Daylighting offers a general theory and introduction to the use of natural light in architecture. The fourth of Derek Phillip's lighting books draws on his experience to illustrate how best to bring natural light into building design. As sustainability becomes a core principal for designers, daylighting comes to the fore as an alternative to artificial, energy consuming, light. Here, Phillips makes a rational argument for considering daylight first, outlining the arguments in favour of a daylight approach, and goes on to show, through a series of beautifully illustrated case studies, how architects have created buildings in which natural light has been shown to play a major strategic role in the development of the design of a building.

Colour Design: Theories and Applications, Second Edition, provides information on a broad spectrum of colour subjects written by seasoned industry professionals and academics. It is a multidisciplinary book that addresses the use of colour across a range of industries, with a particular focus on textile colouration. Part One deals with the human visual system, colour perception and colour psychology, while Part Two focuses on the practical application of colour in design, including specifically in textiles and fashion. Part Three covers cultural and historical aspects of colour, as well as recent developments, addressing areas such as dyes and pigments, architecture, colour theory, virtual reality games, colour printing, website development, and sustainability. This revised, expanded, and updated edition reflects recent technological developments, and new industry priorities. Bringing together the science of colouration and the more artistic elements of design, this book supports students, academics, and industry professionals in developing a deep knowledge of colour use. It will also be an important reference for those involved in textile dyeing, design and manufacture. - Provides a comprehensive review of the issues surrounding the use of color in textiles - Discusses the application of color across a wide range of industries, supporting interdisciplinary knowledge and research - Offers a revised, expanded, and updated look that reflects the rise of new technology and industry priorities

What role does colour play in our built environment? How are our attitudes to colour changing? What potential do new technologies bring for the use of colour and light in architecture? Combining real examples from practice with colour theory, this book will help you to fully understand the role and impact of colour in our urban spaces. Contributions from leading architects Will Alsop, Legorreta and Legorreta, John Outram, Sauerbruch Hutton and Neuterlings Riedijk accompany those from artists Alain Bony and Yann Kersalé, and from colour researchers such as Kristina Enberg and Anders Hård, who developed the Natural Colour System. Topics include: how and why we see colour methodologies in the documentation of traditional colours the development of new urban palettes recent colour psychology research the effect of light levels on human behaviour dramatic colour effects achievable with light guidelines for future deployment of colour in the built environment. This is a sequel to the immensely influential Colour for Architecture, published in 1976. Much has changed in 30 years; new cutting edge technologies and materials have emerged allowing architects to experiment with colour and light in an energy efficient and sustainable way, paving the way for a more colourful and exciting built environment.

Colours are all around us and they affect our daily lives, but what exactly are they and what is their function? A closer look at colours raises many questions: Can colour be measured? How does changing illumination affect the perception of colours? What is colour harmony? Do colours affect our emotions? Colours in the Visual World provides answers to these and other questions. It inspires the reader to discover and creatively use colour by tapping artistic knowledge and recent findings of perceptual science. Colours in the Visual World is a resource of colour facts and phenomena for students of art, design, and architecture, as well as all those interested in the world of colour. The book is based on the author’s over 20 years of experience in teaching, researching and creating with colour. Each chapter includes assignments that serve as a starting point for independent study and experimentation. A glossary helps to clarify colour concepts and terminology.

This much needed, comprehensive and modern reference on display technology, illumination sources and color imaging focuses on visual effects and how reproduced images are best matched to human visual features. As such, it teaches readers how to exploit the knowledge of human color information processing to design usable, ergonomic, and pleasing displays or visual environments. The contents describe design principles and methods to optimize self-luminous visual technologies for the human user, including modern still and motion image displays, and indoor light sources. Design principles and methods are derived from the knowledge of the human visual system, with a special emphasis on color vision, color cognition, color harmony, color preference and visually evoked emotions. The expert authors include the most important and latest applications of the design principles and methods, forming a comprehensive view of human color information processing from the receptors through the retina via high-level visual perception right up to the level of cognition, preference, harmony, as well as visually evoked emotions. This book is included in the Wiley SID Series.

This authoritative and multi-disciplinary book provides architects, lighting specialists, and anyone else working daylight into design, with all the tools needed to incorporate this most fundamental element of architecture. It includes: an overview of current practice of daylighting in architecture and urban planning a review of recent research on daylighting and what this means to the practitioner a global vision of architectural lighting which is linked to the climates of the world and which integrates view, sunlight, diffuse skylight and electric lighting up-to-date tools for design in practice delivery of information in a variety of ways for interdisciplinary readers: graphics, mathematics, text, photographs and in-depth illustrations a clear structure: eleven chapters covering different aspects of lighting, a set of worksheets giving step-by-step examples of calculations and design procedures for use in practice, and a collection of algorithms and equations for reference by specialists and software designers. This book should trigger creative thought. It recognizes that good lighting design needs both knowledge and imagination.

The quality of the visual hospital environment can have a positive psychological effect on patient recovery and staff performance. This guidance document focuses on the visual environment in hospitals and healthcare buildings, and the use of appropriate colour design and lighting. It was written jointly by BRE and the Colour Design Research Centre at London South Bank University, as part of a Department of Health funded project.

After nearly a century when electric lighting has dominated the design of building interiors, a return to the use of daylight as the main ambient light source is motivated by energy, environmental, and health considerations. Good daylighting of building interiors not only promotes low energy use, it has the potential to (re)connect humans to the natural cycle of day and night, which promotes health and well-being. Light is especially important to people in the Nordic countries because it is scarce for a large part of the year and over-abundant around the summer solstice. The unique character of daylight provided by the Nordic sky with its weak intensity in the winter and low sun angles in the summer demands careful study and attention, as it is more precious than in any other location. The current context of densifying cities makes it increasingly difficult to provide sufficient amounts of daylight in buildings under Nordic sky conditions, especially in winter. Analyses using advanced building simulation programs are often needed to predict daylight levels and adjust the building design accordingly. The relevant building regulations and certification schemes need to be understood in depth if they are to be followed by design practitioners. In addition, state-of-the-art electric lighting technologies such as LEDs and advanced control systems require a good integration with daylighting design. Addressing these issues, this book provides the essential knowledge and background to students and practicing professionals who wish to tackle the challenging endeavor of illuminating buildings under a Nordic sky using daylight as the main ambient light source, supplemented by energy-efficient electric lighting systems.

Annotation This workbook allows readers to explore colour through the language of the professionals. It supplies tips on how to talk to clients and use colour in presentations along with historical and cultural meanings and colour theory.