"Just terrific... As real as a heart attack, and every bit as suspenseful." --John Lescroart, New York Times bestselling author of A Plague of Secrets, on The Trial Veteran trial lawyer Larry D. Thompson has decades of courtroom experience in his home state of Texas on controversial and important trials. Now, in Dead Peasants, Thompson has delivered a fast-moving and suspenseful legal thriller featuring a retired lawyer whose life gets turned upside down when a stranger asks for help. Jack Bryant, exhausted after a high-profile career as a lawyer, takes an early retirement in Fort Worth, Texas, where he plans to kick back, relax, and watch his son play football at TCU. But then an elderly widow shows up with a check for life insurance benefits and that is suspiciously made payable to her dead husband's employer, Jack can't turn down her pleas for help and files a civil suit to collect the benefits rightfully due the widow. A chain of events that can't be stopped thrusts Jack into a vortex of killings, and he and his new love interest find themselves targets of a murderer. Gripping, engaging, and written with the authority that only a seasoned lawyer could possess, Dead Peasants is a legal thriller that will stun and surprise you.

A first-person account of the Iraq War by a solider-poet, winner of the 2005 Beatrice Hawley Award. Adding his voice to the current debate about the US occupation of Iraq, in poems written in the tradition of such poets as Wilfred Owen, Yusef Komunyakaa (Dien Cai Dau), Bruce Weigl (Song of Napalm) and Alice James’ own Doug Anderson (The Moon Reflected Fire), Iraqi war veteran Brian Turner writes power-fully affecting poetry of witness, exceptional for its beauty, honesty, and skill. Based on Turner’s yearlong tour in Iraq as an infantry team leader, the poems offer gracefully rendered, unflinching description but, remarkably, leave the reader to draw conclusions or moral lessons. Here, Bullet is a must-read for anyone who cares about the war, regardless of political affiliation.

In What Money Can't Buy, renowned political philosopher Michael J. Sandel rethinks the role that markets and money should play in our society. Should we pay children to read books or to get good grades? Should we put a price on human life to decide how much pollution to allow? Is it ethical to pay people to test risky new drugs or to donate their organs? What about hiring mercenaries to fight our wars, outsourcing inmates to for-profit prisons, auctioning admission to elite universities, or selling citizenship to immigrants willing to pay? In his New York Times bestseller What Money Can't Buy, Michael J. Sandel takes up one of the biggest ethical questions of our time: Isn't there something wrong with a world in which everything is for sale? If so, how can we prevent market values from reaching into spheres of life where they don't belong? What are the moral limits of markets? Over recent decades, market values have crowded out nonmarket norms in almost every aspect of life. Without quite realizing it, Sandel argues, we have drifted from having a market economy to being a market society. In Justice, an international bestseller, Sandel showed himself to be a master at illuminating, with clarity and verve, the hard moral questions we confront in our everyday lives. Now, in What Money Can't Buy, he provokes a debate that's been missing in our market-driven age: What is the proper role of markets in a democratic society, and how can we protect the moral and civic goods that markets do not honor and money cannot buy?

First published in the year 1842, Russian writer-activist Nikolai Gogol's book 'Dead Souls' was one of the most appreciated satirical works of the 19th century Russian literature. The purpose of the novel was to demonstrate the flaws and faults of the Russian mentality and character.

Acclaimed as a modern dramatic masterpiece, Rosencrantz & Guildenstern are Dead is the fabulously inventive tale of Hamlet as told from the worm’s-eve view of the bewildered Rosencrantz and Guildenstern, two minor characters in Shakespeare’s play. In Tom Stoppard’s best-known work, this Shakespearean Laurel and Hardy finally get a chance to take the lead role, but do so in a world where echoes of Waiting for Godot resound, where reality and illusion intermix, and where fate leads our two heroes to a tragic but inevitable end. Tom Stoppard was catapulted into the front ranks of modem playwrights overnight when Rosencrantz and Guildenstern Are Dead opened in London in 1967. Its subsequent run in New York brought it the same enthusiastic acclaim, and the play has since been performed numerous times in the major theatrical centers of the world. It has won top honors for play and playwright in a poll of London Theater critics, and in its printed form it was chosen one of the “Notable Books of 1967” by the American Library Association.

The chilling story of Stalin’s crimes against humanity Between the early 1930s and his death in 1953, Joseph Stalin had more than a million of his own citizens executed. Millions more fell victim to forced labor, deportation, famine, bloody massacres, and detention and interrogation by Stalin's henchmen. Stalin's Genocides is the chilling story of these crimes. The book puts forward the important argument that brutal mass killings under Stalin in the 1930s were indeed acts of genocide and that the Soviet dictator himself was behind them. Norman Naimark, one of our most respected authorities on the Soviet era, challenges the widely held notion that Stalin's crimes do not constitute genocide, which the United Nations defines as the premeditated killing of a group of people because of their race, religion, or inherent national qualities. In this gripping book, Naimark explains how Stalin became a pitiless mass killer. He looks at the most consequential and harrowing episodes of Stalin's systematic destruction of his own populace—the liquidation and repression of the so-called kulaks, the Ukrainian famine, the purge of nationalities, and the Great Terror—and examines them in light of other genocides in history. In addition, Naimark compares Stalin's crimes with those of the most notorious genocidal killer of them all, Adolf Hitler.

Few literary works have been so variously interpreted as Nikolai Gogol's enduring comic masterpiece, Dead Souls.

The concept of ?peasant? has been constructed from residual images of pre-industrial European and colonial rural society. Spurred by Romantic sensibilities and modern nationalist imaginations, the images the word peasant brings to mind are anachronisms that do not reflect the ways in which rural people live today. In this path-breaking book, Michael Kearney shows how the concept has been outdistanced by contemporary history. He situates the peasantry within the current social context of the transnational and post?Cold War nation-state and clears the way for alternative theoretical views.Reconceptualizing the Peasantry looks at rural society in general and considers the problematic distinction between rural and urban. Most definitions of and debates about peasants have focused on their presumed social, economic, cultural, and political characteristics, but Kearney articulates the way in which peasants define themselves in a rapidly changing world. In the process, he develops ethnographic and political forms of representation that correspond to contemporary postpeasant identities. Moving beyond a reconsideration of peasantry, the book situates anthropology in global context, showing how the discipline reconstructs itself and its subjects according to changing circumstances.

This gripping investigation of a savage murder on the Philippine island of Negros illuminates the tangled and violent interplay of colonialism's legacy. As Alan Berlow investigates the murder, he discovers the ultimate cause imbedded in the history and culture of a society locked into cycles of violent conflict behind a facade of democratic government.