Dead End Kids exposes both the depravity and the humanity in gang life through the eyes of a teenaged girl named Cara, a member of a Kansas City gang. In this shocking yet compassionate account, Mark Fleisher shows how gang girls’ lives are shaped by poverty, family disorganization, and parental neglect.

Dead End in Norvelt is the winner of the 2012 Newbery Medal for the year's best contribution to children's literature and the Scott O'Dell Award for Historical Fiction! Melding the entirely true and the wildly fictional, Dead End in Norvelt is a novel about an incredible two months for a kid named Jack Gantos, whose plans for vacation excitement are shot down when he is "grounded for life" by his feuding parents, and whose nose spews bad blood at every little shock he gets. But plenty of excitement (and shocks) are coming Jack's way once his mom loans him out to help a fiesty old neighbor with a most unusual chore—typewriting obituaries filled with stories about the people who founded his utopian town. As one obituary leads to another, Jack is launced on a strange adventure involving molten wax, Eleanor Roosevelt, twisted promises, a homemade airplane, Girl Scout cookies, a man on a trike, a dancing plague, voices from the past, Hells Angels . . . and possibly murder. Endlessly surprising, this sly, sharp-edged narrative is the author at his very best, making readers laugh out loud at the most unexpected things in a dead-funny depiction of growing up in a slightly off-kilter place where the past is present, the present is confusing, and the future is completely up in the air.

Teenage Wasteland provides memorable portraits of "rock and roll kids" and shrewd analyses of their interests in heavy metal music and Satanism. A powerful indictment of the often manipulative media coverage of youth crises and so-called alternative programs designed to help "troubled" teens, Teenage Wasteland draws new conclusions and presents solid reasons to admire the resilience of suburbia's dead end kids. "A powerful book."—Samuel G. Freedman, New York Times Book Review "[Gaines] sheds light on a poorly understood world and raises compelling questions about what society might do to help this alienated group of young people."—Ann Grimes, Washington Post Book World "There is no comparable study of teenage suburban culture . . . and very few ethnographic inquiries written with anything like Gaines's native gusto or her luminous eye for detail."—Andrew Ross, Transition "An outstanding case study. . . . Gaines shows how teens engage in cultural production and how such social agency is affected by economic transformations and institutional interventions."—Richard Lachman, Contemporary Sociology "The best book on contemporary youth culture."—Rolling Stone

The Runaways, a group of friends whose parents were all super-powered villains, start a new life in New York City, where they become involved with Kingpin, a powerful and evil crime boss, and are transported back in time to 1907.

Meet and become friends with many of the actors from the Dead End Kids, Little Tough Guys, East Side Kids and the Bowery Boys! Since he began collecting Movie Memorabilia on the Dead End Kids in 1964, author Richard Roat has had the great fortune to develop personal relationships with David Gorcey, Stanley Clements, Gabe Dell, Bernard Punsly, Huntz Hall, Billy Benedict, Frankie Thomas, Eddie Le Roy, Brandy Gorcey (daughter of Leo Gorcey), Gary Hall (son of Huntz Hall), and Leo Gorcey Jr. (son of Leo Gorcey). This book draws upon those acquaintances and his talking with Billy Halop, Bennie Bartlett, Johnny Duncan, Ward Wood, Dick Chandlee, Eugene Francis, Harris Berger, Charles Peck, Ronald Sinclair, and more! Lavished with many photos from the films from the author's personal collection, this is one book you'll need to have in your collection, tough guy!

A group of friends lose one of their own under mysterious circumstances and set out to solve the mystery. It's 1999. Ben, Muprhy, Tank, and Amanda are four screwed-up kids from broken homes, but they have... had each other. When Ben is murdered, Murphy and his friends set out to find who killed him and find themselves in the cross-hairs!

Joe Garagiola remembers playing baseball with stolen balls and bats while growing up on the Hill. Chuck Berry had run-ins with police before channeling his energy into rock and roll. But not all the boys growing up on the rough streets of St. Louis had loving families or managed to find success. This book reviews a century of history to tell the story of the “lost” boys who struggled to survive on the city’s streets as it evolved from a booming late-nineteenth-century industrial center to a troubled mid-twentieth-century metropolis. To the eyes of impressionable boys without parents to shield them, St. Louis presented an ever-changing spectacle of violence. Small, loosely organized bands from the tenement districts wandered the city looking for trouble, and they often found it. The geology of St. Louis also provided for unique accommodations—sometimes gangs of boys found shelter in the extensive system of interconnected caves underneath the city. Boys could hide in these secret lairs for weeks or even months at a stretch. Bonnie Stepenoff gives voice to the harrowing experiences of destitute and homeless boys and young men who struggled to grow up, with little or no adult supervision, on streets filled with excitement but also teeming with sharpsters ready to teach these youngsters things they would never learn in school. Well-intentioned efforts of private philanthropists and public officials sometimes went cruelly astray, and sometimes were ineffective, but sometimes had positive effects on young lives. Stepenoff traces the history of several efforts aimed at assisting the city’s homeless boys. She discusses the prison-like St. Louis House of Refuge, where more than 80 percent of the resident children were boys, and Father Dunne's News Boys' Home and Protectorate, which stressed education and training for more than a century after its founding. She charts the growth of Skid Row and details how historical events such as industrialization, economic depression, and wars affected this vulnerable urban population. Most of these boys grew up and lived decent, unheralded lives, but that doesn’t mean that their childhood experiences left them unscathed. Their lives offer a compelling glimpse into old St. Louis while reinforcing the idea that society has an obligation to create cities that will nurture and not endanger the young.

Tony estaba ancioso por superación, esto para poder ayudarle a su madre, quién era una madre soltera, a salir de la incertidumbre de la pobreza en la que la vida la tenia sumergida, este logra que sus tios por parte de su padre, le tiendan una mano para continuar con sus estudios superiores, en donde se enamora de Lorena, quién proviene de una familia con mejores comodidades que tony, razón por la que dicha relación no es aceptada, y aunque tony opta por ir a pedir el consentimiento de los padres de la muchacha, este es rechazado, por lo tanto no existe otra opción más que abandonar sus estudios superiores y escaparse con Lorena quién se encuentra sufriendo las mismas consecuencias que tony por vivir un amor prohivido, ya que debido a la misma relación con tony, sus padres se niegan a continuar dandole educación. Los padres de la chica no se dan por vencidos y aunque hay una vida de por medio, estos logran separarlos definitivamente, ella lo abandona, mientras se embarca con destino hacia Estados Unidos, terminando ella en Los Angeles, EE.UU. y tony en Boston, MA. en donde tony tiene que sufrir las consecuencias de la perdida de su grande amor incluyendo a su adorada hija como tambien todos sus anhelos y sueños que se habia creado, de algún dia salir todo un profesional de la universidad y termina convirtiendose en un alcoholico, en donde todo lo que intenta es acabar con su propia vida, mas sin embargo esto no sucede y comienza con su etapa de recuperación y el resultado de esto es poner en papel las esperiencias vividas para habrirle asi, los ojos a los demas.

Children have long been one of cinema's largest audiences yet, from its infancy, cinema has in the minds of moral watchdogs accompanied a succession of pastimes and new technologies as catalysts for juvenile delinquency. From 'penny dreadfuls' and comic books to television, 'video nasties' and computer games, and more recently, gangsta rap, mobile phones and the Internet - all have been seen as threats to children's safety, health, morality and literacy, and cinema is no exception. Writing with energy and wit and mobilising impressive original research, Sarah J. Smith explores recurring debates in Britain and America about children and how they use and respond to the media, focusing on a key example: the controversy and apparent moral panic surrounding children and cinema in its heyday, the 1930s. She shows how children colonised the cinema and established their own distinct cinema culture. And, considering films from "Snow White and the Seven Dwarfs" to "Scarface" and "King Kong", she explores attempts to control children's viewing, the underlying ideas that supported these approaches and the extent to which they were successful. Revealing the ways in which children subverted or circumvented official censorship - including the Hays Code and the British Board of Film Censors - she develops a challenging new proposition: that children were agents in the regulation of their own viewing, not simply passive consumers.