The Sarrazins have always stood apart from the rest of their Bayou-born neighbors. Almost as far apart as they prefer to stand from each other. Blessed—or cursed—with the uncanny ability to see beyond the spectral plain, Aurie has raised his children, Sol, Baz, and Lutie, in the tradition of the traiteur, finding wayward spirits and using his special gift to release them along Deadroads into the afterworld. The family, however, fractured by their clashing egos, drifted apart, scattered high and low across the continent. But tragedy serves to bring them together. When Aurie, while investigating a series of ghastly (and ghostly) murders, is himself killed by a devil, Sol, EMT by day and traiteur by night, Baz, a travelling musician with a truly spiritual voice, and Lutie, combating her eerie visions with antipsychotics, are thrown headlong into a world of gory spirits, brilliant angels, and nefarious demons—small potatoes compared to reconciling their familial differences. From the Louisiana swamps to the snowfields of the north and everywhere in between, Deadroads summons you onto a mysterious trail of paranormal proportions.

Written in response to the Hawk's Nest Tunnel disaster of 1931 in Gauley Bridge, West Virginia, The Book of the Dead is an important part of West Virginia's cultural heritage and a powerful account of one of the worst industrial catastrophes in American history. The poems collected here investigate the roots of a tragedy that killed hundreds of workers, most of them African American. They are a rare engagement with the overlap between race and environment in Appalachia. Published for the first time alongside photographs by Nancy Naumburg, who accompanied Rukeyser to Gauley Bridge in 1936, this edition of The Book of the Dead includes an introduction by Catherine Venable Moore, whose writing on the topic has been anthologized in Best American Essays.

This surreal fable, set in America's Old West, features a cast of notorious characters: The Crying Gun, who breaks into tears at the sight of his opponent; The Priest, who goes into gunfights giving his adversaries the last rites; and The Nihilistic Kid himself, Kim Carson, a homosexual gunslinger who, with a succession of beautiful sidekicks, sets out to challenge the morality of small-town America and fight for intergalactic freedom. Fantastical and humorous, The Place of Dead Roads continues William Burroughs' exploration of society's controlling forces - the State, the Church, women, literature, drugs - with a style that is utterly unique in twentieth-century literature.

A good old-fashion shoot-out in the American West of the frontier days serves as the springboard for this hyperkinetic adventure in which gunslingers, led by Kim Carson, fight for galactic freedom. The Place of Dead Roads is the second novel in the trilogy with Cities of the Red Night and The Western Lands.

"If " And if I look long enough into the black glass, there's another living room reflected there, as much alive as this one. A black doorway that leads to a black hole, a black screen like the black Dead Sea, where nothing grows. And all seems dead here, but for the Beast, who lives, eats, and sleeps with me.

Last Friday night, the world changed--and not for the better. Zombies are among us. School's out for the foreseeable future, and with Mom and Dad at the lake house, my twin and I are on our own in this mess. Which is fine as long as we can avoid being on the menu. Tripp Light's teenage world is suddenly filled with "poxers"--the infected ones, the ones that have the Necropoxy virus. In an entire world gone mad and bad, Tripp's only hope of survival is to clear a path through zombie land with his sister and head for the hills (aka his aunt's farm) to rendezvous with his parents. Success clearly favors the fittest and the fastest. Survival demands the twins make hard, ruthless decisions, but that all changes when Tripp and his twin hear a distress call via the radio. Prianka Patel, a girl Tripp loves to hate, is trapped and surrounded in a bakery. Soon, the twins have quite a collection of misfits and survivors and miles to go before anyone can sleep safely again. No matter where Tripp looks, everyone everywhere is dead. Like really dead . . . a lot. Howard Odentz is a life-long resident of Western Massachusetts, where he divides his time between writing and tending a small farm. His love of animals, along with the lore of the region, often finds its way into his stories. The supernatural plays a major role in Mr. Odentz's writing. He is endlessly fascinated by the psychological aspects of those who are thrown into otherworldly circumstances. In addition to Dead (A Lot), he has penned two full length musical comedies, including "Piecemeal," which tells the backstory of Victor Frankenstein's Hollywood-created protégé, Igor.

As the Marquez de Marquis helps the fledgling detectives Edwin and Charles further develop "haunting" skills, Charles begins to suspect that all is not what it seems with their mysterious tutor. Is he really after the killer of runaway kids or are his motives more sinister? And just as our intrepid duo closes the net on the suspected killer, Mad Hettie suddenly reappears to cast the boys' deductions in further doubt.

A decade dead, Jacob Campbell is a preservationist, providing a kind of taxidermy to keep his clients looking lifelike for as long as the forces of entropy will allow. But in the Land of the Dead, where the currency is time itself and there is little for corpses to do but drink, thieve, and gamble eternity away, Jacob abandons his home and his fortune for an opportunity to meet the man who cheated the rules of life and death entirely. According to legend, the Living Man is the only adventurer to ever cross into the underworld without dying first. It's rumored he met his end somewhere in the labyrinth of pubs beneath Dead City's streets, disappearing without a trace. Now Jacob's vow to find the Living Man and follow him back to the land of the living sends him on a perilous journey through an underworld where the only certainty is decay. Accompanying him are the boy Remington, an innocent with mysterious powers over the bones of the dead, and the hanged man Leopold l'Eclair, a flamboyant rogue whose criminal ambitions spark the undesired attention of the shadowy ruler known as the Magnate. An ambitious debut that mingles the fantastic with the philosophical, Dead Boys twists the well-worn epic quest into a compelling, one-of-a-kind work of weird fiction that transcends genre, recalling the novels of China Miéville and Neil Gaiman.

The first novel of the Red Night trilogy: “The most complete and most devastatingly sardonic statement of William Burroughs’s apocalyptic vision” (Newsday). Drawing freely from science fiction, hardboiled mystery, drug culture, and grotesque horror, William Burroughs trailblazed his own literary form, made famous with such classic novels as Naked Lunch. Considered by many to be his masterpiece, Cities of the Red Night is the first novel of his final trilogy, followed by The Place of Dead Roads and The Western Lands. Ranging across time and space, the kaleidoscopic narrative drops readers into a richly imagined alternate history. Our point of entry is the visionary pirate colony of Captain James Mission, who forged a society free of prejudice and oppression. From the 18th century we shuttle into the future, where a detective is on the hunt for a missing boy. Meanwhile, young men wage war against an evil empire of zealous mutants, and the population of this modern inferno is afflicted with a radioactive virus.

Discusses the literary works and great authors of the Beat Generation.