It seems that just about everyone wants to be famous these days. Even if an individual has no talent there are countless television programs that will satisfy the apparent need to have their five minutes of fame. There are many others who do have talent and go on to have ten, twenty and even a few hours worth of fame. And of course there are the very few who have what it takes to make fame and celebrity last a lifetime and beyond. But what preparation do people have for what is going to happen to their life when fame comes knocking? My experience is that they have none. This book is not meant to be a serious attempt to prepare or instruct anyone on how to handle fame. Instead, it looks at how some people cope with it better than others. After all fame is not an exact science. The point is that some people handle being a celebrity with ease and others crumble at the first sign of it. There are myriads of magazines and publications highlighting the lives of individual celebrities. The general public cannot get enough gossip about their favourite idols. But there are few books published about fame itself and the effects it can have on the unprepared wannabe. Dealing With Fame covers life before, during and after fame as well as looking at specific challenges and how they can be handled to avoid the downward spiral that leads many celebrities to drink, drugs and depression.

Margaret Atwood enjoys a unique prominence in Canadian letters. With over thirty books to her credit, in genres ranging from children's writing to dystopic novels, she is as creatively diverse as she is internationally acclaimed. Her success, however, has been double-edged: the very popularity that makes her such a prominent figure in the literary world also renders her vulnerable to claims of being a "sell-out," as she relates in her Empson lectures. The Open Eye negotiates the space between these positions, acknowledging Atwood's remarkable achievement while considering how it impacts on national politics and identity. The range of perspectives in this volume is stimulating and enlightening. The Open Eye begins with a focus on Atwood as she presents herself and is presented in Canada and abroad, and then proceeds to consider, more broadly, the intersection of life and literature that Atwood's works and persona effect. It offers fresh insight into Atwood's early writing, redresses the critical void regarding her poetry and shorter prose pieces, and provides a critical base from which readers can assess Atwood's most recent novels. A common thread throughout these essays is the recognition of Atwood's importance in the literary realm in general, and in Canadian literature more particularly.