A vibrant narrative history of three hallowed Manhattan blocks—the epicenter of American cool. St. Marks Place in New York City has spawned countless artistic and political movements. Here Frank O’Hara caroused, Emma Goldman plotted, and the Velvet Underground wailed. But every generation of miscreant denizens believes that their era, and no other, marked the street’s apex. This idiosyncratic work of reportage tells the many layered history of the street—from its beginnings as Colonial Dutch Director-General Peter Stuyvesant’s pear orchard to today’s hipster playground—organized around those pivotal moments when critics declared “St. Marks is dead.” In a narrative enriched by hundreds of interviews and dozens of rare images, St. Marks native Ada Calhoun profiles iconic characters from W. H. Auden to Abbie Hoffman, from Keith Haring to the Beastie Boys, among many others. She argues that St. Marks has variously been an elite address, an immigrants’ haven, a mafia warzone, a hippie paradise, and a backdrop to the film Kids—but it has always been a place that outsiders call home. This idiosyncratic work offers a bold new perspective on gentrification, urban nostalgia, and the evolution of a community.

THE FINAL CRIME NOVEL FROM THE KING OF PULP FICTION! For 20 years, former NYPD cop Jack Stang has lived with the memory of his girlfriend’s death in an attempted abduction. But what if she didn’t actually die? What if she somehow secretly survived, but lost her sight, her memory, and everything else she had… except her enemies? Now Jack has a second chance to save the only woman he ever loved – or to lose her for good.

Are you afraid to walk down Fear Street? maybe you should be. They say that weird things always happen on that dark and twisting road. They say it's a place to be frightened of--that those who go there never return the same. And some never return at all...

THE FINAL CRIME NOVEL FROM THE KING OF PULP FICTION! For 20 years, former NYPD cop Jack Stang has lived with the memory of his girlfriend's death in an attempted abduction. But what if she didn't actually die? What if she somehow secretly survived, but lost her sight, her memory, and everything else she had...except her enemies? Now Jack has a second chance to save the only woman he ever loved - or to lose her for good.

Homicide Detective Sarah Milton is having the most insane week of her life. An evil supernatural entity stalking the Skid Row homeless has possessed her boyfriend. She's about to find herself caught up in a bloody gang war, thanks to the machinations of an escaped convict with dissociative identity disorder and the vigilante killer on her trail. Deadly agents of a shadowy cabal are conspiring against her. A parade of ghosts are invading her privacy and driving her crazy. Adjusting to her new job, a boss who hates her, and the strange visions that have begun to hijack her senses are pushing her to the breaking point. All she wants is to settle down with a good book, a bottle of Aspirin, and some peace and quiet. Unfortunately, her worries have only just begun.

An intimate portrait of India’s child runaways, and the sociopolitical forces shaping their lives This intimate portrait examines the tracks, journeys, and experiences of child runaways in northern India. Jonah Steinberg situates children’s decisions to leave home and flee for the city in their larger cultural, social, and historical contexts, and considers histories of landlessness and debt servitude in narratives of child dislocation. The resulting work is an original perspective on the sociological trends in postcolonial India and a unique treatment of a population of individuals who live on the margin of society.