An array of stories--many funny, some educational, and a few inspirational--take readers through the evolution of middle-class American society from the years just after World War II until the Iraq War era.

A biography of James and Alvin Sanders who founded the Breeder's Gazette Journal in 1881 and published many books on livestock breeding. A history of the livestock movement from the 1800's.

Newspaper journalism is a romantic profession. The men and women who wrote for newspapers in the twentieth century started work in a 'Hold the front page!' atmosphere: hot metal, clicking typewriters and inky fingers. In this fascinating collection, the latest in the Scottish Working People's History Trust series, Ian MacDougall has captured the memories of 22 veteran journalists from a wide range of newspapers all over Scotland, some local, some national. The earliest entrant started work in 1929, just before the Great Depression, the latest in the mid 1950s. Their accounts, like so much of oral history, describe a physical world we have almost lost sight of since the computer revolution. But it was a different social world too: it would be unusual for school leavers today to start work as 'copy-boys' running out for cigarettes or filling gluepots for their scary older colleagues. Journalists had to turn their hands to anything from flower shows to air raids, from Hess's landing near Eaglesham to royal visits; and women often had to fight their corner to get started as young reporters. As journalist Neal Ascherson says in his foreword, the book contains 'a swathe of Scottish social history': virtually all these journalists made their way from humble backgrounds, drawn by the desire for an exciting rather than a safe job - and above all one full of human interest.

From 1936 to 1939, the New Deal's Federal Writers' Project collected life stories from more than 2,300 former African American slaves. These narratives are now widely used as a source to understand the lived experience of those who made the transition from slavery to freedom. But in this examination of the project and its legacy, Catherine A. Stewart shows it was the product of competing visions of the past, as ex-slaves' memories of bondage, emancipation, and life as freedpeople were used to craft arguments for and against full inclusion of African Americans in society. Stewart demonstrates how project administrators, such as the folklorist John Lomax; white and black interviewers, including Zora Neale Hurston; and the ex-slaves themselves fought to shape understandings of black identity. She reveals that some influential project employees were also members of the United Daughters of the Confederacy, intent on memorializing the Old South. Stewart places ex-slaves at the center of debates over black citizenship to illuminate African Americans' struggle to redefine their past as well as their future in the face of formidable opposition. By shedding new light on a critically important episode in the history of race, remembrance, and the legacy of slavery in the United States, Stewart compels readers to rethink a prominent archive used to construct that history.

An electric portrait of the artist as a young woman that asks how a writer finds her voice in a society that prefers women to be silent In Recollections of My Nonexistence, Rebecca Solnit describes her formation as a writer and as a feminist in 1980s San Francisco, in an atmosphere of gender violence on the street and throughout society and the exclusion of women from cultural arenas. She tells of being poor, hopeful, and adrift in the city that became her great teacher; of the small apartment that, when she was nineteen, became the home in which she transformed herself; of how punk rock gave form and voice to her own fury and explosive energy. Solnit recounts how she came to recognize the epidemic of violence against women around her, the street harassment that unsettled her, the trauma that changed her, and the authority figures who routinely disdained and disbelieved girls and women, including her. Looking back, she sees all these as consequences of the voicelessness that was and still is the ordinary condition of women, and how she contended with that while becoming a writer and a public voice for women's rights. She explores the forces that liberated her as a person and as a writer--books themselves, the gay men around her who offered other visions of what gender, family, and joy could be, and her eventual arrival in the spacious landscapes and overlooked conflicts of the American West. These influences taught her how to write in the way she has ever since, and gave her a voice that has resonated with and empowered many others.

A Finalist for the Dayton Literary Peace Prize A New York Post Must-Read "Part family heirloom, part history lesson, The Hundred-Year Walk is an emotionally poignant work, powerfully imagined and expertly crafted."--Aline Ohanesian, author of Orhan's Inheritance "This book reminds us that the way we treat strangers can ripple out in ways we will never know . . . MacKeen's excavation of the past reveals both uncomfortable and uplifting lessons about our present."--Ari Shapiro, NPR Growing up, Dawn MacKeen heard from her mother how her grandfather Stepan miraculously escaped from the Turks during the Armenian genocide of 1915, when more than one million people--half the Armenian population--were killed. In The Hundred-Year Walk MacKeen alternates between Stepan's courageous account, drawn from his long-lost journals, and her own story as she attempts to retrace his steps, setting out alone to Turkey and Syria, shadowing her resourceful, resilient grandfather across a landscape still rife with tension. Dawn uses his journals to guide her to the places he was imperiled and imprisoned and the desert he crossed with only half a bottle of water. Their shared story is a testament to family, to home, and to the power of the human spirit to transcend the barriers of religion, ethnicity, and even time itself. "I am in awe of what Dawn MacKeen has done here . . . Her sentences sing. Her research shines. Her readers will be rapt--and a lot smarter by the end."--Meghan Daum, author of The Unspeakable: And Other Subjects of Discussion "Harrowing."--Us Weekly

"Reminiscences of Tolstoy by His Son," authored by Graf Ilia Lvovich Tolstoi, is a poignant and intimate account that provides readers with a unique window into the life and personality of the iconic Russian writer, Leo Tolstoy. Count Ilia Lvovich Tolstoy offers a deeply personal perspective on his father, a celebrated literary luminary recognized for his enduring works such as "War and Peace" and "Anna Karenina." In this contemporary memoir, the offspring of Tolstoy offers a comprehensive portrayal of his father's character, so offering insightful insights into Tolstoy's beliefs, values, and the evolution of his philosophical and literary ideas. The book delves deeper into the complex intricacies of Tolstoyan familial dynamics and their interconnections, so enriching our understanding of the celebrated author's personal life. The narrative of Graf Ilia Lvovich Tolstoi skillfully integrates both personal and intellectual elements, making it a valuable resource for scholars and enthusiasts of Leo Tolstoy's literary works. Some stories are gruesome and bizarre, while others softly creep up on you and pull you in. The writer's personal reflections provide a more profound comprehension of the prominent themes and underlying motivations found within his outstanding literary works.