Dawg Towne explores universal themes of love and loss through the deceptively simple lens of suburban life. But is life in the suburbs ever really simple? Over the course of one year in Towne, spouses die, children grow up, affairs begin and end, lies are repeatedly spoken, bad sex happens (good sex, less often), gender is questioned, and dogs go missing. Many dogs. Humorous and canine-centric, Dawg Towne is like Peyton Place re-written by Dorothy Parker and your friendly neighborhood veterinarian. And yes, this is work of fiction.

This complex and intellectually extensive novel is an anthropological discovery of the various personal and social dimensions that define an imaginative place on the East Coast, to which the West Coast protagonist adapts and subordinates his new life even as he assists several of their inhabitants in their polyphonic story. The benign helpfulness of this book's language - its precision and humor, its sheer competence and intelligent ambition - creates a unique landmark in fiction. This novel is part of Bayliss's series GLOUCESTERMAN. Each of the four novels may be enjoyed independently.

In 1969, a low-budget biker movie, Easy Rider, shocked Hollywood with its stunning success. An unabashed celebration of sex, drugs, and rock 'n' roll (onscreen and off), Easy Rider heralded a heady decade in which a rebellious wave of talented young filmmakers invigorated the movie industry. In Easy Riders, Raging Bulls, Peter Biskind takes us on the wild ride that was Hollywood in the '70s, an era that produced such modern classics as The Godfather, Chinatown, Shampoo, Nashville, Taxi Driver, and Jaws. Easy Riders, Raging Bulls vividly chronicles the exuberance and excess of the times: the startling success of Easy Rider and the equally alarming circumstances under which it was made, with drugs, booze, and violent rivalry between costars Dennis Hopper and Peter Fonda dominating the set; how a small production company named BBS became the guiding spirit of the youth rebellion in Hollywood and how, along the way, some of its executives helped smuggle Huey Newton out of the country; how director Hal Ashby was busted for drugs and thrown in jail in Toronto; why Martin Scorsese attended the Academy Awards with an FBI escort when Taxi Driver was nominated; how George Lucas, gripped by anxiety, compulsively cut off his own hair while writing Star Wars, how a modest house on Nicholas Beach occupied by actresses Margot Kidder and Jennifer Salt became the unofficial headquarters for the New Hollywood; how Billy Friedkin tried to humiliate Paramount boss Barry Diller; and how screenwriter/director Paul Schrader played Russian roulette in his hot tub. It was a time when an "anything goes" experimentation prevailed both on the screen and off. After the success of Easy Rider, young film-school graduates suddenly found themselves in demand, and directors such as Francis Coppola, Peter Bogdanovich, George Lucas, and Martin Scorsese became powerful figures. Even the new generation of film stars -- Nicholson, De Niro, Hoffman, Pacino, and Dunaway -- seemed a breed apart from the traditional Hollywood actors. Ironically, the renaissance would come to an end with Jaws and Star Wars, hugely successful films that would create a blockbuster mentality and crush innovation. Based on hundreds of interviews with the directors themselves, producers, stars, agents, writers, studio executives, spouses, and ex-spouses, this is the full, candid story of Hollywood's last golden age. Never before have so many celebrities talked so frankly about one another and about the drugs, sex, and money that made so many of them crash and burn. By turns hilarious and shocking, Easy Riders, Raging Bulls is the ultimate behind-the-scenes account of Hollywood at work and play.

Comic strip about an African American family and their dog.

"When Darwin called his second book The Descent of Man instead of The Ascent of Man he was thinking of his progeny." So declares Darwin's great-great grandson Matthew Chapman as he leaves behind his stressful career as a Hollywood screenwriter and travels to Dayton, Tennessee where in 1925 creationist opposition to the teaching of evolution in schools was played out in a famous legal drama, the Scopes Trial. The purpose of this journey is to see if opinions have changed in the seventy- five intervening years. A defiant atheist, Chapman is confronted not only by the fundamentalist beliefs that continue to banish the theory of evolution but by his own spiritual malaise as the outward journey becomes an inward quest, a tragicomic "accidental memoir". "First there was Charles Darwin, two yards long and nobody's fool. Then there was his son, my great-grandfather, Sir Francis Darwin, an eminent botanist. Then came my grandmother Frances, a modest poet who spent a considerable amount of time in rest-homes for depression From her issued my beloved mother, Clare, who was extremely short, failed to complete medical school, and eventually became an alcoholic. Then we get down to me. I'm in the movie business." Trials of the Monkey combines travel writing and reportage, as Chapman records his encounters in the South, with history and the accidental memoir of a man full of mid-life doubts in a genre-breaking first book that is darkly funny, provocative and poignant.

After the apocalyptic events of From the Ashes, Ash is reunited with Sheila as the two set out to remake the world and reclaim the legacy of humanity. How can Ash possibly screw this up? Oh, just you wait...It all starts here in Ash's Long Road Home!