In this gripping mystery, an FBI Agent’s search for her sister clashes with a military investigator's high-stakes case, leading them both deep into a global conspiracy—from which neither of them will escape unscathed. For many long years, Atlee Pine was tormented by uncertainty after her twin sister, Mercy, was abducted at the age of six and never seen again. Now, just as Atlee is pressured to end her investigation into Mercy's disappearance, she finally gets her most promising breakthrough yet: the identity of her sister's kidnapper, Ito Vincenzo. With time running out, Atlee and her assistant Carol Blum race to Vincenzo's last known location in Trenton, New Jersey—and unknowingly stumble straight into John Puller's case, blowing his arrest during a drug ring investigation involving a military installation. Stunningly, Pine and Puller's joint investigation uncovers a connection between Vincenzo's family and a breathtaking scheme that strikes at the very heart of global democracy. Peeling back the layers of deceit, lies and cover-ups, Atlee finally discovers the truth about what happened to Mercy. And that truth will shock Pine to her very core.

Every Breath We Drew examines the intersection between private, individual identity and the search for intimate connection with others.

Benjamin Franklin conceived of it. Sir Arthur Conan Doyle endorsed it. Winston Churchill campaigned for it. Kaiser Wilhelm first employed it. Woodrow Wilson and Franklin Roosevelt went to war with it, and more recently the United States fought an energy crisis with it. For several months every year, for better or worse, daylight savings time affects vast numbers of people throughout the world. And from Ben Franklin's era to today, its story has been an intriguing and sometimes-bizarre amalgam of colorful personalities and serious technical issues, purported costs and perceived benefits, conflicts between interest groups and government policymakers. It impacts diverse and unexpected areas, including agricultural practices, street crime, the reporting of sports scores, traffic accidents, the inheritance rights of twins, and voter turnout. Illustrated with a popular look at science and history, Seize the Daylight presents an intriguing and surprisingly entertaining story of our attempt to regulate the sunlight hours.

From Darkroom to Daylight explores how the dramatic change from film to digital has affected photographers and their work.

A New York Times Book Review Editors' Choice "A radiant first novel. . . . [Neon in Daylight] has antecedents in the great novels of the 1970s: Renata Adler’s Speedboat, Elizabeth Hardwick’s Sleepless Nights, Joan Didion’s Play It as It Lays. . . . Precision—of observation, of language—is Hoby’s gift. Her sentences are sleek and tailored. Language molds snugly to thought." —Parul Sehgal, The New York Times "What do you get when a writer of extreme intelligence, insight, style and beauty chronicles the lives of self–absorbed hedonists—The Great Gatsby, Bright Lights, Big City, and now Neon in Daylight. Hermione Hoby paints a garish world that drew me in and held me spellbound. She is a marvel."" —Ann Patchett, author of Commonwealth New York City in 2012, the sweltering summer before Hurricane Sandy hits. Kate, a young woman newly arrived from England, is staying in a Manhattan apartment while she tries to figure out her future. She has two unfortunate responsibilities during her time in America: to make regular Skype calls to her miserable boyfriend back home, and to cat–sit an indifferent feline named Joni Mitchell. The city has other plans for her. In New York's parks and bodegas, its galleries and performance spaces, its bars and clubs crowded with bodies, Kate encounters two strangers who will transform her stay: Bill, a charismatic but embittered writer made famous by the movie version of his only novel; and Inez, his daughter, a recent high school graduate who supplements her Bushwick cafe salary by enacting the fantasies of men she meets on Craigslist. Unmoored from her old life, Kate falls into an infatuation with both of them. Set in a heatwave that feels like it will never break, Neon In Daylight marries deep intelligence with captivating characters to offer us a joyful, unflinching exploration of desire, solitude, and the thin line between life and art.

The rural south is a region in which every part of the past is very much its present. Peter Stitt's collection of photographs are an expressive study of a landscape that can be, at times, both particularly straightforward and subtly peculiar. Each image is a contemporary representation of a memory, a feeling, or a meditation on the small towns of the rural South.

"Upstate" records the imprint of American industrial and agricultural history left on settings in and around Hudson, including the rural communities of Germantown and Livingston. Combining poetry with realism, the images express a quiet beauty and mystery in the vernacular architecture and artifacts reflecting the industrial era and rural settings in upstate New York and the shifting economic realities over time.

The Moth Wing Diaries is a photographic narrative addressing themes of memory, providence, revival and dreams, by native Texan photographer Lori Vrba. Vrba's surreal landscapes and portraiture are "deeply personal and focus on self-discovery and family" and explore the artist's sense of conflict and ultimate peace with the Southern terrain.--L'Oeil de la Photographie Lori Vrba is a native Texan now residing in Chapel Hill, North Carolina. She is a self-taught artist committed to film and the traditional wet darkroom. She has shown her work internationally to great acclaim. Vrba considers the exhibition and installation as an extension of the aesthetic and narrative components of her imagery. Recent examples of her unique voice in presentation include "Piano Farm", New Orleans, LA 2010 and "Southern Comfort", Atlanta, GA 2011. Her work is held in the permanent collections of the Lishui Museum of Photography, China and the Museum of Fine Arts Houston, as well as private collections throughout the world.

Notebooks filled with overly expressive english phrases and slang are all compiled to create Hiro Tanaka's Dirty Birdie Bible.