Chicago studies in the history of Judaism.

This reader brings together a representative collection of Mieke Bal's work that distills her broad interests and areas of expertise. It is organised into four parts, reflecting the fields that Bal has most profoundly influenced: literary study, interdisciplinary methodology, visual analysis, and postmodern theology.

How does our gender impact our preaching? Can women express anger in a sermon? Why use a first person narrative sermon structure? After preaching for several years Christine Redwood realized both her preaching role models, and her theology, had come predominantly from men, so she spent the next six years researching feminist scholars and their readings of stories from the book of Judges. In this accessible book she shares what she has learnt including sample sermons and exercises for preachers wanting to grow in their craft. This is essential reading for preachers wanting to amplify marginal voices!

..". an important contribution to current literary concerns with the ideologies of texts... " -- Society of Old Testament Study Book List ..". she points the way into as yet little-explored territory, broadly engaging literary theory as well as ideological criticism... she moves beyond both narrowly historical and exclusively text-centered criticism... " -- Theology Today ..". Bal has given us both a coruscating feminist critique of biblical scholarship and a fund of provocative exegetical insights... required reading for anyone who wants to know where serious biblical scholarship is heading." -- Shofar

Dead women litter the visual landscape of the 2000s. In this book, Clarke Dillman explains the contextual environment from which these images have arisen, how the images relate to (and sometimes contradict) the narratives they help to constitute, and the cultural work that dead women perform in visual texts.

A.S. Byatt has always alternated novels with shorter fiction. Different literary and linguistic models are applied here to analyse how she guides her readers' understanding of vital, complex issues within her perennial themes of life, creativity and death. This study focuses on certain stories from the six volumes of short fiction she has produced to date. The two novellas of Angels and Insects are scrutinised for their intertextuality, while stories from Sugar and Other Stories, The Matisse Stories, The Djinn in the Nightingale's Eye, Elementals: Stories of Fire and Ice and Little Black Book of Stories are novel discussions of creativity and related gender issues.

Though the Hebrew Bible often reflects and constructs a world that privileges men, many of its narratives play extensively with the gender norms of the society in which they were written. Drawing from feminist, masculinity and queer studies, Gender-Play in the Hebrew Bible uses close literary analysis to argue that the writers of the Bible intentionally challenge gender norms in order to reveal the dangers of destabilizing societal and theological hierarchies that privilege men and masculinity. This book presents a fascinating argument about the construction and import of gender in the biblical narratives, and will be of great interest to academics in the fields of religion, theology, and Biblical studies as well as gender studies.

Evangelical and feminist approaches to Old Testament interpretation often seem to be at odds with each other. The authors of this volume argue to the contrary: feminist and evangelical interpreters of the Old Testament can enter into a constructive dialogue that will be fruitful to both parties. They seek to illustrate this with reference to a number of texts and issues relevant to feminist Old Testament interpretation from an explicitly evangelical point of view. In so doing they raise issues that need to be addressed by both evangelical and feminist interpreters of the Old Testament, and present an invitation to faithful and fruitful reading of these portions of Scripture.

This guide to the state of biblical studies features 20 chapters written by scholars from North America and Britain, and represents both traditional and contemporary points of view.