Irrevocably tied to the Carolinas, these stories tell tales of the woebegone, their obsessions with decay, and the haunting ache of the region itself--the land of the dwindling pines, the isolation inherent in the mountains and foothills, and the loneliness of boomtowns. Predominantly working-class women challenge the status quo by rejecting any lingering expectations or romantic notions of Southern femininity. Small businesses are failing. Factories are closing. Money is tight. The threat of violence lingers for women and girls. Through their collective grief, heartache, and unsettling circumstances, many of these characters become feral and hell-bent on survival. Gilstrap's prose teems with wildness and lyricism, showing the Southern gothic tradition of storytelling is alive and feverishly unwell in the twenty-first century.

From the brokenhearted to the afflicted, the women in these often macabre stories fight like hell to find their voices and survive the darkness inherent in the modern South.

The stories in this extraordinary first collection are concerned with some of the most private and complicated issues: living and dying, growing old, questioning one's beliefs, and recognizing one's own failings. Whether it is an old man struggling to come to terms with an incident in his past or a meddling spinster who is forced to recognize the subtle dance of resentment, in each of these stories a "gentle insurrection" occurs that changes lives forever.

Roses, pleasure and politics: a fresh take on Orwell as an avid gardener, whose political writing was grounded in his passion for the natural world. 'I loved this book... An exhilarating romp through Orwell's life and times' Margaret Atwood 'Expansive and thought-provoking' Independent Outside my work the thing I care most about is gardening - George Orwell Inspired by her encounter with the surviving roses that Orwell is said to have planted in his cottage in Hertfordshire, Rebecca Solnit explores how his involvement with plants, particularly flowers, illuminates his other commitments as a writer and antifascist, and the intertwined politics of nature and power. Following his journey from the coal mines of England to taking up arms in the Spanish Civil War; from his prescient critique of Stalin to his analysis of the relationship between lies and authoritarianism, Solnit finds a more hopeful Orwell, whose love of nature pulses through his work and actions. And in her dialogue with the author, she makes fascinating forays into colonial legacies in the flower garden, discovers photographer Tina Modotti's roses, reveals Stalin's obsession with growing lemons in impossibly cold conditions, and exposes the brutal rose industry in Colombia. A fresh reading of a towering figure of the 20th century which finds solace and solutions for the political and environmental challenges we face today, Orwell's Roses is a remarkable reflection on pleasure, beauty, and joy as acts of resistance. 'Luminous...It is efflorescent, a study that seeds and blooms, propagates thoughts, and tends to historical associations' New Statesman 'A genuinely extraordinary mind, whose curiosity, intelligence and willingness to learn seem unbounded' Irish Times

"It's just the real inexplicable gorgeous brilliant thing this book. I love it in a way I usually reserve for people." --Max Porter A dazzling, prizewinning short story collection that showcases a bold new talent Eley Williams has been a literary sensation ever since this collection of experimental short fiction was published in the UK. Lauded as "elegant" (The Guardian) and "exhilarating" (Vanity Fair), Attrib. and Other Stories won the James Tait Black Prize, was longlisted for the Dylan Thomas Prize, and was named a best book of the year by The Guardian. Attrib. presents a cast of unforgettable characters standing at the precipice of emotional events (a disastrous breakup, a successful date, an unexpected arrival) and finding it fiendishly impossible to express themselves. With intimate, irreverent, and playful prose, Eley Williams rejoices in both the possibilities and limitations of language, as well as the very human need to be known and understood--despite our own best efforts. Original and inventive in the vein of Lydia Davis, Deborah Eisenberg, and Amy Hempel, these stories are "emotionally delicate and tenderly introspective" (New Statesman) and "an absolute must-read" (The London Magazine).

Pat Lynch's work, with its astute social consciousness and reporter's sharp eye, tunes us in: to language with its revelations and betrayals, to subtexts, to nuance, to irony. Her characters engage us emotionally; her stories peel away the layers with humor and great humanity. Lynch is funny the way that Lear's fool is funny: she tells the truth. She is (as the teenage Dustin Blake would say in "Hand-Me-Downs") a "hella good" writer. -Susan Kelly-DeWitt, author of The Fortunate Islands Pat Lynch's work is a pleasure, especially if we define pleasure as delivering a world and a sensibility toward it that always rings true. Her most interesting characters are outsiders, people who find ways to live (and sometimes prevail) both inside and on the margins of society. She has a fine ear for their language, and a complicated sympathy for the situations she places them in. -Stephen Dunn, author of nineteen books of poetry and prose, including Different Hours, winner of the Pulitzer Prize

“A Way to Garden prods us toward that ineffable place where we feel we belong; it’s a guide to living both in and out of the garden.” —The New York Times Book Review For Margaret Roach, gardening is more than a hobby, it’s a calling. Her unique approach, which she calls “horticultural how-to and woo-woo,” is a blend of vital information you need to memorize and intuitive steps you must simply feel and surrender to. In A Way to Garden, Roach imparts decades of garden wisdom on seasonal gardening, ornamental plants, vegetable gardening, design, gardening for wildlife, organic practices, and much more. She also challenges gardeners to think beyond their garden borders and to consider the ways gardening can enrich the world. Brimming with beautiful photographs of Roach’s own garden, A Way to Garden is practical, inspiring, and a must-have for every passionate gardener.

I AM BARBARELLA: STORIES is a collection narrated by characters at the fringes of contemporary society-working-class characters with a raging taste for self-destruction. Many of the stories take place in Charlotte, North Carolina-a place people rarely end up on purpose. These characters aren't bankers or old money, nor entirely belles or rednecks, but some kind of poetry in between, always stumbling, and trying to survive. These are stories of how folks press on and reinvent themselves in a time when textile manufacturing is dead, and most of their friends and family have long since moved on.