It is in our nature to be fascinated by identical twins. We watch them whenever possible, captivated by mirror images interacting, moving independently of one another and yet sharing the same mannerisms and speech patterns. Fabio Moon and Gabriel Ba are Brazilian twins who share an award-winning talent for comics and an abiding love of the medium. Following in the wake of brothers Gilbert & Jaime Hernandez and Tomer & Asaf Hanuka, Moon & Ba bring their considerable skills to Dark Horse in De:Tales, their first major American release! This collection of short stories features the pair working together, in tandem, or separately - trading off on the roles of writing and illustrating, sharing those roles or flying solo. Brimming with all the details of human life, their charming tales move from the urban reality of their home in Sao Paulo to the magical realism of their Latin American background, living up to the twins' critical acclaim and proving that they are a talented pair to watch for.

From the company that introduced American audiences to Brazilian twins Fábio Moon and Gabriel Bá (Daytripper, Pixu) comes De:Tales, a collection of the twins' breakthrough short stories! After three Eisner Awards and a series of acclaimed projects with writers Joss Whedon (Sugarshock), Gerard Way (The Umbrella Academy), Mike Mignola (B.P.R.D.: 1947), and Matt Fraction (Casanova), Moon and Bá are now among the hottest artists in comics. De:Tales is the duo's most personal work to date, presenting their work separately, together, and in tandemas the twins trade off on the roles of writing and illustrating, share those roles, or fly solo. Brimming with all the details of human life, their charming tales move from the urban reality of their home in São Paulo to the magical realism of their Latin American background. Featuring a brand new cover, Moon and Bá's seminal and soughtafter work is finally back in this handsome hardcover packaging, proving once again that they are a talented pair to watch out for. * Named by Booklist as one of the 10 best Graphic Novels of the year, Foreword Magazine gave it a silver medal on the Graphic Novel category of their "Book of the Year" award, and it was nominated for an Eisner Award.

CHOICE Outstanding Academic Title for 2020 More and more people are noticing links between urban geography and the spaces within the layout of panels on the comics page. Benjamin Fraser explores the representation of the city in a range of comics from across the globe. Comics address the city as an idea, a historical fact, a social construction, a material-built environment, a shared space forged from the collective imagination, or as a social arena navigated according to personal desire. Accordingly, Fraser brings insights from urban theory to bear on specific comics. The works selected comprise a variety of international, alternative, and independent small-press comics artists, from engravings and early comics to single-panel work, graphic novels, manga, and trading cards, by artists such as Will Eisner, Tsutomu Nihei, Hariton Pushwagner, Julie Doucet, Frans Masereel, and Chris Ware. In the first monograph on this subject, Fraser touches on many themes of modern urban life: activism, alienation, consumerism, flânerie, gentrification, the mystery story, science fiction, sexual orientation, and working-class labor. He leads readers to images of such cities as Barcelona, Buenos Aires, London, Lyon, Madrid, Montevideo, Montreal, New York, Oslo, Paris, São Paolo, and Tokyo. Through close readings, each chapter introduces readers to specific comics artists and works and investigates a range of topics related to the medium’s spatial form, stylistic variation, and cultural prominence. Mainly, Fraser mixes interest in urbanism and architecture with the creative strategies that comics artists employ to bring their urban images to life.

This book explores the major challenges that the long-standing and diversely debated demise of postmodernism signifies for American literature, art, culture, history, and politics, in the present, third decade of the twenty-first century. Its scope comprises a vigorous discussion of all these diverse fields undertaken by distinguished scholars as well as junior researchers, U.S. Americanists and European Americanists alike. Focusing on socio-political and cultural developments in the contemporary U.S., their contributions highlight the interconnectedness of the geopolitical, economic, environmental and technological crises that define the historical present on global scale. Chapter 16 is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.

El Eternauta, Daytripper, and Beyond examines the graphic narrative tradition in the two South American countries that have produced the medium’s most significant and copious output. Argentine graphic narrative emerged in the 1980s, awakened by Héctor Oesterheld’s groundbreaking 1950s serial El Eternauta. After Oesterheld was “disappeared” under the military dictatorship, El Eternauta became one of the most important cultural texts of turbulent mid-twentieth-century Argentina. Today its story, set in motion by an extraterrestrial invasion of Buenos Aires, is read as a parable foretelling the “invasion” of Argentine society by a murderous tyranny. Because of El Eternauta, graphic narrative became a major platform for the country’s cultural redemocratization. In contrast, Brazil, which returned to democracy in 1985 after decades of dictatorship, produced considerably less analysis of the period of repression in its graphic narratives. In Brazil, serious graphic narratives such as Fábio Moon and Gabriel Bá’s Daytripper, which explores issues of modernity, globalization, and cross-cultural identity, developed only in recent decades, reflecting Brazilian society’s current and ongoing challenges. Besides discussing El Eternauta and Daytripper, David William Foster utilizes case studies of influential works—such as Alberto Breccia and Juan Sasturain’s Perramus series, Angélica Freitas and Odyr Bernardi’s Guadalupe, and others—to compare the role of graphic narratives in the cultures of both countries, highlighting the importance of Argentina and Brazil as anchors of the production of world-class graphic narrative.

Three magnificent New York Times bestselling Umbrella Academy original graphic novels tied into the hit Netflix show are collected into one deluxe boxed set featuring an exclusive, double-sided poster! Collects Umbrella Academy: Apocalypse Suite, Umbrella Academy: Dallas, and Umbrella Academy: Hotel Oblivion. Also includes an exclusive Umbrella Academy double-sided poster.

This gripping tale of urban horror follows the lives of five lonely tenants strangers whose lives become intertwined when they discover a dark mark scrawled on the walls of their building. The horror sprouts quite innocently from a small seed and finds life as something otherworldly, damaged, full of love, hate, fear, and power. As the walls come alive, everyone is slowly driven mad defenseless against the evil in the building, stripped of free will, leaving only confusion, chaos, and eventual death. * The 2008 Eisner Awardwinning team for Best Anthology Gabriel Bá (The Umbrella Academy), Becky Cloonan (American Virgin), Vasilis Lolos (The Last Call), and Fábio Moon (Sugarshock) return with their latest collaboration, Pixu: The Mark of Evil. "The story telling here is beautiful, creating a real sense of dread and supernatural menace. Smart, subtle and genuinely disturbing." Mike Mignola, creator of Hellboy

A course on comics creation offers lessons on lettering, story, structure, and panel layout, providing a solid introduction for people interested in making their own comics.

This study of the graphic novel and its growth in the library helps librarians utilize and develop this extraordinarily popular format in their library collections. What does the surge of popularity in graphic novels mean for libraries? Graphic Novels Beyond the Basics: Insights and Issues for Libraries goes deeper into this subject than any other volume previously published, bringing together a distinguished panel of experts to examine questions librarians may encounter as they work to enhance their graphic novel holdings. Graphic Novels Beyond the Basics begins by introducing librarians to the world of the graphic novel: popular and critically acclaimed fiction and nonfiction titles; a wide range of genres including Japanese manga and other international favorites; recurring story and character archetypes; and titles created for specific cultural audiences and female readers. The book then offers a series of chapters on key issues librarians will face with graphic novels on the shelves, including processing and retention questions, preservation and retention, collecting related media such as Japanese anime films and video games, potential grounds for patron or parental complaints, the future of graphic novels, and more.

The story of one of America's most notorious killers is revealed in this true-crime comic unlike any other! Throughout the 1980s, the highest priority of Seattle-area police was the apprehension of the Green River Killer, the man responsible for the murders of dozens of women. In 1990, with the body count numbering at least forty-eight, the case was put in the hands of a single detective, Tom Jensen. After twenty years, when the killer was finally captured with the help of DNA technology, Jensen spent 180 days interviewing Gary Leon Ridgway in an effort to learn his most closely held secrets—an epic confrontation with evil that proved as disturbing and surreal as can be imagined. Written by Jensen's own son, acclaimed entertainment writer Jeff Jensen, Green River Killer: A True Detective Story presents the ultimate insider's account of America's most prolific serial killer. * Combines a historic manhunt with a compelling family story! * Written by Entertainment Weekly's Jeff Jensen! * The ultimate true crime graphic novel! * For fans of From Hell and Torso.