Deadly Landscapes presents a series of cases that advance the rigorous examination of war in the archaeological record. The studies encompass examples from the Hohokam, Sinagua, Mogollon, and Anasazi regions, plus a pan-regional study of iconography covering the Colorado Plateau and the Rio Grande Valley. All of the cases focus on the narrow time frame from AD 1200 to the early-1400s, during which evidence for warfare is most pervasive. Contributors to this volume present varying definitions of warfare and use differing types of data to test for the presence of warfare. These detailed case studies give clear demonstration of a pattern of significant warfare in the late prehistoric period that will alter our understanding of ancient Southwestern cultures.

Explores world's most dangerous places.

The novel DEADLY PARADISE tells about obsessive love, hatred and the power struggle between the wealthy and powerful Blue Creek Condominium president, Mr. Robert Howards, and the simple, but attractive, Russian immigrant caretaker, Nina. The book is set in a first class high-rise building in Pittsburgh, PA. It is the backdrop for the gripping and frantic story of Rob and Nina's relationship. Intertwined, as well, are the stories of the staff and residents who live in the building. The novel explores many human emotions as well as a variety of characters. The adventures in the narrative include: stories of immigrant life, a struggle with cancer, pure love as contrasted with horrible sadistic love, abuse and harassment. The main dramaturgic line is the deep psychological tragedy and sufferings of a tyrannical man, who was a dictator ruling the kingdom of slaves. Rob finds his only true love in a woman from another culture, a different social class and a completely opposite character. But she keeps him at arms length and unconsciously completely ruined his kingdom which everyone hates and scares. Nina doesn't rebel openly against the oppressive atmosphere, but seeks freedom and democracy in her own way, by living and enjoying her life and singing. She continues to be full of love for the whole world. In this way she wins people's affection and undermined Rob's power in the company. The story culminates when Rob shot Nina in the triumphal hour of her victory.

Explores world's most dangerous places.

Recounts myths of the closing decades of the western frontier viewed through the eyes of Nellie Courtright and her brother Jackson, orphans that make good in the town of Rita Blanca in what would become the Oklahoma Panhandle.

Representations of forensic procedures saturate popular culture in both fiction and true crime. One of the most striking forensic tools used in these narratives is the chemical luminol, so named because it glows an eerie greenish-blue when it comes into contact with the tiniest drops of human blood.Luminol is a deeply ambivalent object: it is both a tool of the police, historically abused and misappropriated, and yet it offers hope to families of victims by allowing hidden crimes to surface. Forensic enquiry can exonerate those falsely accused of crimes, and yet the rise of forensic science is synonymous with the development of the deeply racist 'science' of eugenics.Luminol Theory investigates the possibility of using a tool of the state in subversive, or radical, ways. By introducing luminol as an agent of forensic inquiry, Luminol Theory approaches the exploratory stages that a crime scene investigation might take, exploring experimental literature as though these texts were 'crime scenes' in order to discover what this deeply strange object can tell us about crime, death, and history, to make visible violent crimes, and to offer a tangible encounter with death and finitude. At the luminol-drenched crime scene, flashes of illumination throw up words, sentences, and fragments that offer luminous, strange glimpses, bobbing up from below their polished surfaces. When luminol shines its light, it reveals, it is magical, it is prescient, and it has a nasty allure.TABLE OF CONTENTS // Preface: Christmas, Colorado, 1996 - Section I. Queer Light: Forensics, Psychoanalysis, Hermeneutics - Section II. The Abject Parlour: Polyester Gothic, Traces at the Scene, Christmas in Colorado - Section III. Deadly Landscapes: The Shining, Colorado Histories, The Locus Terriblis - Conclusion: Necrolight, Luminol

From the bestselling author of "A Natural History of the Senses" "comes a playful, rewarding jaunt through the brain's chemical realities and emotional intangibles" ("Kirkus Reviews").

This book represents the first serious consideration of the 'domestic noir' phenomenon and, by extension, the psychological thriller. The only such landmark collection since Lee Horsley's The Noir Thriller, it extends the argument for serious, academic study of crime fiction, particularly in relation to gender, domestic violence, social and political awareness, psychological acuity, and structural and narratological inventiveness. As well as this, it shifts the debate around the sub-genre firmly up to date and brings together a range of global voices to dissect and situate the notion of 'domestic noir'. This book is essential reading for students, scholars, and fans of the psychological thriller.

Economies and the Transformation of Landscape explores both the general and specific ways in which local economic ventures around the world, such as mining, ranching, and farming, affect the environment.

This is a materialist-feminist, psychoanalytic analysis of a modern Japanese literary trope—the dangerous woman, linked to archaisms and magical realms and found throughout the Japanese canon—in the works of three 20th-century writers: Izumi Kyoka (1873–1939), Enchi Fumiko (1905–86), and Nakagami Kenji (1946–92).