Dear Death, written by author and end-of-life doula Diane Button, is an insightful and deeply personal, ground-breaking look at how to really live until the moment you die. Both practical and inspirational, Dear Death explores the "Four Pillars of a Meaningful Life" and what ultimately brings us joy in life and peace in death. How can we heal, change, forgive, and grow, even until the very last hours of life? Through the lens of the aging and the dying, this book explores these important questions, inviting you on a journey that begins right here and now, lasting until the moment you take your final breath.

A bizarre, magical narrative from one of Turkey's leading feminist writers.

These inspiring and profoundly hopeful letters, written from a father to his deceased son, comprise an elegant tale of deep feeling, of growth, of a father's unconditional love, and, ultimately, of a journey to peace.

NATIONAL BESTSELLER • Soon to be a Hulu Original series • The internationally acclaimed author of Wild collects the best of The Rumpus's Dear Sugar advice columns plus never-before-published pieces. Rich with humor and insight—and absolute honesty—this "wise and compassionate" (New York Times Book Review) book is a balm for everything life throws our way. Life can be hard: your lover cheats on you; you lose a family member; you can’t pay the bills—and it can be great: you’ve had the hottest sex of your life; you get that plum job; you muster the courage to write your novel. Sugar—the once-anonymous online columnist at The Rumpus, now revealed as Cheryl Strayed, author of the bestselling memoir Wild—is the person thousands turn to for advice.

A compassionate, honest, and illuminating look at the dying process . . . As a long-time hospice volunteer, Jennie Dear has helped countless patients, families, and caregivers cope with the many challenges of the dying process. Inspired by her own personal journey with her mother’s long-term illness, Dear demystifies the experience of dying for everyone whose lives it touches. She spoke to doctors, nurses, and caregivers, as well as families, friends, and the patients themselves. The result is a brilliantly researched, eye-opening account that combines the latest medical findings with sensitive human insights to offer real emotional support and answers to some of the questions that affect us all. Does dying hurt? A frank discussion of whether dying has to be painful—and why it sometimes is even when treatment is readily available. Is there a better way to cope with dying? Comforting stories of people who found peace in the face of death , and some of the expert methods they used for getting there. The last few hours: What does it feel like to die? Powerful glimpses from dedicated professionals into the physical experiences of people in their final moments—plus comforting words and insights from those who are there to help.

"Half poems, half prose, 'Dear Angel of Death' braids intimate and public thinking about forms of togetherness. Is one woman a mother, a person in an artworld, a "black"? What imaginary and real spirits are her guides? The title essay proposes disinvestment in the idea of the Music as the highest form of what blackness "is" and includes many forms: philosophical divergence on the problem of folds for black life, a close reading of Nathaniel Mackey's neverending novel 'From a broken bottle traces of perfume still emanate', and an impassioned defense-cum-dismissal of contemporary hip hop's convergence with capitalism."

Presents a guide for dealing with grief and loss, detailing five steps of healing that can lead to a lifestyle alignment with personal values and new possibilities for a re-engaged life. --Publisher's description.

The first Dear Canada featuring a First Nations diarist, The Death of My Country is set at a pivotal point in Canada's history -- the war between Britain and France for control of New France. Geneviève Aubuchon is born into an Abenaki tribe but is orphaned when another tribe destroys her village. She and her brother are taken to a convent in Québec.While Geneviève gradually adapts to her new life with the sisters, her older brother runs away to rejoin the Abenaki. Geneviève fears for his life when he joins the First Nations allies who are helping defend Québec against the British siege of the city and the attack on the Plains of Abraham. Author Maxine Trottier frequently participates in historical re-enactments. Her hobby has provided her with an opportunity to research and experience this key time in Canada's history.

Dear Heroin: A Memoir of Goodbyes is a powerful book that tells the story of Linda, her son, and the fight to save him from his heroin addiction. Linda walks with her son through his darkness and her own, with nights filled with fear as he relapses time and time again. When he dies by suicide, one horrific journey ends and a new one begins: an unending journey of loss whose pain has no words. A journey no mother ever plans to undertake. But with the support of God, family, and friends, Linda finds something she desperately needs: hope. Within that hope, she finds the strength to persevere and discovers a vibrant richness she didn't possess before. Linda becomes a beacon of light for others, especially parents walking this same path. Dear Heroinis an inspirational tale of life, death, and finding new life again.

If I am asked in the framework of Book 1, “Who are you?” I, in answering, might say “I don’t know who in the world I am.” Nevertheless there is a sense in which I always know what “I” refers to and can never not know, even if I have become, e.g., amnesiac. Yet in Book 2, “Who are you?” has other senses of oneself in mind than the non-sortal “myself”. For example, it might be the pragmatic context, as in a bureaucratic setting; but “Who are you?” or “Who am I?” might be more anguished and be rendered by “What sort of person are you?” or “What sort am I?” Such a question often surfaces in the face of a “limit-situation”, such as one’s death or in the wake of a shameful deed where we are compelled to find our “centers”, what we also will call “Existenz”. “Existenz” here refers to the center of the person. In the face of the limit-situation one is called upon to act unconditionally in the determination of oneself and one’s being in the world. In this Book 2 we discuss chiefly one’s normative personal-moral identity which stands in contrast to the transcendental I where one’s non-sortal unique identity is given from the start. This moral identity requires a unique self-determination and normative self-constitution which may be thought of with the help of the metaphor of “vocation”. We will see that it has especial ties to one’s Existenz as well as to love. This Book 2 claims that the moral-personal ideal sense of who one is is linked to the transcendental who through a notion of entelechy. The person strives to embody the I-ness that one both ineluctably is and which, however, points to who one is not yet and who one ought to be. The final two chapters tell a philosophical-theological likely story of a basic theme of Plotinus: We must learn to honor ourselves because of our honorable kinship and lineage “Yonder”.