Correspondence written between 1919 and 1940 between F. Scott Fitzgerald and his editor at Scribner's, Max Perkins, illuminates the careers of both men, and includes insights on contemporaries Ernest Hemingway, Thomas Wolfe, Ring Lardner, Edmund Wilson, Willa Cather, Edith Wharton, Carl Van Vechten, and others.

The collected letters between F. Scott Fitzgerald and his editor, Maxwell Perkins, illuminates their friendship as well as the collaborative and complex nature of the editor/author relationship.

“Pure and lovely…to read Zelda’s letters is to fall in love with her.” —The Washington Post Edited by renowned Jackson R. Bryer and Cathy W. Barks, with an introduction by Scott and Zelda Fitzgerald's granddaughter, Eleanor Lanahan, this compilation of over three hundred letters tells the couple's epic love story in their own words. Scott and Zelda Fitzgerald's devotion to each other endured for more than twenty-two years, through the highs and lows of his literary success and alcoholism, and her mental illness. In Dear Scott, Dearest Zelda, over 300 of their collected love letters show why theirs has long been heralded as one of the greatest love stories of the 20th century. Edited by renowned Fitzgerald scholars Jackson R. Bryer and Cathy W. Barks, with an introduction by Scott and Zelda's granddaughter, Eleanor Lanahan, this is a welcome addition to the Fitzgerald literary canon.

Correspondence written between 1919 and 1940 between F. Scott Fitzgerald and his editor at Scribner's, Max Perkins, illuminates the careers of both men, and includes insights on contemporaries Ernest Hemingway, Thomas Wolfe, Ring Lardner, Edmund Wilson, Willa Cather, Edith Wharton, Carl Van Vechten, and others.

Normal0falsefalsefalseMicrosoftInternetExplorer4 Fitzgerald's Craft of Short Fiction offers the first comprehensive study of the four collections of short stories that F. Scott Fitzgerald (1896-1940) prepared for publication during his lifetime: Flappers and Philosophers (1920), Tales of the Jazz Age (1922), All the Sad Young Men (1926), and Taps at Reveille (1935). These authorized collections--which include works from the entire range of Fitzgerald's career, from his undergraduate days at Princeton to his final contributions to Esquire magazine--provide an ideal overview of his development as a short story writer. Originally published in 1989, this volume draws upon Fitzgerald's copious personal correspondence, biographical studies, and all available criticism, and analyzes how Fitzgerald perceived his achievements as a writer of short fiction from both artistic and commercial standpoints. Petry pays close attention to the individual stories, exploring how Fitzgerald's growing technical expertise and the evolution of his themes reflect changes in his personal life.

This collection of essays describes the genesis of ten classic works of American literature. Using biographical, cultural, and manuscript evidence, the contributors tell the "stories of stories," plotting the often curious and always interesting ways in which notable American books took shape in a writer's mind. The genetic approach taken in these essays derives from a curiosity, and sometimes a feeling of awe, about how a work of literature came to exist -- what motivated its creation, informed its vision, urged its completion. It is just that sort of wonder that first brings some people to love writers and their books. Originally published in 1990. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.

Presents a collection of critical essays on F. Scott Fitzgerald and his works.