war literature in general and distinctive to the Soviet experience. He recalls the earliest works in this genre by Emmanuil Kazakevich, Grigorii Baklanov, and IUrii Bondarev; presents a long overdue assessment of Vasil' Bykov's work, which focuses on the partisan war in Bykov's native Belorussia; and brings into sharp focus the powerful Stalingrad novels of Vasilii Grossman, Konstantin Simonov, Viktor Nekrasov, and Bondarev. He also provides keen insights into the heroic portraits of Stalin in the fiction of Ivan Stadniuk and Vladimir Bogomolov and examines three important war novels published during the 1990s: Viktor Astaf'ev's The Damned and the Dead, Georgii Vladimov's The General and His Army, and Vladimir But's Heads-Tails. One of the many threads running throughout Ellis's study is the dilemma of the Red Army soldier condemned to serve a regime that was utterly paranoid regarding the allegiances of its own armies, so much so that Soviet soldiers often felt as threatened by the Soviet government as they did by the German armies. Many of these novels reinforce the now well-known fact that Stalin devoted considerable resources to ferreting out soldiers whose actions (or inactions) suggested disloyalty to his repressive regime. A few of them-such as Grossman's Life and Fate-became battlegrounds in their own right, pitting Soviet writers against Soviet censors in a struggle over the public memory of the war. Russia's memories of World War II are forever tied to the suffering of its people. Ellis's rich and revealing work shows us why.

The vivid history of the French Foreign Legion--from the deserts of North Africa to the jungles of Vietnam. Created by King Louis Phillipe in 1831 to fight in conquest of Algeria, the Foreign Legion has been comprised ever since of society's misfits: refugees, criminals, and poets. Here is the story of the infamous fighting unit that has become the stuff of legends.

The stunning conclusion to the groundbreaking miniseries by the critically acclaimed team of writer Brian Azzarello and artist Lee Bermejo is here! BatmanÕs most baffling case brings him face to face with his worst nightmare in this highly anticipated finale!

The highly anticipated prequel to the New York Times bestselling Cirque Du Freak series! Before Cirque Du Freak... Before the war with the vampaneze... Before he was a vampire. Larten Crepsley was a boy. As a child laborer many centuries ago, Larten Crepsley did his job well and without complaint, until the day the foreman killed his brother as an example to the other children. In that moment, young Larten flies into a rage that the foreman wouldn't survive. Forced on the run, he sleeps in crypts and eats cobwebs to get by. And when a vampire named Seba offers him protection and training as a vampire's assistant, Larten takes it. This is his story.

As BatmanÕs descent into the madness of Gotham CityÕs decadent underbelly continues, he must try to exorcise some of his demonsÉand who better to help than the Demon, Etrigan himself. And where thereÕs demons, thereÕs also a Deadman, a Spectre, an Enchantress and a host of other supernatural friends and foesÑitÕs a veritable Grand Guignol!

When Astrid tries to stop smoking she ends up a member of the undead. She had never believed in vampyres before, but now she knows that they do exist no matter what she thought before.

DC BLACK LABEL, the highly anticipated new imprint from DC Comics, starts here! The Joker is dead. There is no doubt about that. But whether Batman finally snapped his scrawny neck or some other sinister force in Gotham City did the deed is still a mystery. Problem is, Batman can’t remember…and the more he digs into this labyrinthian case, the more his mind starts to doubt everything he’s uncovering. So who better to set him straight than…John Constantine? Problem with that is as much as John loves a good mystery, he loves messing with people’s heads even more. So with John’s “help,” the pair will delve into the sordid underbelly of Gotham as they race toward the mind-blowing truth of who murdered The Joker. BATMAN: DAMNED is a bimonthly super-natural horror story told by two of comics’ greatest modern creators-a visceral thrill-ride that proudly puts the “black” in BLACK LABEL.