With an essay by J. I. M. Stewart. 'Every night as I gazed up at the window I said softly to myself the word paralysis. It had always sounded strangely in my ears ... But now it sounded to me like the name of some maleficent and sinful being. It filled me with fear, and yet I longed to be nearer to it and to look upon its deadly work' From a child grappling with the death of a fallen priest, to a young woman's dilemma over whether to elope to Argentina with her lover, to the dance party at which a man discovers just how little he really knows about his wife, these fifteen stories bring the gritty realism of existence in Joyce's native Dublin to life. With Dubliners, James Joyce reinvented the art of fiction, using a scrupulous, deadpan realism to convey truths that were at once blasphemous and sacramental. The Penguin English Library - 100 editions of the best fiction in English, from the eighteenth century and the very first novels to the beginning of the First World War.

Over the last twenty years, the redevelopment of the docklands has radically altered the physical fabric and social structure of a large part of Dublin City both north and south of the river. What has happened in the city is not entirely unique and has many international parallels in places like New York, London and Sydney. This book sets out to examine how global urban influences have interacted with local processes to transform a former marginal part of Dublin city into an economically successful and vibrant urban quarter. It offers an up-to-date and detailed account of the changes that have taken place and highlights some of the difficulties encountered by a number of agencies along the way, including the controversy over the redevelopment of Spencer Dock, the problems of contamination at the Grand Canal Dock and the future challenges of regenerating the Poolbeg Peninsula. The book places significant emphasis on the politics of redevelopment and the role of particular individuals in re-shaping this urban district.

A fresh and varied reappraisal of the remarkable collection of stories that make up Joyce's Dubliners.

Dublin has experienced great—and often astonishing—change in its 1,400 year history. It has been the largest urban center on a deeply contested island since towns first appeared west of the Irish Sea. There have been other contested cities in the European and Mediterranean world, but almost no European capital city, David Dickson maintains, has seen sharper discontinuities and reversals in its history—and these have left their mark on Dublin and its inhabitants. Dublin occupies a unique place in Irish history and the Irish imagination. To chronicle its vast and varied history is to tell the story of Ireland. David Dickson’s magisterial history brings Dublin vividly to life beginning with its medieval incarnation and progressing through the neoclassical eighteenth century, when for some it was the “Naples of the North,” to the Easter Rising that convulsed a war-weary city in 1916, to the bloody civil war that followed the handover of power by Britain, to the urban renewal efforts at the end of the millennium. He illuminates the fate of Dubliners through the centuries—clergymen and officials, merchants and land speculators, publishers and writers, and countless others—who have been shaped by, and who have helped to shape, their city. He reassesses 120 years of Anglo-Irish Union, during which Dublin remained a place where rival creeds and politics struggled for supremacy. A book as rich and diverse as its subject, Dublin reveals the intriguing story behind the making of a capital city.

On 26 August 1913 the trams stopped running in Dublin. Striking conductors and drivers, members of the Irish Transport Workers' Union, abandoned their vehicles. They had refused a demand from their employer, William Martin Murphy of the Dublin United Transport Company, to forswear union membership or face dismissal. The company then locked them out. Within a month, the charismatic union leader, James Larkin, had called out over 20,000 workers across the city in sympathetic action. By January 1914 the union had lost the battle, lacking the resources for a long campaign. But it won the war: 1913 meant that there was no going back to the horrors of pre-Larkin Dublin. This outstanding survey shows why: it has already established itself as the definitive work on the Lockout.

Stand on any street in Dublin and one is confronted with history. Behind the façades of the ten buildings featured here is the story of Dublin, bringing to life key events and characters from the past. The buildings include: Christ Church Cathedral, Dublin's oldest church; Dublin Castle, the colonisers' castle; Trinity College Dublin, the first seat of learning; the Old Parliament House (Bank of Ireland); City Hall, the centre of civic life; Kilmainham Gaol, where leaders of the rebellions of 1798, 1803, 1848, 1867 and 1916 were detained; St James' Gate Brewery, home of Guinness; the iconic GPO, the last great Georgian public building erected; the national theatre and 'cradle of Irish drama', the Abbey, and Croke Park, home of the Gaelic Athletic Association and a cathedral of sport. These survive as tangible reminders of Dublin's past and help shape the city landscape today. Bringing together the stories of these landmark buildings takes us on a wonderful journey through the shifting social, political and cultural history of Ireland's capital.

Offering a unique insight into the habitual inebriate offender class in Ireland, this book examines the inebriate reformatory system in Ireland from its foundation in 1900 until its closure in 1920 and the three institutions charged with punishing or rehabilitating habitual drunkards: The State Inebriate Reformatory, The Certified Inebriate Reformatory and The Voluntary Inebriate Retreat.Using registers of inmates, annual reports, court cases and institutional records, Conor Reidy presents a stark account of the ways in which alcohol addiction and lack of opportunity condemned countless Irish victims to lives of poverty, misery and crime in the early twentieth century. The author also looks at the ways in which institutional staff sought to exact reform over the inmates through education, training, religion and discipline.This book profiles a hitherto little-known system, giving it a place within the historiography of Ireland’s complex web of so-called reformative institutions.

The notion that the British Empire was in any way an 'Irish Empire' is not one that will cut very much ice on the contemporary island of Ireland, north or south. This volume explores aspects of the experience of Ireland and Irish people within the British Empire and addresses a central concern of modern Irish scholarship. The paradox that Ireland was both 'imperial' and 'colonial' lies at the heart of this book. One of the themes which emerges from the studies in this book is the irrelevance of the Empire to some Irish concerns. Popular culture, sport and film are investigated, as well as business history and the military and political 'sinews of Empire'. In cinematic terms, the image of Ireland has been largely in the hands of the British and American film industries. Analogies between Ulster loyalists and zealous British settlers are frequently drawn. The book examines the views of that region's businessmen on the British Empire, including their perception of Empire, the role of Empire as an economic unit and views the status of Northern Ireland within the Empire. The eventual choice of both flags illustrates that pre-partition strands of both loyalism and Unionism continued to survive among leading politicians within Ulster during the 1920s. The British Empire Union of 1915, established to make the Irish more Empire-minded, included the energetic promotion of imperial history in schools and of the idea of Empire Day within the population as a whole.