“First in a new series…this lively cozy has glamour, intrigue, and romance.” —Booklist Fans of Agatha Christie won’t want to miss this delightful new mystery set in the charming village of Edgemead in Surrey, England, where you’ll find the latest styles, the juiciest gossip—and the most tantalizing murder clues… No one would ever accuse famous opera star Dame Serena Levanté of lacking a flare for the dramatic. Unfortunately, it’s curtains down on the dysfunctional diva when she’s found dead at the bottom of a staircase in her elegant home. Solving an opera singer’s murder may not be the typical hairdresser’s aria of expertise. But Dame Serena was the mother of Daisy’s best friend Floria, so Daisy must do-or-dye her best to get to the roots of the case. When a priceless Modigliani painting in the house is reported missing, the mystery gets even more tangled. Even though the gruff but handsome Detective Inspector Paul McGuinness tells the stylist to stay out of his hair, Daisy is determined to make sure the killer faces a stern makeover—behind bars. “A promising debut with scads of interesting characters, a spirited heroine, and a hint of romance.” —Kirkus Reviews “Enjoyable…will appeal to readers of Elizabeth J. Duncan’s 'Penny Brannigan' mysteries.” —Library Journal “Death at a Country Mansion has more twists than a French braid.” —Sherry Harris “If you enjoy British manor houses, a touch of budding romance, and a good mystery (like I do), I highly recommend Death at a Country Mansion.” —Vikki Walton “A little romance, a little art history, and a gorgeous mansion . . . a page-turner that is fun and intriguing.” —ACF Bookens

“First in a new series…this lively cozy has glamour, intrigue, and romance.” —Booklist Fans of Agatha Christie won’t want to miss this delightful new mystery set in the charming village of Edgemead in Surrey, England, where you’ll find the latest styles, the juiciest gossip—and the most tantalizing murder clues… No one would ever accuse famous opera star Dame Serena Levanté of lacking a flare for the dramatic. Unfortunately, it’s curtains down on the dysfunctional diva when she’s found dead at the bottom of a staircase in her elegant home. Solving an opera singer’s murder may not be the typical hairdresser’s aria of expertise. But Dame Serena was the mother of Daisy’s best friend Floria, so Daisy must do-or-dye her best to get to the roots of the case. When a priceless Modigliani painting in the house is reported missing, the mystery gets even more tangled. Even though the gruff but handsome Detective Inspector Paul McGuinness tells the stylist to stay out of his hair, Daisy is determined to make sure the killer faces a stern makeover—behind bars. “A promising debut with scads of interesting characters, a spirited heroine, and a hint of romance.” —Kirkus Reviews “Enjoyable…will appeal to readers of Elizabeth J. Duncan’s 'Penny Brannigan' mysteries.” —Library Journal “Death at a Country Mansion has more twists than a French braid.” —Sherry Harris “If you enjoy British manor houses, a touch of budding romance, and a good mystery (like I do), I highly recommend Death at a Country Mansion.” —Vikki Walton “A little romance, a little art history, and a gorgeous mansion . . . a page-turner that is fun and intriguing.” —ACF Bookens

Lord of the Flies meets Never Let Me Go in this “moving and totally involving” (Stephen King) dystopian thriller from the internationally best-selling author of Behind Her Eyes Toby’s life was perfectly normal . . . until it was unraveled by something as simple as a blood test. Taken from his family, Toby now lives in the Death House; an out-of-time existence far from the modern world, where he, and the others who live there, are studied by Matron and her team of nurses. They’re looking for any sign of sickness. Any sign of their wards changing. Any sign that it’s time to take them to the sanatorium. No one returns from the sanatorium. Living in his memories of the past, Toby spends his days fighting his fear. But then a new arrival in the house shatters the fragile peace, and everything changes. Because everybody dies. It’s how you choose to live that counts.

Nothing could seem more civilized, more orderly and sedate than a weekend at one of Great Britain's country estates. Yet these staid, conservative houses play host to a wider variety of murders than do the mean streets of America's darkest cities.

Against her better judgement, Rina Martin accepts an invitation to a country house hotel with a sinister reputation and looks forward to leaving when she is joined by DI MacGregor, but a blizzard prevents their departure and then Edwin Holmes, grand old man of psychic research, is found murdered in his bed.

Renowned Harvard scholar and New Yorker staff writer Jill Lepore has written a strikingly original, ingeniously conceived, and beautifully crafted history of American ideas about life and death from before the cradle to beyond the grave. How does life begin? What does it mean? What happens when we die? “All anyone can do is ask,” Lepore writes. “That’s why any history of ideas about life and death has to be, like this book, a history of curiosity.” Lepore starts that history with the story of a seventeenth-century Englishman who had the idea that all life begins with an egg, and ends it with an American who, in the 1970s, began freezing the dead. In between, life got longer, the stages of life multiplied, and matters of life and death moved from the library to the laboratory, from the humanities to the sciences. Lately, debates about life and death have determined the course of American politics. Each of these debates has a history. Investigating the surprising origins of the stuff of everyday life—from board games to breast pumps—Lepore argues that the age of discovery, Darwin, and the Space Age turned ideas about life on earth topsy-turvy. “New worlds were found,” she writes, and “old paradises were lost.” As much a meditation on the present as an excavation of the past, The Mansion of Happiness is delightful, learned, and altogether beguiling.

T’was the weeks before Christmas, and Daisy nabs a new case, when a missing man is found stuffed above a fireplace... Ooh La La hair salon owner Daisy Thorne adores the Christmas cheer in her picturesque hometown of Edgemead, England. Excitement is extra high this year, as international pop star, Mimi Levanté , the village’s newest resident, begins renovating historic Holly Lodge. But the charming country home’s makeover is cut short by a shocking discovery—the body of a man, dressed as Santa Claus, jammed inside the house’s chimney! The secreted Santa is identified as Gregory Pearce, a local father who vanished on Christmas Eve two years ago. As the case moves from missing to murder, Daisy and dashing DCI Paul McGuinness begin combing through the clues of Christmases past. But the killer will go to great lengths to keep old crimes under wraps. Now, DCI McGuinness must protect Daisy as she tries to untangle the mystery before a merry murderer embarks on another slay ride.

A Moonlit Night, a Sleeping Village, and an Unaccountable Murder... In the dead of the night, a man in an evening dress is found murdered, locked in the stocks on the village green. Unfortunately for Superintendent Hannasyde, the deceased is Andrew Vereker, a man hated by nearly everyone, especially his odd and unhelpful family members. The Verekers are as eccentric as they are corrupt, and it will take all Hannasyde's skill at detection to determine who's telling the truth, and who is pointing him in the wrong direction. The question is: who in this family is clever enough to get away with murder? "Death in the Stocks is rare and refreshing."—The Times "Miss Heyer's characters act and speak with an ease and conviction that is refreshing as it is rare in the ordinary mystery novel."—Times Literary Supplement

"Pop your favorite Agatha Christie whodunnit into a blender with a scoop of Downton Abbey, a dash of Quantum Leap, and a liberal sprinkling of Groundhog Day and you'll get this unique murder mystery." —Harper's Bazaar THE NATIONAL BESTSELLER! The 71⁄2 Deaths of Evelyn Hardcastle is a breathlessly addictive mystery that follows one man's race to find a killer, with an astonishing time-turning twist that means nothing and no one are quite what they seem. Aiden Bishop knows the rules. Evelyn Hardcastle will die every day until he can identify her killer and break the cycle. But every time the day begins again, Aiden wakes up in the body of a different guest at Blackheath Manor. And some of his hosts are more helpful than others. With a locked-room mystery that Agatha Christie would envy, Stuart Turton unfurls a breakneck novel of intrigue and suspense. International bestselling author Stuart Turton delivers inventive twists in a thriller of such unexpected creativity it will leave readers guessing until the very last page. ALSO BY STUART TURTON: The Devil and the Dark Water The Last Murder at the End of the World

The tortured spirits of the dead haunt a Regency-era English manor—but the true danger lies in the land of the living in the third installment in the Lily Adler mysteries, perfect for fans of Deanna Raybourn. Regency widow Lily Adler is looking forward to spending the autumn away from the social whirl of London. When she arrives in Hampshire with her friends, the Carroways, she doesn’t expect much more than a quiet country visit and the chance to spend time with her charming new acquaintance, Matthew Spencer. But something odd is afoot in the small country village. A ghost has taken up residence in the Belleford manor, a lady in grey who wanders the halls at night, weeping and wailing. Half the servants have left in terror, but the family seems delighted with the notoriety that their ghost provides. Intrigued by this spectral guest, Lily and her party immediately make plans to visit Belleford. They arrive at the manor the next morning ready to be entertained—only to find that tragedy has struck. The matriarch of the family has just been found killed in her bed. The dead woman’s family is convinced that the ghost is responsible. Lily is determined to learn the truth before another victim turns up—but could she be next in line for the Great Beyond?