"The criminal class is a more exact cross-section of humanity than any trade could be." –Luc Sante, interview by The Believer Weed, coke, heroin, molly, promethazine, crack, PCP, LCD, opium, hashish, mushrooms, and countless other illicit substances flood the streets of New York City where they are consumed as quickly as they can be delivered. The War on Drugs may have been declared in 1971, but the numbers are in and the government’s $1.5 trillion war has done little to nothing to kink the flow of drugs in America. In New York City the NYPD has even instated a Stop and Frisk policy that, since its 2002 inception, has resulted in millions of New Yorkers being unconstitutionally stopped and searched. This controversial policy has heightened the danger for the city’s intrepid drug dealers, who brave all weather and police-profiling to meet their customers' insatiable desires. Add on the constant threat of violence and robbery, and it is arguably the most high-risk yet lucrative time to be a NYC dealer. Demand never ceases to grow, and where there is demand, there will always be plenty of outlaw capitalists willing to step up and supply. For Dealers, street reporter Peter Madsen set out across New York City—from staid Gramercy residences to bleak homeless hangouts; grimy Bushwick bike messenger bars and tony Park Avenue penthouses—to interview this particular criminal class. Through anonymous one-on-one interviews with an alarmingly wide host of subjects (including a transient heroin-addict supporting his habit, cute art-school girls running a weed lounge, a connection-ready concierge, fixed-gear weed couriers, stick-up kids, and a couple lawyers who deal on the side), Madsen extracts un-glamorized, sometimes hilarious, and always nuanced accounts of the navigators of New York City's expansive drug underworld.

The 2017 edition gives up-to-date industry-specific guidance needed to be able to tailor operations with the most current standards and regulations. Included are new best practices and interpretive guidance to industry-specific considerations, this guide has you covered. This edition offers “best practice” discussion of industry-specific issues such as fair value accounting and related disclosures, as well as compliance with regulatory requirements. Further, new guidance on initial margin has been approved in accordance with applicable AICPA requirements.

This book features the spectacular homes of the antique dealers who are at the forefront of design trends, setting the progressive styles that are followed by decorators, manufacturers, and ultimately, consumers.

The authors provide insight into the world of college drug dealers, affluent, upwardly mobile students who have everything to lose and little to gain, and offer an important corrective to the traditional distorted view of the US drug trade as primarily involving poor minorities. Drawing on six years of fieldwork at a predominately white private university, their ethnography explores issues of deviance, race, and stratification in the US war on drugs.

The meteoric rise of the largest unregulated financial market in the world -- for contemporary art -- is driven by a few passionate, guileful, and very hard-nosed dealers. They can make and break careers and fortunes. The contemporary art market is an international juggernaut, throwing off multimillion-dollar deals as wealthy buyers move from fair to fair, auction to auction, party to glittering party. But none of it would happen without the dealers-the tastemakers who back emerging artists and steer them to success, often to see them picked off by a rival. Dealers operate within a private world of handshake agreements, negotiating for the highest commissions. Michael Shnayerson, a longtime contributing editor to Vanity Fair, writes the first ever definitive history of their activities. He has spoken to all of today's so-called mega dealers -- Larry Gagosian, David Zwirner, Arne and Marc Glimcher, and Iwan Wirth -- along with dozens of other dealers -- from Irving Blum to Gavin Brown -- who worked with the greatest artists of their times: Jackson Pollock, Andy Warhol, Cy Twombly, and more. This kaleidoscopic history begins in the mid-1940s in genteel poverty with a scattering of galleries in midtown Manhattan, takes us through the ramshackle 1950s studios of Coenties Slip, the hipster locations in SoHo and Chelsea, London's Bond Street, and across the terraces of Art Basel until today. Now, dealers and auctioneers are seeking the first billion-dollar painting. It hasn't happened yet, but they are confident they can push the price there soon.