The 1930s was a magical age in Hollywood, with Shirley Temple and Mickey Rooney, Bette Davis and Clark Gable lighting up the silver screen. But Deanna Durbin's fame surpassed them all. Born in Canada, Deanna was “discovered” by starmaker Eddie Cantor, producer Joe Pasternak and director Henry Koster, and she quickly became the world’s most celebrated star. She saved Universal Studios from ruin, she was a favourite of Winston Churchill and Anne Frank, and she became the highest-paid woman in America. From the start, Deanna’s life was irrevocably connected with that of another young ingénue, Judy Garland. Deanna and Judy were wildly talented, ambitious, and strong-willed young women who followed vastly different paths to stardom. While fame was thrust upon Deanna, Judy spent years struggling for success and their early friendship soon turned into a lifelong rivalry. Despite her tragic life, Judy Garland is remembered as an entertainment icon, beloved by millions. However, Deanna Durbin—who turned her back on Hollywood at the age of twenty-eight to pursue love and happiness—has been largely forgotten. But Deanna’s legacy endures, and this first-ever biography tells of how her gorgeous voice and winning charm vaulted her to worldwide fame and how a thirteen-year-old girl transformed moviemaking and influenced a generation of fans as the first teenage superstar.

Known as the first film teenager, Deanna Durbin was one of the most popular actresses of the 1930s and 1940s. From starring alongside legends like Judy Garland to playing the lead role in classic film musicals, her rise to fame seemed almost like fantasy. But her life behind the scenes was anything but glamorous. Though Durbin was a princess to the public, she was a puppet to film studios and producers and a punching bag for critics and gossip columnists. At the end of her twelve-year career, her only wish was to be forgotten. Impossible. This book pays tribute to Deanna Durbin by detailing her life and career in the context of her time and appraises her film work from both a contemporaneous and a modern view. It includes a short biography, an in-depth discussion of her films, and an extensive filmography and bibliography of her work. Readers will discover the true identity behind the people's Cinderella and how Durbin's career opened Hollywood's studio gates to a generation of adolescent performers.

"UNICEF thought that with my mother they would get a pretty princess to show up at galas. What they really got was a badass soldier." – Luca Dotti, Audrey Hepburn's son. Warrior: Audrey Hepburn completes the story arc of Robert Matzen's Dutch Girl: Audrey Hepburn and World War II. Hepburn's experiences in wartime, including the murder of family members, her survival through combat and starvation conditions, and work on behalf of the Dutch Resistance, gave her the determination to become a humanitarian for UNICEF and the fearlessness to charge into war-torn countries in the Third World on behalf of children and their mothers in desperate need. She set the standard for celebrity humanitarians and--according to her son Luca Dotti--ultimately gave her life for the causes she espoused.

Explores many of the important social, historical and cultural contexts surrounding the life and works of F. Scott Fitzgerald.

The twenty-first century has seen an explosion in the ways and means in which children can become part of celebrity culture. With the rise in popularity of reality TV, child beauty pageants, talent shows, and social media platforms, as well as more established routes to fame through TV, cinema, theatre and music, the number of children establishing a presence in public life continues to proliferate. Childhood and Celebrity brings together international scholarly writing and research about famous children, and representations of childhood, from a range of disciplines including Childhood Studies, Celebrity Studies, Cultural Studies and Film Studies in order to open up a theoretical space in which to explore and understand the complex relationship between contemporary childhood and celebrity culture. This unique collection includes detailed case studies of specific child performers such as McCaulay Culkin and Miley Cyrus, histories of child stars in the ‘Golden Age’ of Hollywood, analyses of representations of children in film and discussions of children as media creators and producers. Key themes of transgression, gender, ‘coming of age’, childhood innocence and children’s rights recur in the chapters and present a compelling argument for the emergence of the field of Childhood and Celebrity as an area of study in its own right.

The Golden Age of Hollywood, dating to the hazy depths of the early 20th Century, was an era of movie stars worshipped by the masses and despotic studio moguls issuing decrees from poolside divans… but despite the world-wide reach of the movie industry, little more than memories of that era linger amidst the freeways and apartment complexes of today’s Los Angeles. Noted archaeologistPaul G. Bahndigs into the material traces of that Tinseltown in an effort to document and save the treasures that remain. Bahn leads readers on a tour of this singular culture, from the industrial zones of film studios to the landmarks where the glamorous lived, partied, and played, from where they died and were buried to how they’ve been memorialized for posterity. The result is part history, part archaeology—enlivened with pop culture, reminiscence, and whimsy—and throughout, it feeds and deepens our fascination with an iconic place and time, not to mention the personalities who brought it to life.

Beginning with The Jazz Singer (1927) and 42nd Street (1933), legendary Hollywood film producer Darryl F. Zanuck (1902–1979) revolutionized the movie musical, cementing its place in American popular culture. Zanuck, who got his start writing stories and scripts in the silent film era, worked his way to becoming a top production executive at Warner Bros. in the later 1920s and early 1930s. Leaving that studio in 1933, he and industry executive Joseph Schenck formed Twentieth Century Pictures, an independent Hollywood motion picture production company. In 1935, Zanuck merged his Twentieth Century Pictures with the ailing Fox Film Corporation, resulting in the combined Twentieth Century-Fox, which instantly became a new major Hollywood film entity. The Golden Age Musicals of Darryl F. Zanuck: The Gentleman Preferred Blondes is the first book devoted to the musicals that Zanuck produced at these three studios. The volume spotlights how he placed his personal imprint on the genre and how—especially at Twentieth Century-Fox—he nurtured and showcased several blonde female stars who headlined the studio’s musicals—including Shirley Temple, Alice Faye, Betty Grable, Vivian Blaine, June Haver, Marilyn Monroe, and Sheree North. Building upon Bernard F. Dick’s previous work in That Was Entertainment: The Golden Age of the MGM Musical, this volume illustrates the richness of the American movie musical, tracing how these song-and-dance films fit within the career of Darryl F. Zanuck and within the timeline of Hollywood history.

Dan Duryea (1907–1968) made a vivid impression on moviegoers with his first major screen appearance as the conniving Leo Hubbard in 1941's classic melodrama The Little Foxes. His subsequent film and television career would span from 1941 until his death. Duryea remains best known for the nasty, scheming villains he portrayed in such noir masterpieces as Scarlet Street, Criss Cross, and The Woman in the Window. In each of these, he wielded a blend of menace, sleaze, confidence, and surface charm. This winning combination led him to stardom and garnered him the adoration of female fans, even though Duryea's onscreen brutality so often targeted female characters. Yet this biography's close examination of Duryea's oeuvre finds him excelling in various roles in many genres—war films, westerns, crime dramas, and even the occasional comedy. Dan Duryea: Heel with a Heart is a full-scale, comprehensive biography that examines the tension between Duryea's villainous screen image and his Samaritan personal life. At home, he proved to be one of Hollywood's most honorable and decent men. Duryea remained married to the former Helen Bryan from 1931 until her death in 1967. A dedicated family man, he and Helen took an active role in raising their children and in the community. In his career, Duryea knew villainous roles were what the public wanted—there would be a public backlash if fans read an article depicting what a decent guy he was. Frustrated that he couldn't completely shake his screen image and public persona, he wrestled with this restriction throughout his career. Producers and the public did not care to follow any new directions he hoped to pursue. This book, written with Duryea's surviving son Richard's cooperation, fully explores the life and legacy of a Hollywood icon ready for rediscovery.

In photographs only seen briefly as part of studio press kits distributed upon release of a new film, these long-lost stills of Hollywood’s leading ladies have been reverently rendered into color portraits that not only evoke a treasured past of beauty and glamour, but also seem comfortably familiar to the contemporary eye. These posed photos have been chosen not only for their bespoke sensuality, but also for how the discrete addition of color has elevated a black and white still to a kind of artistic grace, prompting rediscovery of classic Hollywood’s most beautiful women. Actresses portrayed here include Julie Andrews, Anna Mae Wong, Audrey Hepburn, Ingrid Bergman, Bette Davis, Carole Lombard, Carroll Baker, Joan Crawford, Marion Davies, Angie Dickinson, Eva Marie Saint, and many others.