When science alters your world, trust no one… Draggers, those infected with a bizarre virus that kills them, lust for meat. And even dead, they hunt. While fighting, Dave Pulaski and his wife are trapped by a horde. They catch a break when a security outfit known as Black Dragon rescues them. The company takes them to a safe zone where they protect surviving residents of Tres Marias, the outbreak's epicenter. But the nightmare is just beginning. Dave learns the virus was scientifically engineered. And it's not stable. It continues to mutate, giving the draggers biological advantages. They're now smarter – and faster. When a savvy television reporter asks too many questions, she's murdered. Then Dave asks a dangerous question. Why? Using her research, he uncovers the truth behind the outbreak. A government-funded bioscience company is conducting an illegal experiment. And the mayor may be in on the conspiracy. If Dave doesn't quit, he'll end up like the reporter. And the experiment isn't over…

"Gilda, a twenty-something, atheist, animal-loving lesbian, cannot stop ruminating about death. Desperate for relief from her panicky mind and alienated from her repressive family, she responds to a flyer for free therapy at a local Catholic church, and finds herself being greeted by Father Jeff, who assumes she's there for a job interview. Too embarrassed to correct him, Gilda is abruptly hired to replace the recently deceased receptionist Grace. In between trying to memorize the lines to Catholic mass, hiding the fact that she has a new girlfriend, and erecting a dirty dish tower in her crumbling apartment, Gilda strikes up an email correspondence with Grace's old friend. She can't bear to ignore the kindly old woman, who has been trying to reach her friend through the church inbox, but she also can't bring herself to break the bad news. Desperate, she begins impersonating Grace via email. But when the police discover suspicious circumstances surrounding Grace's death, Gilda may have to finally reveal the truth of her mortifying existence."--Amazon.

Dean Braxton was hospitalized due to kidney stones. The procedure to break down the stones caused an infection which eventually made his heart stop. When Dean died, he was taken to Heaven, where he met Jesus, family members and saw GOD the Father of creation! He should have been a vegetable or dead, in fact Dean Braxton's heart had been stopped for 1 hour and 45 minutes. After he came back from heaven, he was instantly healed of 29 medical conditions, and today he is called the Miracle Man, and has written a book of his complete account of Heaven in the Afterlife.

The author, a computer science professor diagnosed with terminal cancer, explores his life, the lessons that he has learned, how he has worked to achieve his childhood dreams, and the effect of his diagnosis on him and his family.

"The House of Dust: A Symphony" by Conrad Aiken is a modernist poetic work that explores themes of love, loss, and the transitory nature of life. Published in 1920, Aiken's "The House of Dust" is considered one of the pioneering examples of American modernist poetry. The poem is structured as a symphony, consisting of four movements, each exploring different aspects of the human experience. Aiken employs vivid and often surreal imagery to convey the complexities of emotions and the human psyche. The overarching metaphor of the "House of Dust" suggests the impermanence and fragility of existence. Throughout the symphony, readers may encounter a series of fragmented and abstract images that contribute to the overall impressionistic quality of the work. Aiken's language is characterized by its musicality and rhythm, reflecting the influence of modernist trends in literature during the early 20th century. "The House of Dust" is celebrated for its innovative use of language, form, and symbolism. It invites readers to engage with its evocative verses, challenging them to interpret and derive meaning from the interplay of images and themes. Immerse yourself in the complex and atmospheric world of Conrad Aiken's "The House of Dust" for a unique and thought-provoking poetic experience.

Thirty-one bullets that will leave you gasping for breath… From hardboiled to noir to just plain human, these stories allow you to experience lives you escaped, and to do so with dignity, humor, and an eye toward tomorrow. “What sets those particular stories apart is their ability to catch the browns and grays of the characters quickly, subtly and persuasively.” —Barnstable Patriot “The sometime EQMM poet is so smoothly readable, explores such a variety of inventive situations, and is so ambitious in structure and theme, even the stories that don’t quite hit the mark make enjoyable reading.” —Ellery Queen Mystery Magazine “Each story is fresh and original, set against a New England backdrop, and includes colorful characters from diverse walks of life. Each plot twists and turns to its totally surprising and unpredictable ending.” —Examiner

One of today’s greatest preacher-theologians engages one of the twentieth century's greatest teacher-theologians on the meaning of preaching.Readers of William H. Willimon’s many books have long found there the influence of Karl Barth, probably the most significant theologian of the twentieth century. In this new book Willimon explores that relationship explicitly by engaging Barth’s work on the pitfalls and problems, glories and grandeur of preaching the Word of God. The Swiss theologian, says the author, expressed one of the highest theologies of preaching of any of the great theologians of the church. Yet too much of Barth’s understanding of preaching lies buried in the Church Dogmatics and other, sometimes obscure, sources. Willimon brings this material to light, introducing the reader to Barth’s thought, not just on the meaning, but the practice of preaching as well.