The fascinating letters of conductor-author Nicolas Slonimsky (1894-1995) to his wife, sharing his adventures as he traveled around the world to conduct new American music. In the mid-twentieth century renowned musicologist, conductor, and lexicographer Nicolas Slonimsky traveled to cities throughout the world to play and conduct music of the American avant-garde. From trips to Paris, Berlin, Havana, New York, Los Angeles, Buenos Aires, Rio de Janeiro, and Moscow, Slonimsky wrote letters to his wife, the art critic Dorothy Adlow, vividly and humorously describing his adventures. Dear Dorothy: Letters from NicolasSlonimsky to Dorothy Adlow is a collection of these missives. Though personal, they chronicle Slonimsky's work as an ambassador of modern music who introduced twentieth-century composers, particularly American composers, to audiences worldwide. Full of his admired wit and energy, the letters recount his performances, rehearsals, lectures, day-to-day activities in foreign cities and concert halls, and the anxieties of stretching limited funds to cover an ever-expanding itinerary. They also reveal a side of Slonimsky not seen from his other published writings: a man with deep devotion to his wife and family. Annotated and with an introduction by Slonimsky's daughter, Electra Slonimsky Yourke, this collection documents the meeting of historic musical cultures-Old World Europe, the Soviet Union, and the vibrant countries of Latin America-with the modernist music of the United States. Written in a lively, humorous style, these letters will be of interest to scholars and students of American music and social historians as well as musicians, music lovers, and concertgoers. Electra Slonimsky Yourke is the daughter ofNicolas Slonimsky and Dorothy Adlow, and editor of several collections of her father's work, including The Listener's Companion and the four-volume Writings on Music. Nicolas Slonimsky (1894-1995) was a Renaissance man in the modern-music world of the mid-twentieth century. Composer, conductor, critic, and lexicographer, he authored many books including Lexicon of Musical Invective: Critical Assaults on Composers since Beethoven's Time and a memoir, Perfect Pitch.

For the legions of readers who enjoy books that celebrate life’s simple pleasures, eighty-seven-year-old Dorothy Jean Wetstra and her beloved farming town of Partonville, Illinois, will become instant favorites. In this hilarious, touching series, Charlene Ann Baumbich introduces readers to Dearest Dorothy, who tools around town in a 1976 Lincoln Continental nicknamed “The Tank,” plays bunco regularly with her pals, and grabs a stool at Harry’s counter often enough to stay on top of the latest-breaking news—which she is often creating. In the series debut, Dearest Dorothy, Are We There Yet?, Dorothy faces a decision that may change her town forever, and her gift for shaking things up comes in handy. In the second book, Dearest Dorothy, Slow Down, You're Wearing Us Out!, the town’s irresistible cast of characters is back in full swing as they confront some of the many surprises life sends their way. So pull up a chair and get ready for fireworks, laughter, and we’ll-get-through-it-all-with-faith friendships.

"Dorothy's Tour" by Evelyn Raymond. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

Reproduction of the original: Dorothy ́s Tour by Evelyn Raymond

When Dorothy Beane's husband, Ed, loses his job to the Great Depression, they move back to Dorothy's childhood home in Massachusetts. The story follows three generations of a New England family as they deal with life, loss, memory, and the ties that bind people together in good times and bad.

“If you enjoyed Jan Karon’s Mitford series, I think you’ll love the Dearest Dorothy series” (Christian Fiction Reviewer). On the outskirts of the pastoral Illinois town of Partonville, Illinois, eighty-seven-year-old Dorothy Wetstra lives on her farm, venturing out to drive around in her 1976 Lincoln Continental—affectionately dubbed “The Tank”—play bunco with her pals, or grab a stool at Harry’s counter, where she can stay on top of the town’s latest shenanigans (most of which she is responsible for). But when a visitor comes to town with a proposition, Dorothy finds herself faced with a decision that could change her beloved town, and her life. Before long, her gift for shaking things up may come in handy . . . This is the first in the delightful small-town series starring “the plucky 80-something grandma who’s a demon at the wheel” (Publishers Weekly).

“Be warned—this series is addictive. You’ll soon be hooked on the small town of Partonville and its cast of assorted characters” (BookReporter). In her late eighties, Dorothy Wetstra is still going strong—getting around in her 1976 Lincoln Continental (nicknamed “The Tank”), playing bunco with friends, and catching up on local events while sitting at the counter at Harry’s. But her beloved car seems to be ailing, and as Dorothy packs up her possessions at Crooked Creek Farm and prepares to move to Partonville, Illinois, she’s determined to find a silver lining. For example, her new home is conveniently located—perfect for her new life as a pedestrian—and she gets to decorate it any way she pleases! Plus, her new friends Katie and Josh will be relocating from Chicago to Crooked Creek Farm. As the moving process proves more arduous than expected, Dorothy realizes it may be time for her to slow down. But old habits die hard, and Dorothy’s routines will prove as hard to break as The Tank itself . . . “Fans of Jan Karon’s Mitford or Philip Gulley’s Harmony will revel in the antics of the residents of Partonville.” —Publishers Weekly

In the aftermath of the Titanic disaster, a young girl must come to terms with haunting memories from the voyage. It is May 1912, one month after the horrific sinking of the Titanic, and twelve-year-old survivor Dorothy Wilton is sent home from school in disgrace when she strikes another student. Although she's expelled, her sympathetic teacher encourages Dorothy to write an account of her experience on the ship, with the hopes that it will help Dorothy come to terms with her trauma. And so begins a truly remarkable story, which reads like a time capsule of the era: Dorothy writes about visiting her bohemian grandparents in England before setting sail back home, the luxurious rooms and cabins on board, a new friend she makes, and the intriguing people they observe. However, amidst all of this storytelling, a shadow lurks, a secret Dorothy is too traumatized to acknowledge -- a secret about her own actions on that fatal night, which may have had deadly consequences. Through young Dorothy's eyes, award-winning writer Sarah Ellis expertly takes a unique perspective on the Titanic tragedy, exploring the concept of survivor's guilt with devastating honesty.

These letters between the pioneering environmentalist and her beloved friend reveal “a vibrant, caring woman behind the scientist” (Los Angeles Times). “Rachel Carson, author of The Silent Spring, has been celebrated as the pioneer of the modern environmental movement. Although she wrote no autobiography, she did leave letters, and those she exchanged—sometimes daily—with Dorothy Freeman, some 750 of which are collected here, are perhaps more satisfying than an account of her own life. In 1953, Carson became Freeman's summer neighbor on Southport Island, ME. The two discovered a shared love for the natural world—their descriptions of the arrival of spring or the song of a hermit thrush are lyrical—but their friendship quickly blossomed, as each realized she had found in the other a kindred spirit. To read this collection is like eavesdropping on an extended conversation that mixes the mundane events of the two women's family lives with details of Carson’s research and writing and, later, her breast cancer. . . . Few who read these letters will forget these remarkable women and their even more remarkable bond.” —Publishers Weekly “Darting, fresh, sensuous, pleasingly elliptical at times, these letters also serve to tether the increasingly deified Carson firmly to earth—just where she’d want to be.” —Kirkus Reviews (starred review) “It is not often that a collection of letters reveals character, emotional depth, personality, indeed intellect and talent, as well as a full biography might; these letters do all that.” —The New York Times Book Review “Provides insight into the creative process and a look into the daily lives of two intelligent, perceptive women whose family responsibilities were, at times, almost crushing.” —Library Journal “Dotted with vivid observations of the natural world and perceptive commentary on friendship, family, fame, and life itself, Always, Rachel will appeal to readers interested in biography and women’s studies as well as those drawn to nature writing and the history of the environmental movement.” —Booklist Online