A posthumously published volume of poems by a Slovak-American Catholic priest on the theme of mortality.

Bow Before Your Queen Or Bleed Before Her… From #1 New York Times bestselling author Jennifer L. Armentrout comes book three in her Blood and Ash series. She's been the victim and the survivor… Poppy never dreamed she would find the love she’s found with Prince Casteel. She wants to revel in her happiness but first they must free his brother and find hers. It’s a dangerous mission and one with far-reaching consequences neither dreamed of. Because Poppy is the Chosen, the Blessed. The true ruler of Atlantia. She carries the blood of the King of Gods within her. By right the crown and the kingdom are hers. The enemy and the warrior… Poppy has only ever wanted to control her own life, not the lives of others, but now she must choose to either forsake her birthright or seize the gilded crown and become the Queen of Flesh and Fire. But as the kingdoms’ dark sins and blood-drenched secrets finally unravel, a long-forgotten power rises to pose a genuine threat. And they will stop at nothing to ensure that the crown never sits upon Poppy’s head. A lover and heartmate… But the greatest threat to them and to Atlantia is what awaits in the far west, where the Queen of Blood and Ash has her own plans, ones she has waited hundreds of years to carry out. Poppy and Casteel must consider the impossible—travel to the Lands of the Gods and wake the King himself. And as shocking secrets and the harshest betrayals come to light, and enemies emerge to threaten everything Poppy and Casteel have fought for, they will discover just how far they are willing to go for their people—and each other. And now she will become Queen…

As well as the name of a virus, a corona is a crown, the pearly glow around the sun in certain astronomical conditions and a poetic form where interlinking lines connect a sequence. It is the perfect name therefore for this new collection of 150 poems by the bestselling poet Malcolm Guite, each one written in response to the Bible’s 150 psalms as they appear in William Coverdale’s timeless translation. The Psalms express every human emotion with disarming honesty, as anger and thankfulness alike are directed at God. All of life is here with its moments of beauty and its times of despair and shame. Like the Psalms themselves, the poems do not avoid the cursing and glorying over the downfall of your enemies, but wrestle honestly with them as we do when we come to say them.

In the stunning conclusion to the Royal Outlaw Trilogy, the Assassin strikes again and death follows in his wake. Mariel barely escapes with her life, but is left to rule a kingdom on the brink of destruction. As war breaks out in the divine realm, Mariel struggles to hold together her kingdom in the mortal world. Natric is reeling from the after effects of illness and famine. The neighboring kingdoms, tired of fearing they will be the next victim of Natric's insatiable hunger for war and land, take advantage of the once powerful kingdom's weakened state. While war threatens on all sides, internal rebellions begin to manifest, and pressure mounts for Mariel to choose a husband and produce an heir in order to help stabilize Natric. Yet while Mariel has finally surrendered to love, he is an unsuitable match for a queen. How much is Mariel willing to sacrifice to save the people of her kingdom?

The saga of the mighty Forest Kingdom comes to a close as dark magic, fell foes, and a vicious dragon threaten to destroy Cormyr’s royal family—and Cormyr itself Azoun IV, in the twilight of his years, is still a shining hero to most of his subjects. To all but the eldest, he is the only king they've ever known. He's led them capably out of dark doom before. Yet Cormyr has never faced so many mighty and mysterious foes at once. Demonic ghazneths, ancient curses, weird trees of foul magic, goblins and their kin on the rise in the northern wilderlands, a blight upon the land, rebellious mutterings, dying war wizards . . . and a dragon the likes of which no living eyes on Faerûn have ever seen. The Purple Throne doesn't seem so unassailable now. It could well shatter under the weight of a gigantic dragon—or the secrets and follies of the last of the Obarskyrs.

This is a truly paradigm-shifting study that reads a key text in Latin Humanist studies as the culmination, rather than an early example, of a tradition in university drama. It persuasively argues against the common assumption that there was no "drama" in the medieval universities until the syllabus was influenced by humanist ideas, and posits a new way of reading the performative dimensions of fourteenth and fifteenth-century university education in, for example, Ciceronian tuition on epistolary delivery. David Bevington calls it "an impressively learned discussion" and commends the sophistication of its use of performativity theory.