This presentation of previously unpublished documents from the Hoover Institution Library & Archives draws a dramatic picture of the Russian Civil War and the establishment of the Communist dictatorship as witnessed by members of the Russian Social Democratic Workers' Party, or Mensheviks. When the opposing Bolsheviks consolidated their power to emerge as the ruling party of the 1917 revolution, the political influence of the Mensheviks was swept away, and most were driven to exile in Siberia. The historic power struggle that raged as the two parties vied for supremacy in postimperial Russia comes to light through these accounts—not official party statements but vivid reports, letters, and eyewitness testimonies by Mensheviks, ordinary citizens from diverse walks of life and different parts of the Soviet Union. Together, these materials create a mosaic of individual portraits and circumstances that illustrate the conflicts, struggles, and repression during the period of Soviet politics under Lenin. The primary source documents, skillfully edited and translated by Vladimir N. Brovkin, show the formation of a new mentality among Communist rulers and a new relationship to the workers, one that replaced multiparty competition with unquestioning obedience, military discipline, and intolerance.

In his annual presidential address on 8 January 1986, ANC president Oliver Tambo called on South Africans to make apartheid ungovernable through armed action and militant struggle. But unknown to the world, on that very day, the quiet-spoken mathematics teacher and aspirant priest turned reluctant revolutionary had also set up a secret think tank in Lusaka, which he named the Constitution Committee, giving it an ‘ad hoc unique exercise’ that had ‘no precedent in the history of the movement’. Knowing that all wars end at a negotiating table, and judging the balance of forces to be moving in favour of the liberation movement, Tambo wanted the ANC to hold the initiative after the fall of apartheid. Assisted by Pallo Jordan, he instructed his new think tank to formulate the principles and draft the outlines of a constitution that could unite South Africa when the time came to talk in the fledgling days of freedom and democracy. The seven-member team, including Albie Sachs, Kader Asmal and Zola Skweyiya, started deliberating and reporting to Tambo. In correspondence, they typically addressed him as ‘Dear Comrade President’. Drawing on the personal archives of participants, Dear Comrade President explains how the purposeful first steps were taken in the making of South Africa’s Constitution. Why and how did this process happen? What were the first written words? When and where were they put on paper? By whom? What values did they espouse? And how did the committee’s work fit into the broader struggle? This book answers these questions in new, paradigm-shifting ways.

If in earlier eras music may have seemed slow to respond to advances in other artistic media, during the modernist age it asserted itself in the vanguard. Modernism and Music provides a rich selection of texts on this moment, some translated into English for the first time. It offers not only important statements by composers and critics, but also musical speculations by poets, novelists, philosophers, and others-all of which combine with Daniel Albright's extensive, interlinked commentary to place modernist music in the full context of intellectual and cultural history.

Leonid Nikolaievich Andreyev (1871-1919) was a Russian playwright and short-story writer who led the Expressionist movement in the national literature. He was active between the revolution of 1905 and the Communist revolution.