"...This novel has left me feeling utterly shocked and impatient to find out exactly what is going to happen next..." Areadersreviewblog. As the Skin-walkers close in on Kiera and her friends, they flee through the dark English countryside. But when Kiera discovers that Potter has been hiding secrets from her, she makes a daring decision to leave the group behind and embark on a dangerous journey to find her father. As she races against time to reach him before she turns into a lifeless statue like the ones haunting her every move, Potter is determined to win back Kiera's trust. But with a cunning enemy on their heels and lurking in the shadows, will Potter's hidden past ultimately lead to their demise? In this pulse-pounding tale of supernatural romance, Kiera must fight for her life and her love while facing the unknown forces of darkness that threaten to tear them apart forever. 'Dead Statues' (Kiera Hudson Vampire Detective Series Two) Book 4 Search Terms: vampire, romance, werewolf, fantasy, horror, mystery, new adult & college romance, occult, urban, young adult fantasy, paranormal, paranormal romance, fantasy witches, shapeshifter wolf romance, dystopian, superhero fantasy ebooks, demon, werewolf romance, angels, vampire romance, young adult paranormal, paranormal new adult romance, shade of, werewolf romance, vampires, diaries, demons and devils, shapeshifter wolf romance, academy, twilight, horror, angels, saga, new adult fantasy romance, journals, coming of age, new adult, young adult, gothic, shifter, lycan, vampire books, vampire romance books, vampire and werewolf books, werewolf books, fantasy books, coming of age fantasy, genetic engineering, science fiction, mash ups, bad girlfriend, vampire girl, vampire vengeance, anti-heroes, vengeance, science fiction, science fiction books vampire, supernatural, strong female lead fantasy, strong female characters, strong female vampire, vampire romance, young adult paranormal, paranormal new

In this first English translation of one of his most important works, Michel Serres presents the statue as more than a static entity: for Serres it is the basis for knowledge, society, the subject and object, the world and experience. Serres demonstrates how sacrificial art founded and still persists in society and reflects on the centrality of death and the statufied dead body to the human condition. Each section covers a different time period and statuary topic, ranging from four thousand years ago to 1986; from Baal, the paintings of Carpaccio, and the Eiffel Tower, to Rodin's The Gates of Hell, the Challenger disaster and the literature of Maupassant, La Fontaine and Jules Verne. Expository, lyrical, fictionalized and hallucinatory, Statues plays with time and place, history and story in order to provoke us into thinking in entirely new ways. Through mythic and poetic meditations on various kinds of descent into the underworld and new insights into the relation of the subject and object and their foundation in death, Statues contains great treasures and provocations for philosophers, literary critics, art historians and sociologists.

Since 1989, scores of bodies across Eastern Europe have been exhumed and brought to rest in new gravesites. Katherine Verdery investigates why certain corpses—the bodies of revolutionary leaders, heroes, artists, and other luminaries, as well as more humble folk—have taken on a political life in the turbulent times following the end of Communist Party rule, and what roles they play in revising the past and reorienting the present. Enlivening and invigorating the dialogue on postsocialist politics, this imaginative study helps us understand the dynamic and deeply symbolic nature of politics—and how it can breathe new life into old bones.

Statues are among the most familiar remnants of classical art. Yet their prominence in ancient society is often ignored. In the Roman world statues were ubiquitous. Whether they were displayed as public honours or memorials, collected as works of art, dedicated to deities, venerated as gods, or violated as symbols of a defeated political regime, they were recognized individually and collectively as objects of enormous significance. By analysing ancient texts and images, Statues in Roman Society unravels the web of associations which surrounded Roman statues. Addressing all categories of statuary together for the first time, it illuminates them in ancient terms, explaining expectations of what statues were or ought to be and describing the Romans' uneasy relationship with 'the other population' in their midst.

Spanning centuries and the vastness of the Roman Empire, The Last Statues of Antiquity is the first comprehensive survey of Roman honorific statues in the public realm in Late Antiquity. Drawn from a major research project and corresponding online database that collates all the available evidence for the "statue habit" across the Empire from the late third century AD onwards, the volume examines where, how, and why statues were used, and why these important features of urban life began to decline in number before eventually disappearing around AD 600. Adopting a detailed comparative approach, the collection explores variation between different regions--including North Africa, Asia Minor, and the Near East--as well as individual cities, such as Aphrodisias, Athens, Constantinople, and Rome. A number of thematic chapters also consider the different kinds of honorand, from provincial governors and senators, to women and cultural heroes. Richly illustrated, the volume is the definitive resource for studying the phenomenon of late-antique statues. The collection also incorporates extensive references to the project's database, which is freely accessible online.

Contains a large quantity and variety of epigraphy - Combines both archaeological and epigraphical material - Offers a new cultural history of the Hellenistic city and a detailed examination of family statues - Illustrated throughout

A dynamic, scholarly engagement with Susanne Bier's work