In the turbulent period between 1870 and 1930, the contours on modernity were taking shape, especially the connections between technology, politics and aesthetics. The trilogy The Nihilist Order traces the genealogy of the nihilist-totalitarian syndrome. Until now, nihilism and totalitarianism were considered opposites: one an orderless state of affairs, the other a strict regimented order. On closer scrutiny, however, a surprising affinity can be found between these two concepts that dominated the history of the first half of the twentieth century. Starting with Nietzsche's philosophy, this book traces the development of an intellectual school characterised by the paradoxical dual purpose of a wish to destroy, coupled with a strong desire to create imposing structures. This explosive combination of nihilist leanings together with a craving for totalitarianism was an ideal of philosophers, cultural critics, political theorists, engineers, architects and aesthetes long before it materialised in flesh and blood, not only in technology, but also in fascism, Nazism, bolshevism and radical European political movements. Friedrich Nietzsche, Georges Sorel, the Italian Futurists, led by Filippo Tommaso Marinetti, and Ernst Jünger were all well-known intellectual and cultural figures. Here they are seen and understood in a different light, as creators of a modern political mythology that became a source of inspiration for belligerent ideological camps. Among the ideas propagated by this school, and later adopted by totalitarian regimes, were historical nihilism, a revolt against the rationalistic and universalistic pretensions of the Enlightenment, an affirmation of the dynamism of modern life, and the replacement of the traditional Judeo-Christian values of good and evil by other dualities such as authenticity and decadence. Concurrently there took place affirmation of the technological era, the creation of a 'new man' and a violent order, and the birth of a new political style in place of traditional world-views. When channelled into the political sphere, these aesthetic nihilist ideas paved the way for the rise of totalitarianism.

In the turbulent period between 1870 and 1930, the contours on modernity were taking shape, especially the connections between technology, politics and aesthetics. The trilogy The Nihilist Order traces the genealogy of the nihilist-totalitarian syndrome. Until now, nihilism and totalitarianism were considered opposites: one an orderless state of affairs, the other a strict regimented order. On closer scrutiny, however, a surprising affinity can be found between these two concepts that dominated the history of the first half of the twentieth century. Starting with Nietzsche's philosophy, this book traces the development of an intellectual school characterized by the paradoxical dual purpose of a wish to destroy, coupled with a strong desire to create imposing structures. This explosive combination of nihilist leanings together with a craving for totalitarianism was an ideal of philosophers, cultural critics, political theorists, engineers, architects and aesthetes long before it materialized in flesh and blood, not only in technology, but also in fascism, Nazism, bolshevism and radical European political movements. Friedrich Nietzsche, Georges Sorel, the Italian Futurists, led by Filippo Tommaso Marinetti, and Ernst J nger were all well-known intellectual and cultural figures. Here they are seen and understood in a different light, as creators of a modern political mythology that became a source of inspiration for belligerent ideological camps. Among the ideas propagated by this school, and later adopted by totalitarian regimes, were historical nihilism, a revolt against the rationalistic and universalistic pretensions of the Enlightenment, an affirmation of the dynamism of modern life, and the replacement of the traditional Judeo-Christian values of good and evil by other dualities such as authenticity and decadence. Concurrently there took place affirmation of the technological era, the creation of a 'new man' and a violent order, and the birth of a new political style in place of traditional world-views. When channeled into the political sphere, these aesthetic nihilist ideas paved the way for the rise of totalitarianism.

The explosive combination of nihilist leanings together with a craving for totalitarianism was an ideal of philosophers, cultural critics, political theorists, engineers, architects and aesthetes long before it materialised in flesh and blood, not only in technology, but also in fascism, Nazism, bolshevism and radical European political movements. "The Nihilist Order", originally published in three hardcover volumes and now published in a consolidated paperback edition with an encompassing new Introduction, inspired excellent review endorsements, both amongst the academic and public spheres -- and has been heralded as a great achievement in European intellectual and cultural history.

Nietzsche and Jewish Political Theology is the first book to explore the impact of Friedrich Nietzsche’s work on the formation of Jewish political theology during the first half of the twentieth century. It maps the many ways in which early Jewish thinkers grappled with Nietzsche’s powerful ideas about politics, morality, and religion in the process of forging a new and modern Jewish culture. The book explores the stories of some of the most important Jewish thinkers who utilized Nietzsche’s writings in crafting the intellectual foundations of Jewish modern political theology. These figures’ political convictions ranged from orthodox conservatism to pacifist anarchism, and their attitude towards Nietzsche’s ideas varied from enthusiastic embrace to ambivalence and outright rejection. By bringing these diverse figures together, the book makes a convincing argument about Nietzsche’s importance for key figures of early Zionism and modern Jewish political thought. The present study offers a new interpretation of a particular theological position which is called "heretical religiosity." Only with modernity and, paradoxically, with rapid secularization, did one find "heretical religiosity" at full strength. Nietzsche enabled intellectual Jews to transform the foundation of their political existence. It provides a new perspective on the adaptation of Nietzsche’s philosophy in the age of Jewish national politics, and at the same time is a case study in the intellectual history of the modern Jewry. This new reading on Nietzsche’s work is a valuable resource for students and researchers interested in philosophy, Jewish history and political theology.

The temptation to resort to violence runs like a thread through Albert Camus works, and can be viewed as an additional key to understanding his literary productions and philosophical writings. His short life and intellectual attitudes were almost all connected with brutality and cruel circumstance. At the age of one he lost his father, who was killed as a soldier of the French army at the outbreak of the First World War. He passed his childhood and youth in colonial Algeria, no doubt experiencing degrees of inhumanity of that difficult period; and in his first years in conquered France he was editor of an underground newspaper that opposed the Nazi occupation. In the years following the Liberation, he denounced the Bolshevist tyranny and was witness to the dirty war between the land of his birth and his country of living, France. Camus preoccupation with violence was expressed in all facets of his work as a philosopher, as a political thinker, as an author, as a man of the theatre, as a journalist, as an intellectual, and especially as a man doomed to live in an absurd world of hangmen and victims, binders and bound, sacrificers and sacrificed, crucifiers and crucified. Three main metaphors of western culture can assist in understanding Camus thinking about violence: the bound Prometheus, a hero of Greek mythology; the sacrifice of Isaac, one of the chief dramas of Jewish monotheism; and the crucifixion of Jesus, the founding event of Christianity. The bound, the sacrificed and the crucified represent three perspectives through which David Ohana examines the place of ideological violence and its limits in the works of Albert Camus.

Terrorist's Creed casts a penetrating beam of empathetic understanding into the disturbing and murky psychological world of fanatical violence, explaining how the fanaticism it demands stems from the profoundly human need to imbue existence with meaning and transcendence.

This book examines the role of messianism in Zionist ideology, from the birth of the Zionist movement through to the present. Is shows how messianism is not just a religious or philosophical term but a very tangible political practice and theology which has shaped Israeli identity. The author explores key issues such as: the current presence of messianism in the Israeli public sphere and the debates with jewish settlers in the occupied territories after the 1967 war the difference between transcendental messianism and promethean messianism the disparity between the political ideology and political practice in the history of Israel the evolution of the messianic idea in the actions of David Ben-Gurion the debate between Martin Buber, Gershom Scholem, Isaiah Leibowitz, J. L. Talmon and other intellectual figures with Ben-Gurion the implications of political theology and the presence of messianic ideas in Israeli politics As the first book to examine the messianism in Israeli debate since the creation of the Israeli state, it will be particularly relevant for students and scholars of Political Science, modern intellectual history, Israel studies, Judaism and messianism.

This book posits a new theory of fascism as a radical political community of experience. The author engages with a range of thinkers both critical of and inspiring fascism including Walter Benjamin, Albert Camus, Ernst Jünger, Carl Schmitt, Friedrich Nietzsche and Martin Heidegger. This book will be of interest to scholars of the history of political thought, fascism and Nazism.

The Intellectual Origins of Modernity explores the long and winding road of modernity from Rousseau to Foucault and its roots, which are not to be found in a desire for enlightenment or in the idea of progress but in the Promethean passion of Western humankind. Modernity is the Promethean passion, the passion of humans to be their own master, to use their insight to make a world different from the one that they found, and to liberate themselves from their immemorial chains. This passion created the political ideologies of the nineteenth century and made its imprint on the totalitarian regimes that arose in their wake in the twentieth. Underlying the Promethean passion there was modernity—humankind's project of self-creation—and enlightenment, the existence of a constant tension between the actual and the desirable, between reality and the ideal. Beneath the weariness, the exhaustion and the skepticism of post-modernist criticism is a refusal to take Promethean horizons into account. This book attests the importance of reason, which remains a powerful critical weapon of humankind against the idols that have come out of modernity: totalitarianism, fundamentalism, the golem of technology, genetic engineering and a boundless will to power. Without it, the new Prometheus is liable to return the fire to the gods.

It is claimed that Zionism as a meta-narrative has been formed through contradiction to two alternative models, the Canaanite and crusader narratives. These narratives are the most daring and heretical assaults on Israeli-Jewish identity. The Israelis, according to the Canaanite narrative, are from this place and belong only here; according to the crusader narrative, they are from another place and belong there. The mythological construction of Zionism as a modern crusade describes Israel as a Western colonial enterprise planted in the heart of the East and alien to the area, its logic and its peoples. The nativist construction of Israel as neo-Canaanism demands breaking away from the chain of historical continuity. These are the greatest anxieties that Zionism and Israel needed to encounter and answer forcefully. The Origins of Israeli Mythology seeks to examine the intellectual archaeology of Israeli mythology, as it reveals itself through the Canaanite and crusader narratives.