Introduction:'at the turn of time' --Part I. David Jones and empire --Introduction to Part I:The political formation of the Roman analogy --Shaping Rome through 'contactual' experience: war and post-war disillusionment --British imperial rhetoric: subverting the Roman analogy of empire --Expanding the Roman imperial analogy: fascism, communism, and the co-agency of empires --Part II. David Jones and cyclical historyIntroduction to Part II:The Roman precedent for the decline of western civilisation --Cyclical history and Roman decline: a theoretical foundation for the Roman fragments --The forms of the late civilisational phase: charting the decline of the West from Roman precedents --The antithesis of culture and civilisation: examining Spenglerian principles in Roman poetry --Part III. David Jones and culture --Introduction to Part III: Recovering Rome in the pursuit of Western unity and continuity --Investigating cultural decline: the Classical and Christian traditions --Reconnecting with Rome: the fight for the unity and continuity of Western culture --Jones's cultural theory: re-establishing the bridge in response to the break --Part IV. David Jones and Wales --Introduction to Part IV:The Roman foundation of the Welsh nation --Reimagining cultural decline: the fight for Wales as Britain s last link to Rome --Rewriting Welsh history: establishing Wales as a Roman nation --Cultural dynamics: the place of Rome in the bridge --Conclusion:'down the history maze'.

This interdisciplinary and archival study explores the reception of ancient Rome in the artistic, literary, and philosophical works of David Jones (1895-1974)—the Anglo-Welsh, Roman Catholic, First World War veteran. For Jones, the twentieth century was a period of crisis, an age of conflict, disillusionment and cultural decay, all of which he saw as evidence of the decline of Western civilisation. Across his lifetime, Jones would create a dynamic vision of ancient Rome in an attempt both to understand and to challenge this situation. His reimagining of Rome was not founded on a classical education. Instead, it was fashioned from his lived experience, extensive reading, and—most importantly—his engagement with four areas of contemporary discourse that were themselves built upon intricate and conflicting representations of Rome: British political rhetoric, cyclical history, the Catholic cultural revival, and the Welsh nationalist movement. Tracing Jones's developing approach to Rome across these contexts can provide a way into his art and thought. Whether in his poetic fragments, watercolours, essays, letters, marginalia or unique painted inscriptions, Jones strove to question, complicate and remake Rome's relationship with modernity. In this way, Rome appears in Jones's works both as a symbol of transhistorical imperialism, totalitarianism, and the mechanisation of life, and simultaneously as the cultural and religious progenitor of the West, and in particular, of Wales, with which artists must creatively reconnect if decline was to be avoided.

What went wrong in imperial Rome, and how we can avoid it: “If you want to understand where America stands in the world today, read this.” —Thomas E. Ricks The rise and fall of ancient Rome has been on American minds since the beginning of our republic. Depending on who’s doing the talking, the history of Rome serves as either a triumphal call to action—or a dire warning of imminent collapse. In this “provocative and lively” book, Cullen Murphy points out that today we focus less on the Roman Republic than on the empire that took its place, and reveals a wide array of similarities between the two societies (The New York Times). Looking at the blinkered, insular culture of our capitals; the debilitating effect of bribery in public life; the paradoxical issue of borders; and the weakening of the body politic through various forms of privatization, Murphy persuasively argues that we most resemble Rome in the burgeoning corruption of our government and in our arrogant ignorance of the world outside—two things that must be changed if we are to avoid Rome’s fate. “Are We Rome? is just about a perfect book. . . . I wish every politician would spend an evening with this book.” —James Fallows

The appearance in 1964 of A.H.M. Jones’ The Later Roman Empire 284–602: A Social, Economic, and Administrative Survey transformed the study of the Late Antique world. In this volume a number of leading scholars reassess the impact of Jones’ great work, the influences that shaped his scholarship, and the legacy he left for later generations. Jones’ historical method, his fundamental knowledge of Late Roman political, social, economic and religious structures, and his famous assessment of the Decline and Fall of Rome are re-examined here in the light of modern research. This volume offers a valuable aid to academics and students alike who seek to better understand and exploit the priceless resource that is the Later Roman Empire. Contributors are Averil Cameron, Peter Garnsey, David Gwynn, Peter Heather, Caroline Humfress, Luke Lavan, Wolfgang Liebeschuetz, Stefan Rebenich, Alexander Sarantis, Roger Tomlin, Bryan Ward-Perkins, and Michael Whitby.

The architects of ancient Rome developed a vibrant and enduring tradition, inspiring those who followed in their profession even to this day. This book explores how Roman architects went about the creative process.

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This text vividly presents life on the front line, challenging the accepted wisdom about David Jones's service and illuminating the man and his work. Accompanying the text are photos of Jones and wartime sketches and writing, for the best part previously unpublished, and 7 fully rendered drawings not seen since the war.

David Jones's 'Anathemata' is a spiritual and historical poem which looks at the West and in particular Britain.