Dead Balls and Double Curves: An Anthology of Early Baseball Fiction collects twenty-two classic stories from baseball’s youth, presented in chronological order to capture the development of this most American of sports. Many of these tales have never before been reprinted, adding historical value to the rich literary merits of this anthology. Editor Trey Strecker’s collection begins with an informal village match in an excerpt from James Fenimore Cooper’s Home as Found (1838), published the year prior to Abner Doubleday’s alleged invention of the game outside Cooperstown, New York, and concludes with the arrival of the superstar slugger that signaled the end of the dead-ball era in Heywood Broun’s The Sun Field (1923). The sampling of fiction from the eighty-five-year interim loads the bases with the humor, realism, and athletic gallantry of the sport’s earliest years. Not all grandstanding and heroism, these stories also explore cultural and class conflicts, racial strife, town rivalries, labor disputes, gambling scandals, and the striking personalities that decorated a simple game’s evolution into a national pastime. Dead Balls and Double Curves presents a lineup of first-division writers, including Mark Twain, Frank Norris, Christy Mathewson, Edna Ferber, and the game’s poet laureate, Ring Lardner, plus legendary characters such as Baseball Joe, South-Paw Skaggs, Tin Can Tommy, and the sole artiste of the mythic double curve, Frank Merriwell. Throughout the volume, each author’s abiding affection for the game and its characters shines through with diamond-like focus.

From Babe Ruth to the Black Sox scandal, this Companion examines baseball's history, global identity, current challenges and memorable personalities.

BACK ISSUE Base Ball is a peer-reviewed book series published annually. Offering the best in original research and analysis, it promotes study of baseball's early history, from its protoball roots to 1920, and its rise to prominence within American popular culture. Prior to Volume 10, Base Ball was published as Base Ball: A Journal of the Early Game. This is a back issue of that journal.

Since 1995, the Indiana State University Conference on Baseball in Literature and American Culture has provided a venue for scholars to present their research on baseball as literary subject matter and cultural institution. Nineteen essays presented at the 2002 and 2003 ISU conferences are published in this work. The essays demonstrate that baseball continues to engage scholars like no other sport, despite the game's supposed loss of stature as the national game. "A Field of Questions: W.P. Kinsella comes to Ithaca," reveals Kinsella as baseball fan and baseball writer. "'You don't play the angles, you're a sap': John Sayles, Eliot Asinof, Baseball Labor, and Chicago in 1919" examines Sayles' Eight Men Out in the context of both Asinof's historical account of the fix and Sayles' earlier and openly labor-oriented film Maetwan. "Is Baseball an American Religion?" considers three codified, sociological definitions of religion and demonstrates that to claim baseball is an American religion requires more than just a strong attraction to the game. "Baseball Immortals: Character and Performance On and Off the Field" analyzes how character and performance impact fan and media perceptions as well as in terms of a player's candidacy for the Hall of Fame. These are just a few of the essays, which cover a broad range of topics and take a variety of approaches to those topics.

Johnny Evers was widely considered the brainiest ballplayer of his day and, along with Ty Cobb, one of the most guileful and cantankerous. (He and Joe Tinker, two thirds of the famous double-play combination, battled each other nearly as viciously and as often as they did their opponents.) One of the great practitioners of the inside game, Evers was quick to pick up on the unwatched-for advantage that might upend his opponent and propel his team to victory. In 1910's Touching Second, Evers and sports writing great Hugh Fullerton describe the game as it was played during the first decade of the 20th century. With an emphasis on what Evers saw as baseball's development "into an exact mathematical sport," he describes the great plays and players, shares "anecdotes and incidents of decisive struggles on the diamond," and discusses "the signs and systems used by championship teams."

On October 8, 1908, Mordecai Brown clutched a half-dozen notes inside his coat pocket. The message of each was clear: We’ll kill you if you pitch and beat the Giants. A black handprint marked each note, the signature of the Italian Mafia. Mordecai Brown—dubbed “Three Finger” because of a childhood farm injury—was the dominant pitcher for the great Chicago Cubs team of the early twentieth century, a team that from 1906 through 1910 was arguably the best in baseball history. Brown’s handicap enabled him to throw pitches with an unconventional movement that left batters bewildered—the curve ball that Ty Cobb once called “the most devastating” he had ever faced. How Brown responded to the Mafia’s threats in 1908 mirrored the way he took life in general: with unflappable courage and resolve. Telling his story for the first time, Cindy Thomson and Scott Brown trail Mordecai from the Indiana countryside to the coal mines, from semipro ball to the Majors, from the World Series mound back down to the Minors. Along the way they retrieve the lost lore of one of baseball’s greatest pitchers—and chronicle one man’s determination to reach a dream that most believed was unreachable.

In Inventing Baseball Heroes, Amber Roessner examines "herocrafting" in sports journalism through an incisive analysis of the work surrounding two of baseball's most enduring personalities -- Detroit Tigers outfielder Ty Cobb and New York Giants pitcher Christy Mathewson. While other scholars have demonstrated that the mythmakers of the Golden Age of Sports Writing (1920--1930) manufactured heroes out of baseball players for the mainstream media, Roessner probes further, with a penetrating look at how sportswriters compromised emerging professional standards of journalism as they crafted heroic tales that sought to teach American boys how to be successful players in the game of life. Cobb and Mathewson, respectively stereotyped as the game's sinner and saint, helped shape their public images in the mainstream press through their relationship with four of the most prominent sports journalists of the time: Grantland Rice, F. C. Lane, Ring Lardner, and John N. Wheeler. Roessner traces the interactions between the athletes and the reporters, delving into newsgathering strategies as well as rapport-building techniques, and ultimately revealing an inherent tension in objective sports reporting in the era. Inventing Baseball Heroes will be of interest to scholars of American history, sports history, cultural studies, and communication. Its interdisciplinary approach provides a broad understanding of the role sports journalists played in the production of American heroes.

The study of baseball history and culture shows the national pastime to be a forum of debate where issues of sport, labor, race, character and the ethics of work and play are decided. An understanding of baseball calls for consideration of different perspectives. This very readable textbook offers insights into baseball history as a subject worthy of scholarly attention. Each chapter introduces a specific disciplinary approach--history, economics, media, law and fiction--and poses representative questions scholars from these fields would consider. Instructors considering this book for use in a course may request an examination copy here.

The Conference on Baseball in Literature and American Culture has consistently produced a strong body of scholarship since its inception in 1995. Essays presented at the 2006 and 2007 conferences are published in this work. Topics covered include early baseball journalism; sportswriting as mythology; the Henry Wiggen baseball novels; fictionalized baseball broadcasts; racism, religious fundamentalism, patriotism and Marxism; Philip Roth's The Great American Novel; Zane Grey; masculinity in Richard Greenberg's Take Me Out; Willie Mays; Northern Exposure; Salvadore Dali and surrealism; baseball's economic trendsetters; Pete Rose; baseball literature in the classroom; and Jim Bunning's perfect game, among others.

This collection of fresh essays examines the intersection of baseball and social class, pointing to the conclusion that America's game, infused from its origins with a democratic mythos and founded on high-minded principles of meritocracy, is nonetheless fraught with problematic class contradictions. Each essayist has explored how class standing has influenced some aspect of the game as experienced by those who play it, those who watch it, those who write about it, and those who market it. The topic of class is an amorphous one and in tying it to baseball the contributors have considered matters of race, education, locality, integration, assimilation, and cultural standing. These elements are crucial to understanding how baseball creates, preserves, reinforces and occasionally assails class divisions among those who watch, play, and own the game.