Vixen seeks Superman's help when a family friend disappears while playing a video game. The two heroes soon discover a plot by the evil Admiral Cerebrus, who has been kidnapping teens to power a psychic weapon.

Describes and lists the values of popular collectible comics and graphic novels issued from the 1950s to today, providing tips on buying, collecting, selling, grading, and caring for comics and including a section on related toys and rings.

Since 1970, only one comic book price guide has been dubbed "the Bible" for casual and die-hard collectors alike. While others have come and gone, The Overstreet Comic Book Price Guide has maintained its stature as the premiere reference source for the hobby, covering more than a century of comic book history. The essential tool for collectors and investors, the Guide is highly regarded for its well-researched pricing, in-depth historical information, and incomparable insights into the marketplace. If you have a comic book collection or are thinking about starting one, you simply can't do without this book! This 30th Anniversary Edition Includes: The most complete record of existing comic books from the 1800s to the present Redesigned feature sections for greater clarity and easy reference Market reports by Robert M. overstreet and the Overstreet advisors network Exclusive feature articles on the origin and history of EC Comics, now celebrating the 50th anniversary of the "New Trend" titles, including interviews with Overstreet cover artists Al Feldstein and Al Williamson! Exclusive 30th anniversary feature looking back at the birth of a comic book fan, the first-ever article written for the Guide by Robert M. Overstreet himself! Up-to-date directory of comic book fan wbsites Tips about collecting, grading and caring for your comics All-new additions to Overstreet Hall of Fame, key sales lists, and exhaustive indices And much, much more!

Written by the ultimate authority on comic book values, this expanded and updated guide lists over 80,000 prices for all mainstream comic books published in America--from 1901 to the present day. Includes photos, a listing of comic book shops, marketing tips and publication dates. Illustrated. (Antiques/Collectibles)

The bible of the comic book industry is updated for 2002 with Web site information, tips about grading and caring for comics, and more than 1,500 black-and-white photos.

The bible of the comic book industry is updated for 2002 with Web site information, tips about grading and caring for comics, and more than 1,500 black-and-white photos.

This final work in John Lent's series of bibliographies on comic art gathers together an astounding array of citations on American comic books and comic strips. Included in this volume are citations regarding anthologies and reprints; criticism and reviews; exhibitions, festivals, and awards; scholarship and theory; and the business, artistic, cultural, legal, technical, and technological aspects of American comics. Author John Lent has used all manner of methods to gather the citations, searching library and online databases, contacting scholars and other professionals, attending conferences and festivals, and scanning hundreds of periodicals. He has gone to great length to categorize the citations in an easy-to-use, scholarly fashion, and in the process, has helped to establish the field of comic art as an important part of social science and humanities research. The ten volumes in this series, covering all regions of the world, constitute the largest printed bibliography of comic art in the world, and serve as the beacon guiding the burgeoning fields of animation, comics, and cartooning. They are the definitive works on comic art research, and are exhaustive in their inclusiveness, covering all types of publications (academic, trade, popular, fan, etc.) from all over the world. Also included in these books are citations to systematically-researched academic exercises, as well as more ephemeral sources such as fanzines, press articles, and fugitive materials (conference papers, unpublished documents, etc.), attesting to Lent's belief that all pieces of information are vital in a new field of study such as comic art.

John Romita Sr is as synonymous with Marvel as is Stan Lee. Stan was the definitive writer and visionary of the Marvel Universe, but Jazzy John was the ultimate catcher to all of Stan's pitches. Arguably the most important contributor to Marvel canon with Jack Kirby, and arguably the definitive Spider-Man artist, John Romita has left his mark creating, defining and/or designing some of Marvel's most, well, marvelous characters. From being (in our humble opinion) the definitive Spider-Man artist to helping design many of Marvel's major characters from Wolverine and the Punisher to Spider-Woman, The Kingpin and so many more. And, though it was Stan Lee and Steve Ditko who co-created Spider-Man and Peter Parker, and helped us love the boy with the problems we all grew up with, it was Jazzy John who allowed Peter to grow up and have the same problems many had growing up, and glamorized Peter Parker and rounded out his stable of characters from Gwen Stacy and Harry Osborne, and who also gave us the unbelievable entrance by Mary Jane Watson, showing us just how Peter had hit the jackpot! And John Romita Jr. has also created a rich body of work that few can follow in his footsteps. Having outgrown the shadow of his father early in his career, John Romita Jr. has shown the world why he is "Mr. Marvel". From his early days working with Bob Layton on the Iron Man issues featuring the controversial issues of Tony Stark's alcoholism, to his jump to stardom in the early '90's on the Uncanny X-Men (almost a decade after his first stint on the Uncanny X-Men with Chris Claremont), to his unbelievable work on Daredevil: Man Without Fear with Frank Miller and Al Williamson, John proved that he was one of only a few artists who can shine working with a master such as Frank Miller. Moving in to the new millennium, John's work on Thor was nothing short of amazing, as well as working on Daredevil with Ann Nocenti and Al Williamson. But nothing has been more tailor made for John Jr's art than Marvel's flagship title - Spider-Man! His return on Peter Parker, Spider-Man proved that he was Marvel's best choice for a Spider-Man artist, and when Joe Michael Straczynski took hold of Marvel's flagship title, it was John Jr's art that made the great stories shine as well as they did! One thing that's kept John's art fresh is his ability to move from character to character. It definitely is bitter sweet to see John leave Spider-Man and run around the Marvel Universe on characters such as The Eternals (with Neil Gaiman), proving that once again, John Jr. is the artists artist who can tackle such great projects, and even on his run on the World War Hulk (yes, Hulk does indeed Smash!), one is mesmerized by his incredible artwork. What's amazing is, that as of this writing, John Romita Jr. will be returning to Amazing Spider-Man #568, and this fan, Nick Barrucci, President of Dynamic Forces, feels the excitement and energy to his return. These are the things that we live for in comics. it's rare to know when a series is going to be great because a great artist is working on it. We are fortunate to be on the ground floor, again, but the anticipation is something that will only be quenched with the first read of a series that will be great. The Romit's are one of the few royal families in comics. If you haven't had a chance to fully appreciate their work, here's your chance. it's a fun ride. I hope you enjoy it as much as we have in putting this book together! With an introduction by Alex Ross and an afterword by Stan "The Man" Lee, this hard cover book is perfect for every Spider-Man fan young and old!

Blasting out of the smash-hit video game BATMAN: ARKHAM KNIGHT comes an action-packed look at the game’s mysterious antihero, the Arkham Knight! He is Gotham City’s newest vigilante, and his deadly tactics put him in direct opposition to Batman. But the Knight’s connections to the Caped Crusader run deep-and he has much more planned than just cleaning up Gotham’s crime. The Arkham Knight is here to make Batman-and every one of his allies-pay for what they did to him. So who is the Knight and why does he hate Batman so much? Writer Peter J. Tomasi (GREEN LANTERN CORPS) along with artists Alisson Borges (LOBO) and Dexter Soy (MORTAL KOMBAT X) delve deep into the psychology and history of the villain (or is it hero?) of the hit game-a must-read for any fans of Rocksteady’s acclaimed Arkham trilogy! Collects BATMAN: ARKHAM KNIGHT GENESIS #1-6.

The bible of the comic book industry is updated for 2002 with Web site information, tips about grading and caring for comics, and more than 1,500 black-and-white photos.