THE FIRST NOVEL IN THE NEW YORK TIMES BESTSELLING DISMAS HARDY SERIES! In his new life as a bartender at the Little Shamrock, Dismas Hardy is just hoping for a little peace. He’s left both the police force and his law career behind. Unfortunately it’s not as easy to leave behind the memory of a shattering personal loss—but for the time being, he can always take the edge off with a stiff drink and round of darts. But when the news of Eddie Cochran’s death reaches him, Hardy is propelled back into all the things he was trying to escape. And forced to untangle a web of old secrets and raw passions, for the sake of Eddie’s pregnant widow, Frannie—and for the others whose lives may still be at risk...

The first comprehensive account to record and analyze all deaths arising from the Irish revolution between 1916 and 1921 This account covers the turbulent period from the 1916 Rising to the Anglo-Irish Treaty of December 1921—a period which saw the achievement of independence for most of nationalist Ireland and the establishment of Northern Ireland as a self-governing province of the United Kingdom. Separatists fought for independence against government forces and, in North East Ulster, armed loyalists. Civilians suffered violence from all combatants, sometimes as collateral damage, often as targets. Eunan O’Halpin and Daithí Ó Corráin catalogue and analyze the deaths of all men, women, and children who died during the revolutionary years—505 in 1916; 2,344 between 1917 and 1921. This study provides a unique and comprehensive picture of everyone who died: in what manner, by whose hands, and why. Through their stories we obtain original insight into the Irish revolution itself.

In 1981 ten men starved themselves to death inside the walls of Long Kesh prison in Belfast. While a stunned world watched and distraught family members kept bedside vigils, one "soldier" after another slowly went to his death in an attempt to make Margaret Thatcher's government recognize them as political prisoners rather than common criminals. Drawing extensively on secret IRA documents and letters from the prisoners smuggled out at the time, David Beresford tells the gripping story of these strikers and their devotion to the cause. An intensely human story, Ten Men Dead offers a searing portrait of strife-torn Ireland, of the IRA, and the passions -- on both sides -- that Republicanism arouses.

An exploration of the relationship Irish people have with death from the earliest times to the present day, with over seventy articles from historians, sociologists, dramatists, liturgists, undertakers, and many more.

An intimate, lyrical look at the ancient rite of the Irish wake--and the Irish way of overcoming our fear of death Death is a whisper for most of us. Instinctively we feel we should dim the lights, pull the curtains, and speak softly. But on a remote island off the coast of Ireland's County Mayo, death has a louder voice. Each day, along with reports of incoming Atlantic storms, the local radio runs a daily roll call of the recently departed. The islanders go in great numbers, young and old alike, to be with their dead. They keep vigil with the corpse and the bereaved company through the long hours of the night. They dig the grave with their own hands and carry the coffin on their own shoulders. The islanders cherish the dead--and amid the sorrow, they celebrate life, too. In My Father's Wake, acclaimed author and award-winning filmmaker Kevin Toolis unforgettably describes his own father's wake and explores the wider history and significance of this ancient and eternal Irish ritual. Perhaps we, too, can all find a better way to deal with our mortality -- by living and loving as the Irish do.

We do not die alone - that's the remarkable conclusion of We'll Meet Again, an extraordinary new book by Colm Keane examining deathbed visions. The book recounts how dead parents, children, brothers, sisters and close friends are among those who return to meet us as we die. Well-known religious figures appear less frequently, while beautiful landscapes are observed by those who are passing away. Featuring a riveting collection of 70 real-life stories from all corners of Ireland, north and south, We'll Meet Again also hears from those left behind who describe after death visitations and other strange occurrences. The latest scientific evidence is examined. We'll Meet Again, written by award-winning journalist Colm Keane, is the first Irish book on this intriguing phenomenon and one of the most challenging studies ever compiled on this fascinating theme.

Talking to the Dead is an essay on death and its tenacious hold on Irish culture. There are few traditions in which funerary motifs have been so ubiquitous in literature, popular rituals, folk representations, public rhetorics, even constructions of place. There are even fewer cultures in which funerary genres and preoccupations constitute the central thread of continuity. The Irish Theatrum Mortis is not simply an obsession of writers from the bards to Beckett and Heaney. Nor is it confined to contemporary Republican iconography. It is to be found in the pages of the local press, in acts of ritual resistance to unpopular decisions, in the way in which significant public events are narrated and framed. Though the funerary Ireland presented here may well yield to the new, positive self-image of the Celtic Tiger, it is the authors' contention that at the end of the twentieth century the funerary sign continues to define Irish identity. For good and ill, it is the centre that holds.

A “courtroom thriller extraordinaire” (Providence Journal) from “master craftsman” (Associated Press) John Lescroart puts Dismas Hardy and his daughter in the middle of an uncertain murder case where winning the trial could mean losing everything. On a cool night in May, a teenage foster child named Anlya Paulson plummets to her death from a San Francisco overpass. But did she fall…or was she pushed? Homicide inspectors focus their attention on a likeable but naïve middle school teacher and volunteer foster care advocate. At first, his only connection to Anlya’s death is the meal they shared earlier that night. But soon his story falls apart, and Rebecca Hardy, now an associate at her father’s law firm, is drawn into his defense. As the case rushes toward trial, Dismas and Rebecca battle an aggressive prosecutor, a disinterested police force, and their own client, who isn’t faring well in jail. When a dying woman’s last words cast a surprising new light on the evidence and problems develop with a key witness, the father-daughter duo begins to glimpse the intricate web that connects the young victim to the city’s complex political and judicial machine. Proving their case in court, however, will be harder, as Rebecca comes to realize that a trial doesn’t always end with the truth.

Escape to Ireland with this charming whodunnit… Cozy fans will be entranced by the beautiful setting, the pair of adorable Jack Russell puppies, and of course—the deadly mystery at the heart of it all! In Dublin’s fair city, where the girls are so pretty, murder occurs at the feet of sweet Molly Malone . . . Ferrying tourists around Dublin for the Leprechaun Limo Service makes quite a change after years in the military. Still, Megan Malone is enjoying her life in Ireland. She likes the scenery, the easy pace, the quirky, quick-witted locals. Everything—except having one of her clients drop dead at the statue of fabled fishmonger, Molly Malone. Most restaurant critics notch up their share of enemies. Elizabeth Darr, however, was a well-loved international star. She and her husband, Simon, had just had dinner when Elizabeth collapsed, and spoiled seafood is the first suspect. The restaurant’s owner, worried her business is doomed, begs Megan to look into it. Between her irate boss and a handsome Garda who’s both amused and annoyed by her persistence, Megan has her hands full even before she’s cajoled into taking care of two adorable Jack Russell puppies (which she is almost definitely not keeping). But if cockles and mussels aren’t to blame, can Megan find the real culprit . . .before another fishy death occurs?

When Olga, the boss at Leprechaun Limos, becomes a suspect in the murder of an American who came to Ireland, believing herself to be an heir to an old Irish earldom, Megan attempts to clear Olga's name and find the real killer.